Hendrik Goltzius' engraving of Clio is the fourth in his series on the nine Muses, and was executed in 1592.
Description
The engraving depicts the Greek muse of history seated, holding a pen in her right hand and a tablet and inkwell in her left, with two books at her feet.[2][3][4]
She is drawn, wrote historian Natalie Zemon Davis, "with a faint smile, perhaps ironic, certainly detached. From this picture, it is only a short step to some Renaissance representations of History as a winged woman writing, her white garb signifying that she bears witness to truth as well as to renown."[4]
Four lines about Clio, in Latinhexameter by 16th-century Dutch poet Franco van Est (Franco Estius), form a caption at the bottom of the engraving.[3][5]
They read:
Gesta ducum, Regumque canit Parnassia Cleo,
Historicis mandatque modis, et fortia facta
Heroum nec tempus edax, nec conterat [a]etas
Inuidiosa cauet, longumque exten[d]it in Æuum
Or, in an approximate translation into English,
Cleo from Parnassus sings of the deeds of leaders and kings, And she molds them into the genre of history. She watches that neither devouring time nor begrudging age would wear away the brave feats of heroes, and extends (those feats) into the depths of time.
Context
The series was printed in folio size, and was dedicated to Goltzius's friend and fellow engraver Jan Sadeler.[6]
It was one of several series of engravings that Goltzius made upon returning to his home in Haarlem after spending the years 1590–1591 studying art in Italy,[7]
where he came under the influence of a school of engraving founded by his fellow Dutchman Cornelis Cort.[8]
^Ortiz, Antonio Domínguez; Sánchez, Alfonso E. Pérez; Gállego, Julián (1989). Velázquez. Metropolitan Museum of Art. pp. 225–227. ISBN978-0-87099-554-5.