Reclusive academic Augustine Lofthouse has devoted his life to finding habitable planets so humanity can expand. He meets Jean Sullivan after giving a presentation at a gala and they form a romantic relationship. After a pregnancy scare, she leaves him due to his work obsession and inability to bond with others. Several years later, when Lofthouse encounters Jean again, she tells him about their daughter, whom he chooses not to meet.
Thirty years later, in 2049, an event has obliterated most of Earth's population and left the surface contaminated with ionizing radiation. Lofthouse is the only person inhabiting a large Arctic base. A flashback shows him refusing to join the evacuation, knowing he does not have long to live due to an unidentified serious illness requiring hemodialysis and medical equipment at the base.
Lofthouse searches the base's computer systems for active crewed space missions to warn about the situation on Earth and finds only one: the interplanetary craft Aether, returning from an exploration of Jupiter's habitable moon K-23, which Lofthouse discovered.
In the meantime, the crew of Aether are oblivious to events on Earth and believe they have lost contact due to faulty communications systems. Lofthouse finds his antenna is too weak to contact them, even after calculating them to be in range.
Along with his deteriorating physical health, Lofthouse is experiencing mental blackouts. After a kitchen fire, he finds a young mute girl hiding in the kitchen. He tries to contact the evacuees to get someone to get her, to no avail. The girl draws an iris and Lofthouse deduces that this is her name.
Lofthouse grows fond of Iris, and they travel together on a snowmobile to another base which has a larger, more powerful antenna. En route, in an accident, he loses his medical equipment. Arriving at the base, he manages to make contact with Aether, but an asteroid field damages the ship's radar and communication systems.
To repair the damage, mission specialist Sully, currently pregnant, and her partner, Commander Adewole, conduct a spacewalk with flight engineer Maya. They repair the communications and radar but are caught in a second asteroid field that fatally injures Maya.
Sully contacts Lofthouse. He tells her not to return to Earth because of the disaster, but go back to K-23 and start a new life there. Aether's pilot, Tom Mitchell, refuses, but upon discovering his wife's final words and seeing the state of Earth's atmosphere, he understands that it is in the crew's best interests to go back to Jupiter's moon. Still, he chooses to use one of the two re-entry vehicles to return to Earth. Sanchez, who saw Maya as a second daughter, decides to accompany him and bury her body on Earth.
In her final communication with Lofthouse, Sully tells him that he was one of the reasons she joined NASA. She thanks him, telling him her mother Jean had given her a moon rock from him, and that her full name is Iris Sullivan. Lofthouse says he already knew her name, making it clear that the young girl he had been seeing was not real. When asked how he ended up at the base from which he contacted Aether, he says he thought he might be able to "help someone" (implying he followed Aether's mission not only because he discovered that moon, but also because it was his daughter Sully's mission).
Lofthouse tells Sully he is proud to have finally met her, and she describes K-23 to him. Her description transports him there in his imagination and he falls out of radio contact. Sully and Adewole are left with nothing but to return to K-23 using a course provided by Lofthouse.
Filming began on October 21, 2019, in England, and finished in Iceland on February 7, 2020.[13][14] The scene that takes place in a blizzard was filmed in 50 miles per hour (80 km/h) winds with temperatures at −40 °F (−40 °C). Some shooting also took place at La Palma, in the Canary Islands.[15] For his role, Clooney lost 25 pounds (11 kg).[1] Scenes set on Earth and involving Clooney were shot before the end of 2019, while scenes set in space were shot after the production's Christmas break.[6]
The film had a limited theatrical release on December 11, 2020, and was released digitally on December 23.[17][18] It was the most-watched film on Netflix over its first five days.[19] The film remained in the top 10 for its first 12 days of release. Netflix later revealed that the film was seen by 72 million households during its first week.[20] In March 2021, Variety reported the film was the most-watched among Netflix's Oscar-nominated titles, and assigned it an "audience appeal score" of 98 out 100.[21]
Reception
Critical response
The Midnight Sky received some praise for its "ambition and emotional tone", though it was compared unfavorably to other science fiction films.[22]
On the review aggregator website Rotten Tomatoes, 49% of 252 critics' reviews are positive, with an average rating of 5.7/10. The website's consensus reads: "The Midnight Sky lacks the dramatic heft to match its narrative scale, but its flaws are often balanced by thoughtful themes and a poignant performance from director-star George Clooney."[23]Metacritic, which uses a weighted average, assigned the film a score of 58 out of 100, based on 42 critics, indicating "mixed or average" reviews.[24]
Alonso Duralde of TheWrap wrote "There's a lot that's frustrating about George Clooney's new film The Midnight Sky, from its egregious borrowing from any number of better movies to its pacing issues, but thanks to a few grace notes, its shortcomings are mostly forgivable".[25] Leah Greenblatt of Entertainment Weekly gave the film a B and described it as "a dystopian drama whose fluctuating tone—grim, with flickers of hopeful sentiment—feels almost comfortingly familiar, if a little on the nose for 2020."[26]
The Wall Street Journal reviewer Joe Morganstern gave the film a warm review but added, "The film isn't perfect. The narrative piles crisis upon crisis, from a fat fire in the observatory kitchen to spectacular repair efforts in space and a startling sequence that involves droplets of blood. The pace, paradoxically, can be awfully slow, but it may seem less so to home viewers with plenty of time and patience; the metabolic rate of motion pictures will be changing in the streaming era, to an extent we can't foresee."[27] Brian Tallerico of RogerEbert.com reviewed the film more harshly and gave it two stars, concluding, "The heart of this movie just isn't there. It's as weightless as space."[28]
