Lee was fatally wounded by a prop gun during filming. As he had finished most of his scenes, the film was completed through script rewrites, a stunt double and digital effects.[6] After Lee's death, Paramount Pictures opted out of distribution and the rights were acquired by Miramax Films. The film is dedicated to Lee and his fiancée, Eliza Hutton.
The Crow premiered in Santa Monica on May 10, 1994, and was released in the United States on May 13, 1994, by Dimension Films. The film received positive reviews for its style and Lee's performance.[7] It grossed $94 million on a $23 million budget and has gained a cult following. The success led to a media franchise that includes the sequels The Crow: City of Angels (1996), The Crow: Salvation (2000), and The Crow: Wicked Prayer (2005). The sequels, which mostly featured different characters and none of the original cast members, were unable to match the success of the first film. A reboot of The Crow was released in 2024, which was a critical and commercial failure.
Plot
On Devil's Night, in a crime-ravaged and decrepit Detroit, a young woman, Shelly Webster, is raped and seriously wounded while her rock musician fiancé Eric Draven is shot and thrown to his death from the window of their loft apartment. Police Sergeant Daryl Albrecht accompanies Shelly to the hospital, but she eventually dies from her injuries. A narration states the legend of a crow that carries souls to the land of the dead; if the person died in tragic circumstances, the crow can resurrect their restless spirit to set things right.
One year later, Shelly's and Eric's graves are visited by Sarah, a young girl the pair cared for due to her absent mother. A crow lands on Eric's gravestone and taps on it, resurrecting him. Disoriented and distressed, Eric returns to his ravaged loft apartment and experiences flashbacks of the murders: A gang of men—Tin Tin, Funboy, T-Bird, and Skank—targeted the pair, because they were protesting forced evictions in their apartment building which the gang's leader, ruthless crime boss Top Dollar, intended to seize. Realizing that any injuries he suffers are immediately healed, Eric dons black-and-white face paint and sets out to avenge himself and Shelly, guided by the crow.
The crow leads Eric to Tin Tin, whom Eric stabs to death. He next travels to the pawn shop where Tin Tin had pawned Shelly's engagement ring. Eric recovers the ring and blows up the shop, but spares the owner Gideon so he can alert Top Dollar's men that Eric is coming for them. Albrecht begins investigating the apparent vigilante disturbances while Eric finds Funboy taking drugs with Sarah's estranged drug addict mother, Darla. He gives Funboy a fatal overdose and purges the drugs from Darla's body, telling her that Sarah needs her.
Eric visits Albrecht and confirms his suspicions regarding the vigilante's identity. Albrecht tells Eric that he stayed with Shelly until she died, witnessing the thirty hours of suffering she experienced. Eric touches Albrecht, absorbing the pain Shelly felt. Later, Eric saves Sarah from being hit by a car, revealing to her that he has returned. Eric next targets T-Bird, killing him in an explosion. The following morning, Sarah and Darla reconcile and Sarah reunites with Eric at his apartment. Top Dollar holds a meeting with his associates to discuss his plans to burn the city to the ground on Devil's Night. Eric arrives for Skank but a gunfight erupts, ending with Eric throwing Skank from a window to his death. Top Dollar, his lover and half-sister Myca, and his right-hand man Grange escape. Myca correctly hypothesizes that the crow is the source of Eric's immortality.
Satisfied with his vengeance, Eric gifts Shelly's engagement ring to Sarah and returns to his grave. Grange abducts Sarah as she is walking home and takes her to an abandoned church with Myca and Top Dollar, who takes Shelly's ring. Eric is alerted to her plight by the crow and rushes to rescue her, but he is ambushed by Grange who wounds the crow, rendering Eric vulnerable. Albrecht arrives and kills Grange, while Myca attempts to take the crow for its immortality; it claws her eyes out, causing her to fall to her death from the bell tower. Top Dollar retreats to the church roof with Sarah, where he fights and badly wounds Eric. Eric transfers Shelly's pain into Top Dollar, causing him to stumble off the roof and be impaled on a gargoyle, killing him.
