In 1947, John Nash arrives at Princeton University as a co-recipient, with Martin Hansen, of the Carnegie Scholarship for Mathematics. He meets fellow math and science graduate students Sol, Ainsley, and Bender, as well as his roommate Charles Herman, a literature student.
Determined to publish an original idea of his own, Nash is inspired when he and his classmates discuss how to approach a group of women at a bar. Nash argues that a cooperative approach would lead to better chances of success, which leads him to develop a new concept of governing dynamics. His theory earns him an appointment at MIT where he chooses Sol and Bender over Hansen to join him.
In 1953, Nash is invited to the Pentagon to decipher encrypted enemy telecommunications. Bored with his work at MIT, he is recruited by the mysterious William Parcher of the United States Department of Defense with a classified assignment: to identify hidden patterns in magazines and newspapers to thwart a Soviet plot. He is given an implanted diode that gives him a passcode to access a drop spot at a mansion. Nash becomes increasingly obsessive with his work and grows paranoid.
Nash falls in love with a student, Alicia Larde, and they eventually marry. After a shootout between Parcher and Soviet agents, Nash tries to quit his assignment but is forced to continue. While delivering a guest lecture at Harvard University, Nash believes he's being pursued by Soviet agents and is forcibly sedated. He awakens to a psychiatric facility under the care of Dr. Rosen.
Dr. Rosen tells Alicia that Nash has schizophrenia and that Charles, Marcee (niece of Charles), and Parcher exist only in his imagination. Alicia, Sol and Bender investigate her husband's study, which shows various news and magazine clippings. Alicia uncovers the stack of unopened "classified documents" from the drop point and brings them to Nash, revealing the truth of his assignment. Overcome with shock, Nash slices his arm open to uncover the diode, which doesn't exist. Nash is given a course of insulin shock therapy and eventually released. Frustrated with the side effects of his antipsychotic medication, he secretly stops taking it and starts encountering Parcher, who urges him to continue his assignment in a shed near his home.
In 1956, Alicia discovers Nash has relapsed and rushes home. She finds that Nash had left their infant son in the running bathtub, convinced "Charles" was watching the baby. Alicia calls Dr. Rosen, but Nash accidentally hits her and the baby, believing he's saving them from Parcher. As Alicia flees with the baby, Nash realizes that all of them have looked the same ever since he first encountered them, and concludes they must be hallucinations. Against Dr. Rosen's advice, Nash chooses not to be hospitalized again, believing he can deal with his symptoms himself with Alicia's support.
Nash returns to Princeton, approaching his old rival Hansen, now head of the mathematics department, who allows him to work out of the library and audit classes. Over the next two decades, Nash learns to ignore his hallucinations and, by the late 1970s, is allowed to teach again. In 1994, Nash is awarded the Nobel Memorial Prize in Economic Sciences for his work on game theory and is honored by his fellow professors. At the ceremony in Stockholm, he dedicates the prize to his wife. Nash reencounters Charles, Marcee, and Parcher after the ceremony, but ignores them as he, Alicia, and their son leave.
Killian, Christian, and Daniel Coffinet-Crean as Baby
Production
Development
A Beautiful Mind was the second schizophrenia-themed film that Ron Howard had planned to direct. The first, Laws of Madness, would have been based on the true story of schizophrenic Michael Laudor, who overcame difficult odds to successfully graduate from Yale Law School. Howard purchased the rights to Laudor's life story for $1.5 million in 1995 and had Brad Pitt slated to play the lead role. However, after Laudor killed his fiancée in 1998 in the midst of a psychotic episode, plans for the movie were cancelled.[3][4]
After producer Brian Grazer first read an excerpt of Sylvia Nasar's 1998 book A Beautiful Mind in Vanity Fair magazine, he immediately purchased the rights to the film. Grazer later said that many A-list directors were calling with their point of view on the project. He eventually brought the project to Ron Howard, his long-time professional partner.[5]
Grazer met with a number of screenwriters, mostly consisting of "serious dramatists", but he chose Akiva Goldsman because of his strong passion and desire for the project. Goldsman's creative take on the project was to avoid having viewers understand they are viewing an alternative reality until a specific point in the film. This was done to rob the viewers of their understanding, to mimic how Nash comprehended his experiences. Howard agreed to direct the film based on the first draft. He asked Goldsman to emphasize the love story of Nash and his wife; she was critical to his being able to continue living at home.[6]
Dave Bayer, a professor of mathematics at Barnard College, Columbia University,[7] was consulted on the mathematical equations that appear in the film. For the scene where Nash has to teach a calculus class and gives them a complicated problem to keep them busy, Bayer chose a problem physically unrealistic but mathematically very rich, in keeping with Nash as "someone who really doesn't want to teach the mundane details, who will home in on what's really interesting". Bayer received a cameo role in the film as a professor who lays his pen down for Nash in the pen ceremony near the end of the film.[8]
