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Cava de' Tirreni lies among the hills close to the Tyrrhenian Sea, 5 km (3 mi) north of the Amalfi Coast and serving in practice as its northern gateway. The inhabited area is 198 m above sea level, in a valley situated between two mountain groups: the Lattari Mountains (which separate Cava from the Amalfi Coast) to the west and the Picentini Mountains to the east. Many of Cava's citizens reside in the hills surrounding the town.
The Italian: frazioni of Cava are: Alessia, Annunziata, Arcara, Casaburi-Rotolo, Castagneto, Corpo di Cava, Croce, Dupino, Marini, Passiano, Pregiato, San Cesareo, San Pietro, Sant'Anna, Sant'Arcangelo, San Martino, Santa Lucia, Santa Maria del Rovo, Santi Quaranta.[4]
History
The town, initially comprehending present-day Vietri sul Mare, was founded by the Etruscans with the name of Marcina, as part of a colonial system known as Etruria Campana. The modern name Cava de' Tirreni (lit. 'Cave of the Tyrrhenians') is a tribute to the Etruscan heritage of the area.
The church and the greater part of the abbey buildings were entirely modernized in 1796. The old Gothic cloisters are preserved. The church contains a fine organ and several ancient sarcophagi. The archives, now national property, include fine incunabula, documents and manuscripts of great value (including the Codex Legum Longobardorum of 1004[3] and the La Cava Bible).
Abbey of La Trinità della Cava, founded in 1011. Features include the ambon with mosaics (12th century), the grotto of St. Alferius, the Romanesquecloister (13th century) and the large library, housing more than 50,000 volumes.
Cathedral (Duomo), begun in 1517 and opened in 1571.
Sanctuary of St. Francis and St. Anthony, an early 16th-century structure restored after the 1980 earthquake had damaged it. The façade is in tuff and travertine, with three large arches, the central one surmounted by a balcony. The main portal has a series of friezes sculpted in 1528 by local masters and containing scenes from the Gospels. The belltower, with three orders, was finished in 1584. The interior is on the Latin Cross plan, with some 16th-century frescoes by Belisario Corenzio in the sacristy.