He worked in partnership with Charles Stephen Floyce or Fleuss (c1857-1895), until the end of 1890.[4] They advertised as 'panel and mural painters' and 'artists in stained glass'.[5] Floyce later (1892) worked with Blomfield on the Royal Memorial Church of St George, Cannes.[6]
The reredos formerly in St Mark's Church, Horsham, is now in St Mary's Church. It cost about £200. "The upper part of the reredos is in the form of a triptych. The framework is of oak, and the panels, gilt and coloured, are painted in oils, the work being of the Flemish school. The centre panel represents the adoration of the infant Jesus by the Virgin and St Joseph. The side panels bear figures of the four Evangelists. Sir Arthur Blomfield was the architect, and Messrs. Floyce and Buckeridge, of London, were the artists."[8]
"The altar and reredos of the church of St. Nicholas, Rodmersham, Kent, have been exquisitely painted by Messrs. Buckeridge and Floyce". "It represents the best order of ecclesiastical art, viz., the 15th Century German, whilst the character of the ornament is founded on the old Norfolk work".[11]
His masterpiece is probably the triptych (1892–93) for the architect Norman Shaw's All Saints' Church, Richard's Castle, Shropshire.[12]
Personal life
Charles married Ellen Dunkley in Marylebone in 1888[13] and had one son, Albert (b 1881). In 1882 his address was given as 4, Duke Street, Portland Place and in 1891 Wilmot Place, St Pancras. He later lived at Mortimer Street, Marylebone. He died at 64 Agamemnon Road, West Hampstead in 1898,[14] and is buried in Camden. According to Saint "In November 1894 .. his wife destroyed one of his largest paintings and fled".[3]
Gallery
Reredos, Richard's Castle
St Pancras (Old Church) Reredos
St Mary Magdalene, Enfield. The ceiling
Triptych, St Katharine, Ickleford
Triptych, Salisbury Cathedral
North Mundham
St Martin, Scarborough.
The Angel Gabriel. St Mary Magdalene, Enfield.
The Magi. St Mary Magdalene, Enfield.
Annunciation, Leatherhead
Holy Trinity Church, Guildford
Works
Incomplete. (After Andrew Saint[3] with additions)
Buckeridge and Floyce[24][25] "its huge reredos (a masterpiece of Late Victorian ecclesiastical decoration with magnificent and amazingly richly detailed paintings by Buckeridge and Floyce) is majestic and stately"[26]
"The apse was adorned with paintings by Charles Edgar Buckeridge, the original architect's son, and Ethel King Martin; they were restored in 1996."[7] "This entry probably refers to the altar front, painted originally for the temporary chapel. Later, Buckeridge added three of the panel paintings round the apse of the chapel".[3] "At Holy Trinity Convent he painted the front of the main altar (now at Malvern) and two of the side panels." The location of the altar front is now not known. It might originally have been moved to the Convent of the Holy Name, Malvern Link, in 1946, but that closed in 1990.
West End of North Aisle. "Depicts Our Lord and His disciples at the Sea of Galilee. Made by Messrs Buckeridge and Floyce of London. In memory of Revd Charles Frederick Overton, Incumbent of St George’s after the death of Dean Williams."[31]
[34] "The centre panel depicts the Lord, after His resurrection, appearing to St. Mary Magdalene in the garden, the two angels being seen at the tomb in the background. The painting is in the style of the Flemish or German School, and is excellent example of the characteristics of that school. It is executed by Mr. Buckeridge, London, the whole design being that of Sir A. Blomfield."[35]
^Hubbuck, Rodney (1969). The Portsmouth Papers – 08 – Portsea Island Churches. pp. 24–25. its huge reredos (a masterpiece of Late Victorian ecclesiastical decoration with magnificent and amazingly richly detailed paintings by Buckeridge and Floyce) is majestic and stately
^Wright, John (1908). "Old St Pancras Church, London". Some notable altars in the church of England and the American episcopal church. The Macmillan Company. pp. 110–112.
^"Description of the new chancel and altar". The West Surrey Times. 3 November 1888. p. 6.
^"Truro Cathedral". Cornishman. 3 November 1887. p. 8 – via British Library Newspapers.
^"Woburn Sands Church". Leighton Buzzard Observer and Linslade Gazette. 6 October 1896. p. 4,5.
^Wright, John (1908). "Church of St Giles, Cripplegate, London". Some notable altars in the church of England and the American episcopal church. The Macmillan Company. pp. 106–107.
^Wright, John (1908). "All Saint' Church, Richard's Castle". Some notable altars in the church of England and the American episcopal church. The Macmillan Company. pp. 226–227.
^Wright, Christopher; May Gordon, Catherine (2006). British and Irish Paintings in Public Collections: An Index of British and Irish Oil Paintings by Artists Born Before 1870 in Public and Institutional Collections in the United Kingdom and Ireland. Yale University Press. pp. 215–216.