The Ashtavakra Gita (Sanskrit: अष्टावक्रगीता; IAST: aṣṭāvakragītā)[1] or Song of Ashtavakra is a classical Advaita text in the form of a dialogue between the sage Ashtavakra and Janaka, king of Mithila.[2]
Dating
Radhakamal Mukerjee, an Indian social scientist, dated the book to the period immediately after the Hindu scripture Bhagavad Gita (600 BCE according to Mukerjee; commonly dated to ca. 2nd century BCE), at c. 500–400 BCE.[3] J. L. Brockington, emeritus professor of Sanskrit at the University of Edinburgh, places the Ashtavakra Gita much later, supposing it to have been written either in the eighth century CE by a follower of Adi Shankara, or in the fourteenth century during a resurgence of Shankara's teaching.[4][5] Sri Swami Shantananda Puri suggests that since the book contains the seed of the theory of non-creation Ajata Vada developed later by Gaudapada in Mandookya Karika, this book comes from a period prior to that of Gaudapada (6th century CE) and hence prior to Shankara.[6]
Identification of Ashtavakra
Ashtavakra is probably identical to the holy sage with the same name who appears in Mahabharata, though the connection is not clearly stated in any of the texts.[7] Mukherjee identifies Janaka as the father of Sita and disciple of the sage Yajnavalkya in the Brihadaranyaka Upanishad.[7][note 1] Janaka is also depicted as a king who has attained perfection in vedas.
Contents
Overview
Ashtavakra Gita is a dialogue between Ashtavakra and Janaka on the nature of Self/Atman, reality and bondage.[9] It offers a radical version of non-dualist philosophy. The Gita insists on the complete unreality of the external world and absolute oneness of existence. It does not mention any morality or duties, and therefore is seen by commentators as 'godless'. It also dismisses names and forms as unreal and a sign of ignorance.[10]
In a conversation between Janaka and Ashtavakra, pertaining to the deformity of his crooked body, Ashtavakra explains that the size of a temple is not affected by how it is shaped, and the shape of his own body does not affect himself (or Atman). The ignorant man's vision is shrouded by names and forms, but a wise man sees only the Self:[11][12]
You are really unbound and action-less, self-illuminating and spotless already. The cause of your bondage is that you are still resorting to stilling the mind. (I.15)
You are unconditioned and changeless, formless and immovable, unfathomable awareness, imperturbable- such consciousness is un-clinging. (I.17)
You are not bound by anything. What does a pure person like you need to renounce? Putting the complex organism to rest, you can go to your rest. (V.1) [13]
Ashtavakra Gita continues to inspire people. The first musical form of Ashtavakra Gita Saksi I (Chapter 1) was set in the raga Svadhya by Composer Rajan.[16]
Translations and commentaries
Lala Baij Nath(1907) opened the discourse of this Gita into the English language.[17]
^Byrom, Thomas (1990). The Heart of Awareness: A Translation of the Ashtavakra Gita. Shambhala Publications. Page xxiii.
^Brockington, J. L. (1990). Foreword to The Heart of Awareness: A Translation of the Ashtavakra Gita, trans. Thomas Byrom. Shambhala Publications. Page xi.
^Vanita, Ruth (12 September 2010). "Full of God: Ashtavakra and Ideas of Justice in Hindu Texts". Religions of South Asia. 3 (2): 167–181. doi:10.1558/rosa.v3i2.167.
^Radhakamal Mukerjee (1971). The song of the self supreme (Aṣṭāvakragītā): the classical text of Ātmādvaita by Aṣṭāvakra. Motilal Banarsidass Publ. ISBN978-81-208-1367-0. Source: [1] (accessed: Friday March 19, 2010).
^Stroud, Scott R. (2004). "Narrative as Argument in Indian Philosophy: The Astavakra Gita as Multivalent Narrative." Philosophy and Rhetoric - Volume 37, Number 1, 2004, ISSN0031-8213, pp. 42-71.
