William RaineyRIRBAROI (21 July 1852 – 24 January 1936) was a British artist and illustrator. He was a prolific illustrator of both books and magazines and illustrated about 200 books during his career. He also kept painting and exhibited his work frequently. Rainey also wrote and illustrated six books himself, one was a colourful book for young children, the other five were juvenile fiction.
Early life
Rainey was born in Kennington, London, on 21 July 1852. He was the third of eight children[note 1] of the distinguished anatomist and teacher George Rainey (1801 – 16 November 1884)[1] and Martha Dee, a farmer's daughter (c. 1827 – 27 May 1905). Rainey's parents were married at the parish church in Twyning, Gloucestershire, England on 31 December 1846.[2] Rainey was originally intended for a career at sea, but his father, who had himself run away from an early apprenticeship,[3] allowed him instead to study at the South Kensington School of Art.[4] The 1871 census shows that, by the time Rainey was 18, he was a student at the Royal Academy.
Marriage and family
Rainey married Harriet Matilda Bennett, (12 February 1860 – c. March 1919), the daughter of Thomas Bennett, a civil engineer, at the Parish Church of St George the Martyr, Holborn,[note 2] London on 11 June 1877. The couple had four children:
Florence Harriet Bennett (1878–1959), who was his executor at his death in 1936
Edith Elsie Rainey(1882–1896), who died as a teenager
George William Bennett Rainey (Q2 1886 – 1956), Shown as assisting his father in the 1911 census.
Victor Thomas James Rainey (Q3 1889 – 30 September 1917), a Second Lieutenant in the Devonshire Regiment, killed at Ypres in the First World War.
Later life
Rainey's wife died in Eastbourne in the second quarter of 1919.[5] The local newspaper recalled that Rainey had moved to Eastbourne about this time,[4] and it was the Eastbourne address that the War Office used in the correspondence about the Medals awarded to his son Victor.
Raines was walking on Grand Parade on the sea-front promenade at Eastborne on 24 January 1935 when he collapsed and died before a doctor could be called.[4] He was only a short distance from his home at Avonmore, 24 Granville Road.[note 3] His daughter Florence Harriet was the executor of his will. His estate was valued at just under £400.[6]
Works
Rainey exhibited paintings throughout his life, it was a form of marketing which earned him commissions.[10] Rainey was a regular exhibitor at the Royal Academy, starting in 1878 with Lyme Regis. Between 1878 and 1904 he exhibited 17 times (showing two works in both 1884 and 1901) at the Royal Academy,[11] and continued to exhibit thereafter, including two works at the Franco-British exhibition in 1908.[12] Rainey exhibited at The Royal Academy, Royal Institute of Oil Painters, the Royal Institute of Painters in Water Colours and the RBA.[13] In all, Rainey exhibited over 200 works in the UK.[note 5]
Rainey illustrated many stories for magazines. The first example was story that was translated into French for Hetzel's Magasin d’Éducation et de Récréation [fr].[note 6] The story was Jock et ses amis (Jock and his Friends) write by A. Decker from an original by E. Hohler.[note 7]
What do you think of that?
I don't want to go
Jock managed to grab the leaping dog
Mr. Grimshaw should have left you with me
So you are Dick Pole's son?
He had lunch while Tramp stood quietly in a chair
The two men turn around at his sudden appearance.
Then the child became silent, absorbed in his work
My name is Mollv.
I just sat in the stream
He managed to tear himself away from this swamp
I will tell your master that you are an old rascal
I wanted to keep you always close to me.
She looked at him with a pleading look
I am happy with this last farewell
Jock felt the warmest welcome at the farm
He fled across the fields and hid
You are too young, too unreasonable to decide such a case
I didn't imagine it was so expensive
Tramp and Jock shared equally.
Then he slid to the window, and looked into the interior
He resumed his run when the farmer reached the garden gate.
The boy's clothes were covered in mud
He stumbled a few steps and almost fell
Mum, is it you?
Rainey also illustrated stories for adults. He was asked to illustrate the first story published in the new Strand Magazine. This was a short story, A Deadly Dilemma, about the dilemma a young man faces between derailing a train or leaving his sweetheart to be run-over, by Grant Allen.
The two lovers walk out
The lovers quarrel and part
She bursts into tears
Frightened by a young colt, she runs and falls on the railway line
Seeing his love fallen on the track and a train approaching, he grabs a pole to derail the train
The train driver pulls the brake lever, but too late
The engine derails even as he removed the pole, but no-one was hurt
He carries off his lady love
Book illustration
Rainey was a prolific book illustrator. Kirkpatrick list approximately 200 book titles illustrated by Rainey in his list on the Bear Alley blog,[21] and update the list with a few additional titles for his book.[22] The following list of author's whose work was illustrated by Rainey is based on Kirkpatrick.
