Facing financial hardship, Ollie orchestrates a boxing match between Stan and Thunderclap Callahan, offering a cash prize of $100[a] to the victor. Stan, fighting under the alias "Canvasback Clump," inadvertently knocks out Callahan in the initial round. However, Stan's refusal to return to his corner prevents the referee from completing the ten-count, allowing Callahan to recover and retaliate, ultimately overpowering Stan.
Following the match's chaotic conclusion, a disillusioned Ollie encounters an insurance salesman who convinces him to invest the meager winnings in an insurance policy on Stan, with the stipulation that Stan must sustain an injury for Ollie to profit. In a misguided attempt to fulfill this requirement, Ollie orchestrates a scenario involving a banana peel on a sidewalk. However, the plan backfires when a pastry chef becomes the unintended victim of the slippery hazard, leading to a comical altercation involving pies that quickly escalates into a neighborhood-wide skirmish.
The Battle of the Century is renowned for its extensive use of cream pies, with estimates ranging from over 3,000 to potentially 10,000 pies utilized in the climactic pie fight. Initially, only a three-minute segment containing the pie fight was believed to have survived, as it had been incorporated into Robert Youngson's 1950s film documentaries.[2] However, the complete second reel, including the pie fight scene, was rediscovered in 2015 and subsequently released to the public on DVD and Blu-ray disc as part of the Laurel & Hardy: The Definitive Restorations compilation in 2020.[3]
In recognition of its cultural significance, The Battle of the Century was selected for preservation in the United States National Film Registry by the Library of Congress in 2020 as being "culturally, historically, or aesthetically significant."[4]
Although officially billed as a Laurel and Hardy film, the characters had yet to fully embody their iconic personas; they are not referred to as Stan and Ollie, with Laurel portraying Canvasback Clump and Hardy's manager character remaining unnamed.
Stan Laurel expressed his intention to inundate the film with so many pies that it would surpass any future pie-related cinema endeavors, saying "Let’s give them so many pies that there never will be room for any more pie pictures in the whole history of the movies."[5]
A young Lou Costello can be spotted among the prizefight crowd early in the film, adding to its historical significance.[6]
Lost film status
For an extended period, only the climactic pie fight from The Battle of the Century was known to have survived. This changed in 1979 when Richard Feiner discovered the opening reel featuring the boxing match scene.[7] However, certain segments, including Eugene Pallette's role as the insurance salesman in the park and the final gag involving a policeman receiving a pie in the face, remained missing.
During the 1970s, Spanish television (station TVE1) aired what was believed to be the entire film, which included additional scenes such as a customer in a barber's chair receiving a pie in the face and a man purchasing two pies to join the pie fight.
In June 2015, at the Mostly Lost film workshop in Culpeper, Virginia, film collector Jon Mirsalis announced the rediscovery of the second reel of The Battle of the Century.[8] This 16mm print, sourced from the original 35mm negative, was found in the film collection of Gordon Berkow, who had acquired it from Robert Youngson, a Laurel and Hardy film compilations writer and director. Youngson had received the reel as a preview print while working on his 1957 compilation The Golden Age of Comedy.[9]
On April 8, 2017, the film was showcased at the Toronto Silent Film Festival with live accompaniment by Ben Model. Similarly, on May 29, 2017, it was presented at the Southend Film Festival accompanied by Adam Ramet. Additionally, it was screened at the Mostly Lost film workshop in June 2016, coinciding with the one-year anniversary of its rediscovery, with Mirsalis providing piano accompaniment.
^This was ironic, since Youngson had been sent the complete second reel as a 16mm preview reel in 1957, and it survived in his personal film archive, from which it was eventually recovered
.jpg)
