Lee Umstetter (Nick Nolte) is incarcerated in San Quentin for armed robbery, serving "life without possibility" (with no chance of parole). After two suicide attempts, Lee begins to read books from the prison library. He attends a performance of Waiting for Godot given for the prisoners and is deeply moved. He begins to write plays about imprisonment and then stages them, too.
One is a social-protest musical extravaganza about life in the penitentiary. It attracts visitors and earns Lee the regard of a San Francisco theatre reviewer (Rita Taggart) who persuades the governor to release him.
Lee's work doesn't make the same impact outside the prison as it did inside. Touring in a camper with no money, the men are torn by impulses to revert to their former criminal behavior.
Film critic Pauline Kael of The New Yorker observed, "The film is about their efforts to become professional men of the theatre. It's about the ways in which working together changes them and the ways in which it doesn't."[4]
The film had a strong opening weekend, but failed to recoup its costs.[5] The film did well on VHS.[6]
References
^De Laurentiis PRODUCER'S PICTURE DARKENS: KNOEDELSEDER, WILLIAM K, Jr. Los Angeles Times 30 Aug 1987: 1.