The Shifting Heart is a play written in 1957[1] in Australia by Richard Beynon, it is an insight to the psychology of racism and its victims. In the background of 1950s Collingwood, Melbourne.
It has been called "the second most famous Australian play of the 1950s."[2]
Characters
Momma Bianchi
Poppa Bianchi
Gino Bianchi
Maria Bianchi (Fowler)
Clarry Fowler
Leila Pratt
Donny Pratt
Detective-Sergeant Lukie
Setting
The Shifting Heart is set in 1956, Collingwood, Melbourne on Christmas Eve. At the time, Collingwood was a poor suburb populated by lower class Australian families and Italian immigrants.
The play published in 1960 by Angus & Robertson begins with two pages of stage direction. It describes the home of Italians Mr. & Mrs. Vicenzo Bianchi, the stage is their backyard. On stage left there is a large garbage can that is overfilled, the overflow is in a small household bucket. On each side of the stage is the wall of the neighbours.
On stage left is the wall between the Pratt family, Leila and Donny. The wall is a fence that relaxes in the wind and shows an air of dilapidation. The boards are able to be pushed apart enough to let the Pratts enter the Bianchis' backyard.
On stage right there is a wall described as a formidable barrier, complete with a length of barbed wire across the top. It is low enough for the woman living there to toss garbage over. In the first pages of dialog and notes in the stage direction, it is clear that there is a "war" going on between the family living stage right against the Bianchis because they are Italian. The Pratt family is on the side of the Bianchi family.
The play was filmed for TV in 1968[10] and aired on 21 August 1968 (Melbourne)[11] as part of Wednesday Theatre. It starred Anne Charleston and Tom Oliver, who later worked together on the TV series Neighbours.
Madge Ryan appeared in the premiere season of the play as Leila.[12]
The Age said "the entirety works despite some stray accents."[13]
Filmink argued "the play is ideal for television because it mostly takes place in a cramped, working class house. It’s a faithful adaptation, and is mostly shot like a stage play, with a few location scenes thrown in" adding "The big stumbling block of the TV version... was the fact that all the Italian roles are played by non-Italian actors who use broad accents for their parts."[2]
References
^Milne, Geoffrey (2004). Theatre Australia (Un)limited. Rodopi.