Sarah and a wounded Albrecht are recovered from the church, while a pained Eric goes to Shelly's grave where her spirit arrives to comfort him and return his body to rest. Sometime later, Sarah visits the graves and the crow returns Shelly's ring to her.
Michael Berryman filmed scenes as the Skull Cowboy, Eric's spirit guide, but his scenes were cut from the finished film. Chad Stahelski was Brandon Lee's stunt double in several scenes.
Production
Development
James O'Barr wrote what would become The Crow as a means to cope with the unexpected death of his fiancée, who was killed by a drunk driver.[8] The first meeting O'Barr had with a major studio was quickly dismissed after the studio's vision for the film was a musical with Michael Jackson as the lead.[9] Around the time of The Crow's publication, writer John Shirley pitched Angry Angel to Caliber Press, who turned it down due to similarities with The Crow. Shirley sought the comic out and decided to adapt it into a film.[10] O'Barr was receptive and agreed to workshop the film with Shirley and producer Jeff Most, turning down a significant offer from New Line Cinema in the process. O'Barr oversaw three different script treatments by Shirley and Most before directly collaborating on the first two drafts of the screenplay. Shirley penned the third and fourth draft by himself which awarded him screenplay credit by the Writers Guild of America. Most claimed to have written a "substantial proportion" of the script, but was denied credit due to a rule in the WGA which prohibited producers from receiving credit.[11] The addition of producer Edward Pressman gave The Crow further momentum, but Shirley would be fired during development after clashing with a development head at Pressman's studio.[12]Splatterpunk writer David J. Schow was brought in for rewrites.[4] From a suggestion by Most, Pressman primarily pursued music video and commercial directors to helm the film; Julien Temple being Most's top choice.[13] Australian filmmaker Alex Proyas was hired to direct the film.[10]Paramount Pictures picked up the distribution rights and slotted an August 1993 release date.[14]
On March 31, 1993, at EUE Screen Gems Studios in Wilmington, North Carolina, Lee was filming a scene where his character, Eric, is shot after witnessing the beating and rape of his fiancée. Actor Michael Massee's character Funboy fires a .44 MagnumSmith & Wesson Model 629 revolver at Lee as he walks into the room.[22] A scene filmed two weeks before Lee's had called for the same gun to be shown in close-up. Revolvers often use dummy cartridges fitted with bullets, but no powder or primer, during close-ups as they look more realistic than blank rounds which have no bullet. Instead of purchasing commercial dummy cartridges, the film's prop crew, hampered by time and money constraints, created their own by pulling the bullets from live rounds, dumping the powder charge but not the primer, then reinserting the bullets. Witnesses reported that two weeks before Lee's death they saw an unsupervised actor pulling the trigger on the gun while it was loaded with the powderless but primed round. Having not removed the primer, the primer could detonate with enough energy to launch a bullet and lodge it in the barrel.[23][24]
In the fatal scene, which called for the revolver to be actually fired at Lee from a distance of 12–15 feet, the dummy cartridges were exchanged for blank rounds, which feature a live powder charge and primer, but no bullet, thus allowing the gun to be fired without the risk of an actual projectile. As the production company had sent the firearms specialist home early, responsibility for the guns was given to a prop assistant who was unaware of the rule for inspecting all firearms before and after any handling. Therefore, the barrel was not checked for obstructions when the time came to load it with the blank rounds.[23][24] Since the bullet from the dummy round was already trapped in the barrel (a condition known as a squib load), this caused the .44 Magnum bullet to be fired out of the barrel with virtually the same force as if the gun had been loaded with a live round, and it struck Lee in the abdomen, mortally wounding him.[25][26]
