The Last of the Knucklemen is a 1979 Australian film directed by Tim Burstall.[2]
Plot
The story involves a gang of rough miners. Tom (Peter Hehir) turns up at the mine looking for a place to hide. He allies himself with the mining foreman Tarzan (Gerard Kennedy) before the big fight.
Before Tim Burstall started on Eliza Fraser he thought Hexagon Productions should make a male bonding film, and considered Rusty Bugles, The Odd Angry Shot and Last of the Knucklemen. He eventually decided on the latter. He had to wait to get the rights because the Melbourne Theatre Company were negotiating to sell the rights to the US but this fell through.[3]
Burstall did the adaptation himself, which was largely faithful to the play. He felt that the film was weak in the first half setting up characters.[3] Burstall:
I was trying to take the ocker stuff and cross it, as I think John Powers' play was, with anthropology. Before I rehearsed the cast, I got them to read 'The Territorial Imparity of the Native Aid'. I wanted it to be seen not just as ockerism but as anthropology. But the only people who got that were the French. It was bought in France and it's done terribly well there – much better than it ever did in Australia.[4]
The movie was shot over six weeks in September and October 1978 mostly on sets at Melbourne's Cambridge Studios.[1] Exterior scenes were shot in the South Australian outback town of Andamooka.[5]
Reception
The Last of the Knucklemen grossed $180,000 at the box office in Australia,[6] which is equivalent to $703,800 in 2009 dollars. Reviews however were strong.[1] Burstall:
I don't think they knew how to market it. A lot of women said to me, 'I'd never go to a picture that had the title The Last of the Knucklemen'. But nobody ever looked at it as an analysis of the way men work. It's a right-wing view of unionism.[4]
John Lapsley of the Sun-Herald gave the film 4 stars concludes "It is a very strong script nicely adapted by Burstall. The situations and relationships are subtly developed - yet all through there is a vigorous, rough overlay which makes it seem anything but delicate. Apart from being a very good movie, it is also a very funny one, with a wide enough four-letter vocabulary to make the odd backward schoolgirl blush."[7] Martha DuBose wrote in the Sydney Morning Herald "In spite of the cleverly crafted rough-edged look of the film and its peppery language, The Last of the Knucklemen is a wistful little romance on a dying breed of men."[8] The Adelaide Advertiser's Terry Jennings commented on the films poor distribution and said of the film "Burstall has taken a modest subject and made a modest success - a well-crafted, well-acted, always entertaining adaptation of John Powers's boisterous if simple and machismo stage play."[9] Colin Bennett in The Age says "Bruce Smeaton's music seems to be summing up 'The Last of the Knucklemen'. He uses a rousing frontier banjo ... and a set of caterwauling gibberish-lyrics."[10] Writing in Cinema Papers Keith Connolly concludes "In sum, Knucklemen is disappointing, not for any marked defect of rendition, but rather because Burstall (who, of course, knows precisely what he is doing) keeps his sights so low."[11] The Bulletin's Sandra Hall states "It is precisely this evenness that makes it such a frustrating film to write about. There is professionalism but no passion or originality."[12]
AFI Awards, 1979
Best Actor - Mike Preston - Nominated
Supporting Actor - Michael Duffield - Nominated
Adapted Screenplay - Tim Burstall - Nominated
Original Music - Bruce Smeaton - Nominated
Sound - John Phillips, Edward McQueen-Mason and Peter Fenton - Nominated
The Last of the Knucklemen was released on DVD by Umbrella Entertainment in January 2012. The DVD is compatible with region codes 2 and 4 and includes special features such as the trailer, photo gallery and interviews with John Powers, Gerard Kennedy, Dan Burstall, Steve Bisley and Michael Caton.[14]
