The construction on the Gothic Revival style church began in 1884, and was completed in 1925. The church tower was built in 1969.
History
Originally, the mother church of Petrópolis was a modest building located in front of the Imperial Palace but the construction of a new one on the same site was proposed in the urbanization plan of Petrópolis, dated 1843, produced by Major Júlio Frederico Koeler.
Aerial view
In the 1870s the construction of the new church was reconsidered, thanks to the interest of Emperor Pedro II and his daughter, Isabel, Princess Imperial. In 1871 the construction of a new Matrix was officially sanctioned but it would be slow to materialize. In 1876 the Italian architect Federico Roncetti presented a plan in Renaissance Revival architecture that was refused.
The current building of the cathedral only began in 1884. The project was commissioned from the Bahian engineer and architect Francisco Caminhoá, who designed a Neo-Gothic style building, very fashionable at the time, especially inspired by the old cathedrals of northern France. The work was carried out by the contractor Manuel Pereira Jerônimo, son of one of the first families to settle in the city, coming from Pico Island in the Azores.
The construction of the cathedral did not stop after the Proclamation of the Republic and continued until 1901 when the works enter a period of paralysis. Under the command of engineer Heitor da Silva Costa the work entered into a second phase of intense activity in 1918. Finally, on 29 November 1925, the new Cathedral of Petrópolis was inaugurated after 37 years of work. The building, however, was not complete, lacking the main façade and the tower, and much of the interior decoration. The works of the façade only began in 1929 and reached rosette level in the 1930s. The tower was built between 1960 and 1969.
The Cathedral of Petrópolis is a Neo-Gothic church of Latin cross with little pronounced transept and three naves. The headboard has an ambulatory connected with the main chapel. The cathedral measures 70 meters in length and 22 meters wide, with a height of 19 meters on the naves.
The main façade of the church has a portal with multiple archivolts in the form of pointed arches. In the place of the tympanum there is a Calvary (Crucified Christ, the Virgin and Joseph of Arimathea), and in the upper part of the façade are statues of the four evangelists (St. Mark, St. Luke, St. John and St. Matthew). All these sculptures are authored by Adam Bordignon (c.1935). The façade also contains a rose window.
The tower, the most recent element of the church (1960s), rises 70 meters above the ground and contains a chime of five cast bronze bells in Passau, Germany weighing nine tons.
Inside, the spaces are divided by typically pointed Gothic arches. On the right side of the entrance is the Imperial Mausoleum and on the left side the baptistery, with the baptismal font of the former matrix of Petrópolis (1848). The choir of the church has a main altar made of Portuguese Lioz Limestone. In the ambulatory there is a huge statue of the patron of the cathedral and monarchy, St. Peter of Alcantara, carved in Carrara marble by Frenchman Jean Magrou (c.1925). The stained-glass windows of the ambulatory and nave date mostly from the 1930s.
The cathedral has an important organ, manufactured in Rio de Janeiro and installed in 1937 by Guillermo Berner.
Imperial Mausoleum
Tomb of Emperor Pedro II and Empress Teresa Cristina
The church houses the Imperial Mausoleum, which is a small chapel situated to the right of the churchyard of the cathedral. The main tombs were carved in Carrara marble circa 1925 by French sculptor Jean Magrou, author of the gisants, and by Brazilian Hildegardo Leão Veloso, author of the reliefs on the sides.[1] The other tombs were carved by Brazilian Humberto Cozzo. The windows of the chapel have colorful stained glass windows with poems written by Pedro II during his exile, in which the Emperor reveals his longing for his native country. The altar of the chapel, carved in marble and with a granite cross from Tijuca, contains relics of the saints Saint Magnus, Saint Aurelia and Saint Tecla, brought from Rome.
Among the members of the Brazilian Imperial Family buried in the Imperial Mausoleum since its inauguration in 1939 are:
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