After Lee's death, the producers were faced with the decision of whether or not to continue with the film. Lee had completed most of his scenes for the film and was scheduled to shoot for only three more days.[1] The rest of the cast and crew, except for Ernie Hudson, whose brother-in-law had just died, stayed in Wilmington. Paramount Pictures, which was initially interested in distributing The Crow theatrically (originally a direct-to-video feature), opted out of involvement due to delays in filming and some controversy over the violent content being inappropriate given Lee's death. However, Miramax picked it up with the intention of releasing it in theatres and injected a further $8 million to complete the production, taking its budget to approximately $23 million.[1] The cast and crew then took a break for script rewrites of the flashback scenes that had yet to be completed.[23] The script was rewritten by Walon Green, Terry Hayes, René Balcer, and Michael S. Chernuchin, adding narration and new scenes.[27][28] Lee's stunt double Chad Stahelski was used as a stand-in and digital face replacement was used to superimpose Lee's face onto the head of the double. The beginning of the movie, which had not been finished, was rewritten, and the apartment scene remade using computer graphics from an earlier scene of Lee.[29]
A character from the original comic book called Skull Cowboy was originally planned to be part of the adaptation and even had scenes filmed. He acted as a guide for Eric Draven between the worlds of the dead and the living. He was set to be played by Michael Berryman, but the role was cut from the film due to Lee's death.[30]
O'Barr later remarked that losing Lee was like losing his fiancée all over again, and he regretted ever writing the comic in the first place.[31]
Reception
Box office
The film opened at number one in the United States in 1,573 theaters with $11,774,332 and averaging $7,485 per theater, making it Miramax's biggest ever opening.[32][33] Some industry sources believed that Miramax overstated the weekend gross by as much as $1 million.[34] The film ultimately grossed $50,693,129 in the United States and Canada, and $43 million internationally, for a worldwide total of $93.7 million against its budget of $23 million.[35][2] It ranked at number 24 for all films released in the US in 1994, the 24th highest-grossing film worldwide for 1994 and number 10 for R-rated films released that year.[36][2]
In Europe, the film grossed £1,245,403 in the United Kingdom (where it was 18-rated),[37] and sold 4,604,115 tickets in France, Germany, Italy and Spain.[38][39] In Seoul, South Korea, it sold 83,126 tickets.[40]
Critical response
The Crow has an approval rating of 87% on Rotten Tomatoes based on 75 reviews and an average rating of 7.2/10. The critical consensus states: "Filled with style and dark, lurid energy, The Crow is an action-packed visual feast that also has a soul in the performance of the late Brandon Lee."[7] The film also has a score of 71 out of 100 on Metacritic based on 14 critics, indicating "generally favorable reviews".[41]
Lee's death was alleged to have a melancholic effect on viewers; Desson Howe of The Washington Post wrote that Lee "haunts every frame" and James Berardinelli called the film "a case of 'art imitating death', and that specter will always hang over The Crow".[42][43][48] Both Berardinelli and Howe called it an appropriate epitaph to Lee, and Ebert stated that not only was this Lee's best film, but it was better than any of his father's.[42][43][48] Critics generally thought that this would have been a breakthrough film for Lee, although Berardinelli disagreed.[43][48][49] The changes made to the film after Lee's death were noted by reviewers, most of whom saw them as an improvement. Howe said that it had been transformed into something compelling.[42] Berardinelli, although terming it a genre film, said that it had become more mainstream because of the changes.[48]
The film was widely compared to other films, particularly Tim Burton's Batman movies and Ridley Scott's Blade Runner.[48][49] Critics described The Crow as a darker film than the others;[48] Ebert called it a grungier and more forbidding story than those of Batman and Blade Runner, and Todd McCarthy of Variety wrote that "it’s set in a generic inner city so hellish it makes Gotham City look like the Emerald City".[49]
While the plot and characterization were found to be lacking,[42][48][49] these faults were considered to be overcome by the action and visual style.[43][48] The cinematography by Dariusz Wolski and the production design by Alex McDowell were also praised. The cityscape designed by McDowell and the production team was described by McCarthy as rendered imaginatively.[49] The film's comic book origins were noted, and Ebert called it the best version of a comic book universe he had seen.[43] McCarthy agreed, calling it "one of the most effective live-actioners ever derived from a comic strip".[49] Critics felt that the soundtrack complemented this visual style, calling it blistering, edgy and boisterous.[42][44][49] Graeme Revell was praised for his "moody" score;[49] Howe said that it "drapes the story in a postmodern pall."[42]