George Manville Fenn (1831–1909), a prolific author of fiction for young adults.
Amy Le Feuvre (1861–1929), a prolific author of books for children with a Christian message.[25]
John Finnemore (1863–1915), who wrote books and stories for younger readers, as well as school textbooks.
Ernest Glanville (1855–1925), a South African author, who wrote seventeen historical novels, but is best known for his many short stories.
Evelyn Everett-Green (1856–1932), a prolific English novelist who wrote about 350 book, beginning first with pious stories, then historical fiction for girls, and eventually moved to adult romantic fiction.
E. C. Kenyon (1854–1925), Edith Caroline Kenton, published more than 50 novels, mainly juvenile fiction, and mostly with the Religious Tract Society as well as translations, biographies, and tracts.[26]
Skelton Kuppord (1857–1934), Sir John Adams a Scottish educationalist.
D. H. Parry (1868–1950), David Harold Parry, who also wrote as Morton Pike and Captain Eilton Blacke, a prolific English writer of serial stories and other juvenile fiction, wrote for Chums from 1892 to 1935, from a family of painters and a painter himself, was an expert on the Napoleonic Wars.[29]
Hugh St. Leger (1857–1925), an English writer of juvenile fiction for boys, mostly adventure stories in a nautical setting.
Charlotte Mary Yonge (1823–1901), who became a Sunday School teacher aged seven and remained one for the next seventy one years, she wrote to promote her religious views.[31]
Example of book illustration
Colour illustration, which had always been used for books for small children, became more and more common for books for young adults, as the process got cheaper. Rainey illustrated Plutarch's lives for boys and girls : being selected lives freely retold (1900) by W. H. Weston with 16 full-page colour plates. Novels for juveniles usually had from four to twelve plates as can be seen from publisher's catalogues at the time,[32] anthologies, non-fiction books, and books for young children often had more.
Pelopidas Setting Out for Thebes
Aristides and the Citizen
Death of the Persian Admiral at Salamis
Themistocles at the Persian Court
Epaminondas Defending Pelopidas
Timoleon Setting Sail For Sicily
Alexander And Diogenes
The Quarrel Between Alexander And Clitus
Philopoemen in Prison
Coriolantus and the Matrons Of Rome
The Pursuit Of Caius Gracchus
Marius and the Ambassadors of the Cimbri
The Exiled Marius Amidst The Ruins Of Carthage
Caesar and the Pilot
The Murder Of Caesar
Brutus and his Companions After The Battle of Philippi
Books written and illustrated
As well as the books he illustrated, Rainey also wrote and illustrated at least six books himself. Except where noted, the initial source of the following list is Kirkpatrick.[22]
Books written and illustrated by Rainey
No.
Year
Title
Publisher
Notes
1
1888
All the Fun of the Fair
Ernest Nister, London
Paperback with coloured illustrations. 25 x 31 cm
Listed on Kirkpatrick as illustrator, but not as author.[33][20][34][35]
2
1900
Abdulla: The Mystery of an Ancient Papyrus
Wells Gardner, Darton & Co., London
318 pages, 4 unnumbered leaves of plates : illustrations; 20 cm
Pennell says that, in his work, Rainey united the best traditions of the old with the most modern developments.[39] Pennell also listed Rainey among those artists whose names, like their works, are household words and who have a power of rendering events of the day in a fashion unequalled elsewhere.[40]
Peppin stated that His delicate brush strokes reproduced well in both colour and halftone. She also noted that Thorpe considered him a great but unrecognised illustrator who was ‘never conventional in his designs, had a fine sense of character, and maintained the interest throughout the whole of the drawing.[17] Newbolt noted that Rainey He had a long and successful career as a book illustrator, which continued right up to the end of his life.[13] His obituary in stated that many a small boy who has gazed with speechless admiration at some new gift book has been unconsciously grateful to Mr Rainey, for a great deal of his early work was the illustrating of boys' books.[4]
Rainey attracts relatively modest prices at auction. The following are the auction prices recorded by Bénézit for works by Rainey:[9]
London, 3 July 1979, Preparing the Coronation Day {oil on canvas, 60x90 cm) 2,500 GBP.
London, 26 May 1983, Paddling (watercolour/pencil outlines heightened with white, 38x51 cm) 950 GBP
London 19 December 1991, Game of Cards in a Dutch Lodging House (1895, watercolour and gouache, 69.2x55.8 cm} 1,540 GBP
London, 3 June 1994, Preparing the Coronation Day, Chichester (oil on canvas, 61x91.4 cm) 3,220 GBP
Notes
^Rainey had five brothers and two sisters, all of whom died before him except for his brother Charles (1862–1941) and sister Frances Sarah.(1864–1938)
^There are two Parishes of St George the Martyr in London, but the other St George the Martyr, Southwark is south of the River Thames and therefore not the church in question as the marriage was in Middlesex.
