Akiko Yano (矢野 顕子, Yano Akiko, born Akiko Suzuki (鈴木 顕子, Suzuki Akiko); February 13, 1955) is a Japanese pop and jazz musician and singer born in Tokyo and raised in Aomori and later began her singing career in the mid-1970s. She has been called "one of the major musical talents of the Japanese popular music world",[1] and her vocals and singing style have been compared to English singer Kate Bush.[2][3]
Akiko Yano was born Akiko Suzuki in Tokyo in 1955. She grew up in Aomori, Japan,[4] and learned to play the piano when she was three.[4] She dropped out of high school and moved to Tokyo at the age of fifteen to become a professional musician, quickly became involved in the jazz scene, and by seventeen was working as a studio recording artist for hire.[5][6] She also performed with the band Tin Pan Alley.[1]
Solo career
Yano's debut album, Japanese Girl, was released on July 25, 1976,[3] was a major hit in Japan, and gave Yano overnight success.[7] The album was recorded in Los Angeles with Little Feat, and of the album's ten tracks, she wrote nine of them.[8][5] The album has been praised for its unique blend of different musical styles such as jazz, pop, blues, and traditional Japanese folk music, and "still sounds fresh today", according to Paul Bowler of Record Collector magazine.[9] The success led to her self-producing the second album, Iroha Ni Konpeitou, which was released in 1977.[5] It was recorded primarily in Japan, and features Yano improvising on a variety of instruments, backed up by prominent musicians such as Rick Marotta and Haruomi Hosono.[10] Around this time, Yano started collaborating with Yellow Magic Orchestra and joined them on two world tours.[5] They also played as the backing band for her 1980 album Gohan Ga Dekitayo, which translates to "Dinner's Ready", and marked a shift in her musical style towards electro-pop.[11] The album was also one of the earliest CDs ever released in 1982.[12]
1981's Tadaima ("I'm Home") has become the most beloved of Yano's discography, and also her personal favorite.[5] The record company asked for an album that would be a commercial success, so Yano gave them what they wanted on side one, but took side two in a different avant-garde direction, composed around nine short stories that were written by children.[5] The album once again featured the Yellow Magic Orchestra, as well as a cartoonish heta-uma cover designed by Teruhiko Yumura,[13] but was only released in Japan.[14] The album's single "Harusaki Kobeni" was released before the album was recorded, and reached the top 40 chart after being used in cosmetics commercials.[15][16]
Yano was introduced to British band, Japan, by Ryuichi Sakamoto of the Yellow Magic Orchestra, and in 1982 they met at the AIR Studios in London to record an album, Ai Ga Nakucha Ne ("There Must Be Love").[17] The record company, Japan Record, released the album as a set with a book of photography and at a lower price, as requested by Yano.[18] After her 1984 album Oh Hisse, Oh Hisse, Yano took a one-year break from recording music to raise her children, and decided to refocus her career on jazz, which led to the 1989 album Welcome Back featuring Pat Metheny, Charlie Haden and Peter Erskine.[5] She relocated to New York City in 1990.[4]
Yano's credits extend beyond her album projects. She was showcased by Japanese animation film company Studio Ghibli, which is known for works such as Princess Mononoke and Spirited Away. Yano composed the music for the film My Neighbors the Yamadas[19] (as well as performing a minor role as Fujihara-sensei) and created and performed the sound effects using only her voice for two short films Yadosagashi[20] and Mizugumo Monmon[21] by animation director Hayao Miyazaki. Both films were shown at the Ghibli Museum in Mitaka, Tokyo. More recently in 2008, Yano performed as a voiceover actress on Ponyo on the Cliff by the Sea as Ponyo's sisters.[22] In addition, Yano composed music for Toei's animated feature, Atashin'chi[23] and piano-based soundtrack for the film Tagatameni.[24]
Yano joined with Rei Harakami to create the duo Yanokami, and in 2007 they released their first studio album Yanokami.[26] In 2009, Will Lee and Chris Parker joined her to form the Akiko Yano Trio.[27]
Yano married and soon after divorced Makoto Yano, the producer of her first recording.[4] In 1975, her son Fuuta Yano was born.[3] She later married fellow musician Ryuichi Sakamoto, with whom she had a daughter, Miu Sakamoto. The young couple can be seen playing a duet on the piano at home in the 1985 documentary Tokyo Melody.[28] Yano separated from him in 1992, and they divorced in August 2006.[29] Yano is Christian.[30]
^Bowler, Paul (February 2020). "Akiko Yano: Gohan Ga Dekitayo". Record Collector. No. 502. p. 110. Retrieved March 24, 2020 – via Gale General OneFile.
^Bowler, Paul (December 15, 2018). "Akiko Yano: Tadaima". Record Collector. No. 487. p. 113+. Retrieved March 24, 2020 – via Gale General OneFile.
^Nakatsu, Asako (November 28, 2016). "デビュー４０周年、築いた"大きな山"をアルバムに 矢野顕子（後編）" [On the 40th anniversary of her debut, Akiko Yano releases the album “Big Mountain” (Part 2)]. The Asahi Shimbun (in Japanese). Retrieved April 6, 2020.
^Dahl, Nel (July 28, 2023). "Tokyo Melody: An Interview with Elizabeth Lennard". Ultra Dogme. Archived from the original on August 2, 2023. Retrieved August 2, 2023. First, its playful editing style mirrors Sakamoto's creative energy and curiosity, and shifts between the whimsical and the poignant (as with his piano duet with Akiko Yano at home).
