Walter Berry (8 April 1929 – 27 October 2000) was an Austrian lyric bass-baritone who enjoyed a prominent career in opera. He has been cited as one of several exemplary operatic bass-baritones of his era.[1][2]
Professional career
Walter Berry was born in Vienna. He studied voice at the Vienna Music Academy and made his stage debut with the Vienna State Opera in 1947. He became a permanent member of the company in 1950, remaining with that ensemble for his entire career, although he undertook frequent guest appearances elsewhere in Europe and in the UK.[3][4]
Berry married mezzo-sopranoChrista Ludwig in 1957 and collaborated with her both on stage and in several recordings. They were divorced in 1970.[10][11]
Death
Walter Berry died in 2000 at the age of 71 in Vienna following a heart attack. He was entombed in the Heiligenstädter Friedhof cemetery (Part A, Group 1, Number 263) in Vienna.[12][13]
Critics at Billboard magazine noted that his collaboration with his wife Christa Ludwig in a recording of Bartók's Bluebeard's Castle was delivered with dramatic force and strength.[15] In 1967, Billboard's critics also praised his recording with Ludwig of scenes from Richard Strauss's Elektra, Die Frau ohne Schatten and Der Rosenkavalier issued in the United States on the RCA Victrola label, as outstanding and worthy of Strauss' best traditions.[16] Berry's definitive recordings have earned him the distinction of being cited as one of the truly exemplary bass baritones and basses in opera.[17][18]
Peter Gammond: The Illustrated Encyclopedia of Recorded Opera. Salamander Books, 1979. ISBN0-517-53840-7, OCLC5170690
Richard Miller: Securing Baritone, Bass-Baritone and Bass Voices. Oxford University Press, New York, 2008. ISBN978-0-19-804338-6, OCLC213386753
Dorottya Fabian: Bach Performance Practice 1945–1975 – A Comprehensive Review of Sound Recordings and Literature. Routledge, New York, 2017. ISBN978-1-351-57487-7, OCLC993762315