His principal areas of research are systematic musicology and aesthetics of music. He published extensively on the epistemological problems of the music studies. In his book Identity and Music: Between Criticism and Technique he explores the contemporary music scholarship concerned with identity politics. His recent research has been focused on the notion of anarchy in the work of John Cage,[1] on the music ontology of Jewish philosopher Ivan Focht,[2] and on the work of German artist Hans-Jürgen Syberberg.[3]
Istraživanja recepcije u muzikologiji i njihovi izgledi (Reception Research in Musicology and its Prospects), Zagreb: Croatian Musicological Society, 2002, ISBN953-6090-19-8
Foucault hört hin, in: Andreas Holzer & Annegret Huber (eds.): Musikanalysieren im Zeichen Foucaults (= Anklaenge: Wiener Jahrbuch für Musikwissenschaft), Wien: Mille Tre, 2014, pp. 55-68, ISBN978-3-900198-39-8
Branches, Musicological Annual 51 (2015) 2, 9-25. ISSN 0580-373X (On the notion of anarchy in the work of John Cage)