In Tango Tangles, Charlie Chaplin appears without makeup and his usual mustache, baggy pants, and oversized shoes. The film was shot at a dance hall without any sort of formal script. Mack Sennett, in his 1954 autobiography King of Comedy, said of the impromptu nature of Tango Tangles, "We took Chaplin, [Ford] Sterling, [Roscoe] Arbuckle and [Chester] Conklin to a dance hall, turned them loose, and pointed a camera at them. They made funny, and that was it." Tango Tangles marked the last time that Ford Sterling and Chaplin appeared in the same film. Sterling had decided to leave Keystone where he had gained most of his fame as the chief of the Keystone Cops.
Reviews
The movie publication Bioscope wrote of Tango Tangles, "Jealousy in a dance room ends in a fight which is engaged by the dancers, musicians and attendants."
Another reviewer in The Cinema wrote, "The ballroom is soon converted into a battlefield which results in this Keystone being a real scream."