Towa's second studio album, Sound Museum (1997), became his highest charting effort at number 17 on the Oricon charts. Its single, "GBI (German Bold Italic)" featuring Kylie Minogue and Haruomi Hosono, reached number 50 and 63 in Australia and the United Kingdom, respectively. He saw continued success with 1999's Last Century Modern as its single, "Let Me Know" featuring Chara, peaked at number 34 in Japan, his highest entry.
Towa is a third-generation Korean-Japanese.[3][4] Towa began making demo tapes at the age of 16 having bought his first synthesizer, a Korg MS-10. While studying at Musashino Art University Junior College of Art and Design, he sent his tape to a radio program of Ryuichi Sakamoto titled Sound Street.
In 1987, Towa moved to the U.S. to study graphic design and joined house act Deee-Lite, a trio with Supa DJ Dimitry and Lady Miss Kier, enjoying almost instant success after debuting in 1990 with their album World Clique and the single "Groove Is In the Heart".
Sound Museum followed in 1997, then Last Century Modern in 1999. 2002 brought the album Towa Tei, under the pseudonym Sweet Robots Against the Machine. Flash surfaced in 2005[1] by which time Towa was DJing regularly in Japan. He has admitted, though, that he does not enjoy performing and prefers producing and using computers.[1]
Big Fun, featuring Verbal and Mademoiselle Yulia, was released in 2009 and was the third album to feature the artwork of San Franciscan painter and graffiti artistBarry McGee.[1] For the album, Towa utilized MySpace to collaborate with artists from around the world, even if he didn't know them, such as with German act Taprikk Sweezee.[1] Another collaborator he worked with for Big Fun was Miho Hatori of Cibo Matto, though they also met only on MySpace.[1]
Towa has established his own creative company, hug inc, which, among other things, manufactures his trademark sunglasses.[1]