Uncle Meat is a 1987 film written and directed by Frank Zappa. It was conceived in 1968 as a vehicle for the Mothers of Invention,[1] but remained unfinished until 20 years after the production began.[2]
Plot
The film has been described as an unfinished "non-movie",[2] consisting of three distinct plots, the first of which has been described as "Zappa filming Zappa filming".[2] In the second plotline, a musician named Biff Debris (Don Preston) becomes obsessed with trying to produce a hit single, ultimately failing to achieve his objective before he gets old (and is now played by Stumuk, replacing Preston).[2] The third plot is a love story between Phyllis Altenhaus and Debris as Phyllis works as an operator who falls in love with Debris while watching a video of a 1968 music performance by Debris. Years after, they meet and live happily ever after.[2]
Cast
Phyllis Smith Altenhaus as herself and also sometimes as Sheba Flieschman (as Phyllis Altenhaus)
Don Preston as himself (a.k.a. Dom DeWilde) and also sometimes as Biff Debris but most frequently as Uncle Meat
In 1968 Zappa decided to make a film featuring the original incarnation of the Mothers of Invention. Haskell Wexler, who had used two of Zappa's songs in his film Medium Cool, offered five days of his services as a cinematographer for free to Zappa.[1] Financial issues led to the production stopping as Zappa moved on to other projects, but a different form of the film was finally completed and released in 1987.[1]
Style
Uncle Meat juxtaposes concert footage from the Festival Hall in London with a fictional narrative[1] that combines elements of science fiction and road stories inspired by the band's sexual escapades.[3] The second plotline serves as a criticism of the music industry, portraying the efforts of a musician to gain commercial success; this plotline is a political thriller.[2] The film utilizes footage from 1968, 1970 and 1982, as well as studio and live recordings from different concerts and years, which allowed Zappa to complete the film, which reflects on the existence and validity of his music over the course of time.[2]
As in Zappa's previous film, 200 Motels, Uncle Meat explores the separation between documentary and fiction, encouraging the viewer to question whether they are watching real or recreated events.[2] Zappa explores the difficulty of maintaining a career in film as an independent artist outside of the studio system. Having taken 20 years to complete the film, the screenplay had changed from what Zappa had initially planned, due to him adding footage to the project throughout the 20 year production.[2] The character of Biff Debris serves as an allegory for the tensions faced by an artist trying to have his work released.[2] While the dialogue of 200 Motels emphasizes that the film is Zappa's, Uncle Meat is more distinctively the Mothers of Invention's film.[2]
Media
The April 26, 1969 Billboard review of the Uncle Meat album described it as a soundtrack to a film.[4] The double vinyl was expanded on compact disc to include 41 minutes of audio from the film and the song "Tengo na minchia tanta", programmed before side 4 on the second CD (sides 1-3 are on the first CD). Author Ben Watson said that the additional tracks were a detraction from the album's original structure.[5]
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