Pierre-Alfred Dedreux, who signed his works as Alfred de Dreux (23 March 1810, in Paris – 5 March 1860, in Paris) was a French portrait and animal painter, best known for his scenes with horses.
Alfred de Dreux was born in 1810 into a privileged and colourful family.[1] He was the first child and only son of the architect, Pierre-Anne Dedreux (1788-1834).[2] His sister, Élise (1812-1846) was the mother of writer Louis Becq de Fouquières. After his father won the Prix de Rome for architecture in 1815, he lived at the Villa Médicis in Rome. While there, Théodore Géricault, a friend of the family, made portraits of him (pictured) and Élise.
In 1823, at the urging of his uncle, the painter Pierre-Joseph Dedreux-Dorcy, he began studying art with Géricault who was a family friend and a lover of horses.[3] Later, he studied at the studio of Léon Cogniet.[4] By this time, horses had become his favorite subject. His first exhibition at the Salon came in 1831 with the painting Interieur del Salon, which won him immediate fame.[5] The following year, an equestrian portrait of the Duc d'Orléans became his entry to a position in the workshops of Eugène Isabey.
From 1840, he began the now famous series of portraits of horses from the stables of the Duc d'Orléans.[6] The Scènes Equestres was completed in 1842 and the Petits Scènes Equestres in 1847.[7] Dreux made a second portrait of the Duc together with his guards. King Louis-Philippe was so pleased with it that he invited Dreux to accompany him on an official trip to England. Following the revolution of 1848, the French royal family emigrated to England, where Dreux became a frequent visitor. He made many return trips there over the next few years, where the English passion for horses and fox-hunting earned him many commissions from the English aristocracy.[8]
He returned to Paris in 1852 and opened a studio where he created more equestrian portraits, this time of Emperor Napoléon III and his family, but still made frequent trips to England. In 1857, he began sharing a studio with Paul Gavarni, who he met while there. He died from an abscess in his liver that had developed during a stay in England, as evidenced by letters to his family, although a rumor was later circulated that he died in a duel with Count Fleury [fr], Napoleon's aide-de-camp. This rumor is sometimes attributed to Charles Blanc. In 1951, it was repeated in a memoir by Dreux's grandnephew, the writer André de Fouquières [fr].
^Michael, B., Graves, R. E. and Armstrong, W., Dictionary of Painters and Engravers: Biographical and Critical, London, G. Bell and Sons, 1886, p. 354
^Fine American and European Paintings and Sculptures, [HGAF Fine Art Dallas Auction Catalog], 2007, p.207
^Fine American and European Paintings and Sculptures, [HGAF Fine Art Dallas Auction Catalog], 2007, p.207
^Crisci-Richardson, R., Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917), Cambridge Scholars Publishing, 2015, p. 118
This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Dauzats, Adrien". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.
Further reading
Amaury de Louvencourt: Alfred de Dreux, 1810-1860, Galerie La Cymaise, Paris 1988, ISBN2-907580-00-0.
Marie-Christine Renauld: Alfred de Dreux, le peintre du cheval, Caracole, Lausanne 1988, ISBN2-8289-0286-2.
Marie-Christine Renauld: Alfred de Dreux, le cheval, passion d'un dandy parisien, Action artistique de la ville de Paris, Paris 1997, ISBN2-905118-89-X.
Guy Thibault, Florence de la Roncière: Alfred de Dreux, peintre de chevaux, Ville de Maisons-Laffitte, Maisons-Laffitte 1998, ISBN2-9511672-1-0.
