Bernice Ann Keolamauloaonalani Akamine (néeBernice Ann Keolamauloaonalani Miyamoto; born December 1, 1949 – June 14, 2024) was an American Native Hawaiian traditional artist and Hawaiian rights activist. Her visual art has taken multiple forms, including glass and featherwork, and she teaches traditional Hawaiian art techniques such as the creation of kapa cloth and natural dyeing using Hawaiian plants. Akamine was an advocate for Indigenous land rights, using her artwork to bring attention to the colonial invasion of Hawaii and its continued effects on the native Hawaiian population.
Early life and education
Bernice Ann Keolamauloaonalani (Miyamoto) Akamine was born in Honolulu, Hawaii, on December 1, 1949.[1][2] Her heritage is kānaka maoli (Native Hawaiian) and Japanese American.[3] Akamine's grandmother was a kahunalāʻau lapaʻau, a traditional Hawaiian healer, and her mother, Audrey Elliott, was a lauhala weaver.[4]
Akamine earned two degrees from the University of Hawaii at Manoa: a Bachelor of Fine Arts degree in glass in 1994 and a Master of Fine Arts degree in sculpture and glass in 1999.[5][6] She studied multiple traditional Hawaiian art forms at the university, such as lei hulu (feather leis) and lauhala weaving.[7] She has also completed graduate work at Central Washington University in natural resource management.[8]
Bernice died on June 14, 2024 in Kailua, Hawaii at the age of 74.[9]
Akamine creates kapa, cloth created by beating bark.[8] She was featured in a 2015 documentary, Ka Hana Kapa, along with other kapa makers and has served as a consultant to the Smithsonian Institution, helping them identify the plants that made the kapa colors on items in their collections.[10] She has also created contemporary baskets inspired by traditional symbols of Hawaiian nobility, using the feathers of small birds.[11] Akamine says her art "is meant to make a statement and preserve cultural knowledge."[10]
Selected projects
Kalo (2015): large-scale traveling installation featuring 87 individual kalo plants made from pōhaku (stone) and newsprint[4][12]
Hinalua’iko’a (2017): suspended and freestanding beaded sculptures inspired by traditional Hawaiian fish traps, oceanic forms, and Kumulipo, the Hawaiian creation chant[4]
Ku‘u One Hānau (2019): five tents made with the Hawaiian flag drawing attention to homelessness within the kānaka maoli (Native Hawaiian) population[14]
