In 2017, he wrote, produced and directed the short silent filmThe Twisted Doll which premiered at the Polish Film Festival Los Angeles. In the same year, he wrote and directed the virtual reality horror short film Queen of Hearts starring Christina Calph of the films Arthur and Tower Heist.
In 2021, de Burgh co-produced and directed the animated short film The Legend of Santa which premiered at the BAFTA qualifying film festival DokuFest. Based on the children's book A Magical Christmas Adventure by British author Daniel Colyer, the film tells an origin story of Santa Claus that combines historical fiction and fantasy elements. In his review of the movie, Film Threat critic Bobby LePire said of it, "the film's world is inviting and feels truly magical".[11]
Season One of his debut TV series as creator and writer-director, the crime thriller The Twisted Doll premiered on October 31, 2024, on ZEE5 and Cpics. Executive produced by Kavi Raz, the show tells the story of a young Indian woman who embarks on a revenge mission in Los Angeles after her and her husband are scammed by two real estate agents. Starring Summer Singh, Xander Bailey, Bree Mignano, Felix Merback and Andrew Ghai in the lead roles, it also features guest appearances from Will Roberts of Oppenheimer, Chelsea Gilson of Hawaii Five-0 and social media influencer Carrington Durham.[12]
His second feature film, The Seductress from Hell (2024), which stars Jason Faunt,[13]James Hyde, Andrew Lauer, Rocio Scotto and Raj Jawa had its World Premiere at the 2024 Glendale International Film Festival and its Los Angeles premiere at the Micheaux Film Festival where de Burgh was nominated for the festival's Outstanding Directing for a Feature Award. On Rotten Tomatoes, the film scored an approval rating of 50%, based on 6 reviews.[14] In his review of the film, Film Threat critic Terry Sherwood gave it a score of 7 out of 10, stating that it's "quirky enough to fit next to the more extreme Asian and European offerings".[15] Douglas Davidson of Elements of Madness gave it a 2.5 out of 5, calling it "a surface-level depiction of various tropes gathered together to excuse the bloodletting".[16]