MGM reused a fair amount of footage from their 1932 version rather than reshooting, including scenes of Tarzan swinging on vines and the elephants' destruction of a pygmy village. A scene of Tarzan fighting a crocodile was reused from Tarzan and His Mate, the sequel to the 1932 film. Other footage was reused from King Solomon's Mines. Tarzan's distinctive call was also taken from the original version. The "African" elephants in some scenes are clearly Indian ones with some sort of canvas "ears" added, and with the characteristic double humps on the forehead all too obvious.
The "jungle" vegetation, from three different continents, an extremely phoney looking rubber mask used for close ups of a roaring leopard and the clumsy back-projection in the "underwater" scenes make it a treat for lovers of the ludicrous.
The plot of the film reprises that of the 1932 version, with James Parker (Robert Douglas) Harry Holt (Cesare Danova) and Parker's daughter Jane (Joanna Barnes) on an expedition in Africa in which they encounter Tarzan (Denny Miller), a wild man raised by apes. Various adventures ensue.
The film was made at the same time as another Tarzan film, Tarzan's Greatest Adventure produced by Sy Weintraub. MGM had kept the remake rights to the 1932 Tarzan the Ape Man, enabling them to make this film. The rights to the bulk of the Tarzan stories were owned by Weintraub.[3]
Box office
According to MGM records the film earned $660,000 in the US and Canada and $1,050,000 elsewhere resulting in a profit of $92,000.[1]
The AllMusic review by Scott Yanow says "Although there are many short solos, the emphasis is on the dense and frequently exciting ensembles. The music, which is heard here in full-length form (unlike in the movie, where it is often buried behind the action), sounds quite self-sufficient apart from the action".[5]
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