Negative reviews of the film were generally similar in theme to the positive ones but said that the interesting and "OK" special effects did not make up for the "superficial" plot, "badly-written" screenplay and "one-dimensional" characters.[50][51]
The Crow is mentioned in Empire's 2008 list of the 500 greatest movies of all time; it ranked at number 468.[52] It has since become a cult film.[53]
The original soundtrack album for The Crow features songs from the film, and was a chart-topping album. It included work by The Cure (their song, "Burn", became the film's main theme), The Jesus and Mary Chain, Rage Against the Machine and Helmet, among many others. In Peter Hook's memoir Substance: Inside New Order, Hook relates that New Order were approached to provide the soundtrack for the film, with a cover of "Love Will Tear Us Apart", their hit as Joy Division, citing parallels between Eric's resurrection and New Order's formation after the suicide of Joy Division frontman Ian Curtis. However, New Order frontman Bernard Sumner declined, stating that they were too busy with their album Republic to commit to another project. James O'Barr, creator of the original comic book series, was a big fan of Joy Division and had named the characters Sergeant Albrecht and Captain Hook after bandmates Sumner (who was also known as Bernard Albrecht early in his career) and Hook.[citation needed]
The score consists of original, mostly orchestral music, with some electronic and guitar elements, written for the film by Graeme Revell.[citation needed]
Sequels
In 1996, a sequel was released, called The Crow: City of Angels. In this film, Vincent Pérez plays Ashe Corven, who, along with his son Danny, is killed by criminals. Ashe is resurrected as a new Crow. The character of Sarah Mohr (now played by Mia Kirshner) reappears in this film and assists Ashe.[61] The film also features Iggy Pop, who, according to the booklet insert for the film's soundtrack, was the producer's first choice for Funboy in the first Crow movie, but he was unable to commit due to his recording schedule. In addition, it also featured the final appearance of Thuy Trang. The band Deftones can be seen playing live in a festival scene and they contributed the song "Teething" to the soundtrack. The film received mostly negative reviews.
On April 1, 2022, a new attempt at a remake was announced by The Hollywood Reporter, with Bill Skarsgård starring as Eric, Rupert Sanders directing, and Edward R. Pressman and Malcolm Gray co-producing.[65] Days later, the site also reported that FKA Twigs had been cast as Shelly.[66] In July 2022, production on the reboot was reportedly underway in Prague, Czech Republic.[67] By August 26, 2022, Danny Huston was cast as Vincent Roeg.[68] On September 16, 2022, the film wrapped production.[69][70] The film was theatrically released on August 23, 2024, by Lionsgate Films, in the United States.[71]
Home media
The Crow was first released on VHS and LaserDisc multiple times between 1994 and 1998 in addition to the widescreen DVD on February 3, 1998. The two-disc DVD was released on March 20, 2001, as part of the Miramax/Dimension Collector's Series.[72] On October 18, 2011, The Crow was released on Blu-ray through Lionsgate Pictures who also re-released the DVD format on August 17, 2012.[73] In Japan, the movie was remastered in 4K for a special edition in 2016, although the film's final resolution was capped at 1080p; a 4K edition of the film was released on May 7, 2024.
^Baiss, Bridget (2000). The Making of The Crow. Titan Books. p. 21. ISBN978-1870048545.
^Baiss, Bridget (2000). The Making of The Crow. Titan Books. p. 24. ISBN978-1870048545.
^ abHarrington, Richard (May 15, 1994). "The Shadow of The Crow". Washington Post. Archived from the original on February 18, 2017. Retrieved April 23, 2023.
^Zoller Seitz, Matt (January 12, 1995). "Personal best From a year full of startling and memorable movies, here are our favorites". Dallas Observer.
^Mayo, Mike (December 30, 1994). "The Hits and Misses at the Movies in '94". The Roanoke Times (Metro ed.). p. 1.
^Pickle, Betsy (December 30, 1994). "Searching for the Top 10... Whenever They May Be". Knoxville News-Sentinel. p. 3.
^Elliott, David (December 25, 1994). "On the big screen, color it a satisfying time". The San Diego Union-Tribune (1, 2 ed.). p. E=8.
^Lovell, Glenn (December 25, 1994). "The Past Picture Show the Good, the Bad and the Ugly -- a Year Worth's of Movie Memories". San Jose Mercury News (Morning Final ed.). p. 3.