Greg Cannom was chosen to create the makeup effects for A Beautiful Mind, specifically the age progression of the characters. Crowe had previously worked with Cannom on The Insider. Howard had also worked with Cannom on Cocoon. Each character's stages of makeup were broken down by the number of years that would pass between levels. Cannom stressed subtlety between the stages, but worked toward the ultimate stage of "Older Nash". The production team originally decided that the makeup department would age Russell Crowe throughout the film; however, at Crowe's request, the makeup was used to push his look to resemble the facial features of John Nash. Cannom developed a new silicone-type makeup that could simulate skin and be used for overlapping applications; this shortened make-up application time from eight to four hours. Crowe was also fitted with a number of dentures to give him a slight overbite in the film.[9]
Howard and Grazer chose frequent collaborator James Horner to score the film because they knew of his ability to communicate. Howard said, regarding Horner, "it's like having a conversation with a writer or an actor or another director". A running discussion between the director and the composer was the concept of high-level mathematics being less about numbers and solutions, and more akin to a kaleidoscope, in that the ideas evolve and change. After the first screening of the film, Horner told Howard: "I see changes occurring like fast-moving weather systems". He chose it as another theme to connect to Nash's ever-changing character. Horner chose Welsh singer Charlotte Church to sing the soprano vocals after deciding that he needed a balance between a child and adult singing voice. He wanted a "purity, clarity and brightness of an instrument" but also a vibrato to maintain the humanity of the voice.[10]
The film was shot 90% chronologically. Three separate trips were made to the Princeton University campus. During filming, Howard decided that Nash's hallucinations should always be introduced first audibly and then visually. This provides a clue for the audience and establishes the hallucinations from Nash's point of view. The historic John Nash had only auditory hallucinations. The filmmakers developed a technique to represent Nash's mental epiphanies. Mathematicians described to them such moments as a sense of "the smoke clearing", "flashes of light" and "everything coming together", so the filmmakers used a flash of light appearing over an object or person to signify Nash's creativity at work.[11] Two night shots were done at Fairleigh Dickinson University's campus in Florham Park, New Jersey, in the Vanderbilt Mansion ballroom.[12] Portions of the film set at Harvard were filmed at Manhattan University.[13] (Harvard has turned down most requests for on-location filming ever since the filming of Love Story (1970), which caused significant physical damage to trees on campus.)[14]
The narrative of the film differs considerably from the events of Nash's life in many respects, as filmmakers used artistic license to create a compelling film. Most prominently, few of the characters in the film, besides John and Alicia Nash, correspond directly to actual people.[17]A Beautiful Mind has been criticized for neglecting factual events, but the filmmakers said they never intended a literal representation of his life.[18] The PBS documentary A Brilliant Madness tried to portray his life more accurately.[19]
One difficulty was finding a method to visually depict Nash's mental illness.[20] In reality, Nash never had visual hallucinations: Charles Herman (the "roommate"), Marcee Herman and William Parcher (the Defense agent) are a scriptwriter's invention. Sylvia Nasar said that the filmmakers "invented a narrative that, while far from a literal telling, is true to the spirit of Nash's story".[21] Nash spent his years between Princeton and MIT as a consultant for the RAND Corporation in California, but in the film he is portrayed as having worked for the Department of Defense at the Pentagon instead. His handlers, both from faculty and administration, had to introduce him to assistants and strangers.[11]
The discussion of the Nash equilibrium was criticized as over-simplified. In the film, Nash has schizophrenic hallucinations while he is in graduate school, but in his life he did not have this experience until some years later. No mention is made of Nash's alleged homosexual experiences at RAND.[21] Nash's biographer notes he was arrested in a 1954 police sting operation targeting gay men in Santa Monica and subsequently lost his security clearance, but charges were dropped and furthermore there is no evidence Nash was ever sexually active with men.[22] Furthermore, both Nash and his wife denied these encounters occurred.[23] Nash fathered a son, John David Stier (born June 19, 1953), by Eleanor Agnes Stier (1921–2005), a nurse whom he abandoned when she told him of her pregnancy.[24] The film did not include Alicia's divorce of John in 1963. It was not until after Nash won the Nobel Memorial Prize in 1994 that they renewed their relationship. Beginning in 1970, Alicia allowed him to live with her as a boarder. They remarried in 2001.[25]
Nash is shown to join Wheeler Laboratory at MIT, but there is no such lab. Instead, he was appointed as C. L. E. Moore instructor at MIT, and later as a professor.[26] The film furthermore does not touch on the revolutionary work of John Nash in differential geometry and partial differential equations, such as the Nash embedding theorem or his proof of Hilbert's nineteenth problem, work which he did in his time at MIT and for which he was given the Abel Prize in 2015. The so-called pen ceremony tradition at Princeton shown in the film is completely fictitious.[11][27] The film has Nash saying in 1994: "I take the newer medications". In fact, he did not take any medication from 1970 onward, something highlighted in Nasar's biography. Howard later stated that they added the line of dialogue because they worried that the film would be criticized for suggesting that all people with schizophrenia can overcome their illness without medication.[11] In addition, Nash never gave an acceptance speech for his Nobel prize.
