Libido is a 1973 Australian drama film comprising 4 segments written and directed as independent stories, but screened together as one piece, exploring a common theme of instinctive desire and contemporary sexuality.[2]
The film arose from a series of workshops held in 1971 by the Victorian Branch of the Producers and Directors Guild to help writers work in narrative cinema. Professional writers were invited to prepare short stories on the theme of love which were adapted and produced by members of the Guild. Four of them were linked in the film.[1][5]
Tim Burstall wanted to direct the David Williamson segment but because he had worked with Williamson before was given the Hal Porter one, originally called The Jetty. Burstall made some key changes to the story to make it more autobiographical and work better for film.[6] It was shot at Werribee Park Estate in June 1972.[7]
All the stories were shot and filmed in and around Melbourne on 16mm for a budget of $100,000, including $26,000 from the Australian Council for the Arts. According to Burstall, the episodes directed by Murray, Baker and Schepisi cost about $7,000 each and his cost $13,000 - although he says the true cost, accounting for deferrals, was closer to $23,000. He says the total cost of shooting the film was $75,000 being $120,000 after deferrals.[6]
British Empire Films later added some funds to enable the film to be blown up to 35mm (some sources say $20,000[1] others $36,000[5]).
Release
The film was a popular success in Australia and screened overseas. Within two years of the film's release all deferred fees had been paid back. However, when the film screened in Spain, the segment "The Priest" had to be cut.[5]
By 1979 Burstall estimated the film had returned between $60,000 and $75,000 to the producers.[6]
Awards
In 1973, the film won the Golden Reel Award for best fiction film from the Australian Film Institute for the segment The Child, and Judy Morris won the best actress award for her performance in the same segment.[8][9]
Proposed sequel
Burstall said there was meant to be a follow-up film called The Bed, consisting of four stories revolving around the bed, written by Alan Marshall, Morris Lurie, John Powers and Max Richards, to be directed by Mal Bryning, Ross Dimsey, Simon Wincer and Rod Kinnear. However, they could not raise the money to make it.[6]
References
^ abcAndrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p270