^It is not clear is this was one of the works that was purchased during Gill's trip to Britain to purchase art for Australian Museums.[7] The Catalogue for the National Gallery of Victoria records this painting as having been selected by the Royal Academy.[8] Bénézit records a piece by Rainey with the same title at the Mulhouse Museum of Fine Arts [fr].[9]
^Ancestry.com. "Gloucestershire Archives; Gloucester, England; Reference Numbers: P343 IN 1/9". Gloucestershire, England, Church of England Marriages and Banns, 1754–1938. Provo, Utah: Ancestry.com.
^Gregory, John (11 February 2019). "Rainey: The Market Boat (1901)". Before Felton: The Collections of the National Gallery oif Victoria to 1904. Retrieved 15 September 2020.
^Kirkpatrick, Robert J. (11 July 1905). "W. Rainey". The Men Who Drew For Boys (And Girls): 101 Forgotten Illustrators of Children's Books: 1844–1970. London: Robert J. Kirkpatrick. pp. 313–317.
^Graves, Algernon (1906). "Rainey, William, R.I.: Painter". The Royal Academy of Arts: A completed Dictionary of Contributors and their work from its foundation in 1769 to 1904. Vol. VI: Oakes to Rymsdyk. London: George Bell and Sons. p. 230.
^Johnson, J.; Greutzner, A. (8 June 1905). The Dictionary of British Artists 1880-1940. Woodbridge: Antique Collectors' Club. p. 416.
^"Arrangement for this day". Morning Post (Tuesday 7 April 1891): 5. 7 April 1891.
^"General News". St James's Gazette (Thursday 26 November 1891): 7. 26 November 1891.
^ abPeppin, Bridget; Micklethwait, Lucy (1993). "William H. Rainey (1852–1936)". Dictionary of British book illustrators : the twentieth century. London: Murray. pp. 242–243. ISBN978-0-7195-3985-5. Retrieved 28 April 2020.
^ abLittle, James Stanley (28 April 1932). "Local Art at the Spring Exhibitions: No 2. The Royal Institute". West Sussex Gazette (Thursday 28 April 1932): 6.
^"Eastbourne Artists at the Spring Exhibitions". Eastbourne Gazette (Wednesday 9 May 1934): 3. 9 May 1934.
^ abHoufe, Simon (1978). "Rainey, William RBA RI 1852–1936". Dictionary of British Book Illustrators and Caricaturists, 1800–1914. Woodbridge: Antique Collectors' Club. p. 426. ISBN9780902028739. Retrieved 2 March 2020.
^Kirkpatrick, Robert J. (24 February 2018). "W. Rainey". Bear Alley. Retrieved 30 April 2020.
^ abKirkpatrick, Robert J. (11 July 1905). "Checklist of Books Illustrated by W. Rainey". The Men Who Drew For Boys (And Girls): 101 Forgotten Illustrators of Children's Books: 1844–1970. London: Robert J. Kirkpatrick. pp. 395–401.
^Kemp, Sandra; Mitchell, Charlotte; Trotter, David (1997). "Kenyon, Edith C. (d. 1925)". Edwardian Fiction: An Oxford Companion. Oxford: Oxford University Press. p. 222.
^Macdonald, Robert M (1906). "How we found the Great Sectrum Opal". The Wide World Magazine: An Illustrated Monthly of True Narrative, Adventure, Travel, Customs and Sport ... A. Newnes, Limited. pp. 198–203. Retrieved 6 May 2020.
^"Author: Helen Shipton (1857–1945)". At the Circulating Library: A database of Victorian Fiction 1837–1901. 31 December 2019. Archived from the original on 6 August 2016. Retrieved 5 May 2020.
^Sutherland, John (1989). "Yonge, Charlotte Mary (1823–1901)". The Stanford Companion to Victorian Fiction. Stanford, California: Stanford University Press. p. 685.
^Blackie and Son (1889). "Historic Tales by G. A. Henty, Story Books for Boys, Story Books for Girls". Blackie & Son's: Illustrated Story Books: 1889. London: Blackie and Son. pp. 1–24. Archived from the original on 24 July 2018. Retrieved 2 March 2020.
^Kirk, John Foster (1891). "Rainey, W.". A Supplement To Allibone S Critical Dictionary Of English Literature British And American Authors Vol I. Vol. II. Philadelphia: J. B. Lippincott Company. p. 1260. Retrieved 3 March 2020.
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