A Beautiful Mind received a limited release on December 13, 2001, receiving positive reviews, with Crowe receiving wide acclaim for his performance. It was later released in the United States on December 21, 2001.
A Beautiful Mind was released on VHS and DVD, in wide- and full-screen editions, in North America on June 25, 2002.[28] The DVD set includes audio commentaries, deleted scenes, and documentaries.[29] The film was also released on Blu-ray in North America on January 25, 2011.[30]
Reception
Box office
During the five-day weekend of the limited release, A Beautiful Mind opened at the #12 spot at the box office,[31] peaking at the #2 spot following the wide release.[32] The film went on to gross $170,742,341 in the United States and Canada and $313,542,341 worldwide.[2]
Critical response
On Rotten Tomatoes, A Beautiful Mind holds an approval rating of 74% based on 214 reviews and an average score of 7.20/10. The website's critical consensus states: "The well-acted A Beautiful Mind is both a moving love story and a revealing look at mental illness."[33] On Metacritic, the film has a weighted average score of 72 out of 100 based on 33 reviews, indicating "generally favorable reviews".[34] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[35]
Roger Ebert of Chicago Sun-Times gave the film four out of four stars.[36] Mike Clark of USA Today gave three-and-a-half out of four stars and also praised Crowe's performance, calling it a welcome follow-up to Howard's previous film, 2000’s How the Grinch Stole Christmas.[37] Desson Thomson of The Washington Post found the film to be "one of those formulaically rendered Important Subject movies".[38] The portrayal of mathematics in the film was praised by the mathematics community, including John Nash himself.[8]
John Sutherland of The Guardian noted the film's biopic distortions, but said that "Howard pulls off an extraordinary trick in A Beautiful Mind by seducing the audience into Nash's paranoid world. We may not leave the cinema with A-level competence in game theory, but we do get a glimpse into what it feels like to be mad - and not know it."[39]
Writing in the Los Angeles Times, Lisa Navarrette criticized the casting of Jennifer Connelly as Alicia Nash as an example of whitewashing. Alicia Nash was born in El Salvador and had an accent not portrayed in the film.[40]
Shailee Koranne of CBC Arts argued that the film presents an unrealistic or inappropriate depiction of the disorder schizophrenia, which the protagonist John Nash suffers from, stating that it places too much emphasis on “fixing” the disorder.[41]
Paul Bettany, Jennifer Connelly, Russell Crowe, Adam Goldberg, Jason Gray-Stanford, Ed Harris, Judd Hirsch, Josh Lucas, Austin Pendleton, Christopher Plummer, and Anthony Rapp
^Lyndall Bell (May 23, 2013). "Tales from A Beautiful Mind". Australian Broadcasting Corporation. it was potentially going to be a Robert Redford/Tom Cruise film.
^"A Beautiful Mind". Mathematical Association of America. Archived from the original on October 14, 2014. Retrieved October 13, 2013.
^ ab"A Real Number". Slate Magazine. December 21, 2001. Archived from the original on August 24, 2007. Retrieved August 16, 2007.
^Nasar, Sylvia (March 25, 2002). "The sum of a man". The Guardian. Retrieved July 9, 2012. Contrary to widespread references to Nash's "numerous homosexual liaisons", he was not gay. While he had several emotionally intense relationships with other men when he was in his early 20s, I never interviewed anyone who claimed, much less provided evidence, that Nash ever had sex with another man. Nash was arrested in a police trap in a public lavatory in Santa Monica in 1954, at the height of the McCarthy hysteria. The military think-tank where he was a consultant, stripped him of his top-secret security clearance and fired him ... The charge – indecent exposure – was dropped.
^"Nash: Film No Whitewash". CBS News: 60 Minutes. March 14, 2002. Archived from the original on August 7, 2007. Retrieved August 16, 2007.
^Goldstein, Scott (April 10, 2005). "Eleanor Stier, 84". The Boston Globe. Archived from the original on May 8, 2008. Retrieved December 5, 2007.
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