Canadian film director and screenwriter
Clément Perron (July 3, 1929 – October 12, 1999) was a Canadian film director and screenwriter.[1][2]
Early life and education
Perron was born in Quebec City, Quebec. After graduating from the University of Laval with a Bachelor of Arts in Philosophy Perron went to France to continue his studies with the goal of becoming a teacher. He studied linguistics at the Academie de Portier.[3]
Career
After watching screenings at the Cinémathèque française in Paris, Perron became interested in cinema and on his return to Canada in 1957, he joined the NFB as a writer.[4]
In 1960, he began directing documentary shorts and in 1962, found critical success with his film Day After Day (Jour après jour), which won two Canadian Film Awards.[5] Perron continued to work primarily on documentaries until the NFB decided to make an attempt at a more commercial cinema in the late sixties and early seventies.[6] He directed three fiction feature-length films of moderate success during this time period but his biggest accomplishment was writing the screenplay for Mon oncle Antoine (1971) which was based on his own childhood experiences.[7]
Perron retired from the NFB in 1986 to work in the private sector primarily as a writer.[citation needed] Perron died in 1999 in Pointe-Claire, Quebec.
Selected filmography
Fiction
Documentaries
- Georges-P. Vanier: soldat, diplomate, gouverneur général (Short, 1960)
- Crossbreeding for Profit (Short, Co-Directed with Pierre Patry, 1961)
- Loisirs (Short, Co-Directed with Pierre Patry, 1962)
- Les bacheliers de la cinquième (Short Co-Directed with Francis Séguillon, 1962)
- Day After Day (Jour après jour) (Short, 1962)
- Marie-Victorin (Short, 1963)
- Salut Toronto! (Short, 1965)
- Cinéma et réalité (Co-Directed with Georges Dufaux, 1967)
- Fermont, P.Q. (Co-Directed with Monique Fortier, 1980)
References
External links
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