David Henry Wilson (born 1937, in London) is an English writer. As an author he is best known for his children's stories such as the Jeremy James series. Wilson has also had a number of plays produced in the United Kingdom, both for children and adults.[1] He is also the author of The Coachman Rat (1989), a satirical novel based on the Cinderella story.
Wilson has had many books published in the United Kingdom. A number of these have also been translated into other languages. He also translates many works from French and German, ranging from children's books by Kirsten Boie to travel guides by Peter Sager, art history by Werner Hofmann, and literary theory by Wolfgang Iser. He is also a prolific playwright, writing both short and full-length works. A common theme appears to be sequels to works by Shakespeare.
Personal life
Wilson is widowed and has three grown-up children; he now lives in Taunton, Somerset.[2] He is a fan of cricket and classical music and also enjoys rugby. His youngest child, J.J. Amaworo Wilson is an American-based author whose magical realist novel Damnificados[3] is an award winner.[4]
Selected works for children
The Jeremy James series, comprising:
Elephants Don’t Sit on Cars (1978)
Never Say Moo to a Bull, formerly Getting Rich With Jeremy James (1979)
How the Lion Lost his Lunch, formerly Beside the Sea with Jeremy James (1980)
Can a Spider Learn to Fly?, formerly How to Stop a Train with One Finger (1983)
Do Goldfish Play the Violin? (1985)
Please Keep Off the Dinosaur (1993)
Do Gerbils Go to Heaven? (1996)
Never Steal Wheels from a Dog (2001)
These have been combined by Macmillan Children's Books into three volumes:
Iago, The Villain of Venice, a full-length sequel to Othello (another large cast).
Excellent Beauty & other short plays, including How To Avoid A Tragedy, a 30-minute, happy-ending romp through Shakespeare's four great tragedies (3m, 1f, winner of the Hydrae Prize 2003.) "Very witty, light and entertaining" (Royal Shakespeare Company).
Lear's Fool / The Tragedy of Lady Macbeth.[8] Two one-hour plays, exploring two of Shakespeare's most enigmatic characters. (4m, 1f and a minimum of 4m, 2f, first produced at the Jermyn Street Theatre, London.) "Rewriting Shakespeare requires a fair amount of courage, not to mention talent – both of which David Henry Wilson appears to possess in considerable amounts" (West End Extra)[citation needed].