(Sir) Charlie Chaplin (KBE) (1889–1977) was an English internationally renowned Academy Award-winning actor, comedian, filmmaker and composer who was best known for his career in Hollywood motion pictures from his debut in 1914 until 1952, he however subsequently appeared in two films in his native England. During his early years in the era of silent film, he rose to prominence as a worldwide cinematic idol renowned for his tramp persona. In the 1910s and 1920s, he was considered the most famous person on the planet.[1]
Chaplin was born in London and began acting on stage at the age of nine.[2] In 1913, while on tour in the United States with Fred Karno's comedy group, he accepted a contract to work for Keystone Film Company. During his time at Keystone, he began writing and directing some of the films in which he starred. Chaplin signed with the Essanay Film Manufacturing Company in 1915, and the year after with the Mutual Film Corporation.
Chaplin by 1918, began producing his own films, initially releasing them through First National Pictures and then through United Artists, a corporation he co-founded with Mary Pickford, Douglas Fairbanks, and D. W. Griffith.[3] In the late 1940s and early 1950s, Chaplin was accused of being a Communist sympathiser, which he denied.[4] He remained a British subject and, while travelling to England in 1952 to attend the premiere of his film Limelight, his American re-entry permit was rescinded.[5] Chaplin eventually settled in Switzerland, where he remained for the rest of his life. He made his last two films in England.
During his lifetime, Chaplin received three awards from the Academy of Motion Picture Arts and Sciences. At the first Academy Awards ceremony, held on 16 May 1929, he was originally nominated for Best Actor and Best Director for The Circus (1928). The Academy dropped his two nominations, and he won an honorary award for writing, directing, producing, and acting.[6][7] In 1972, he returned to the United States after nearly two decades to receive another honorary award, this time for his overall achievements in cinema. The following year, Chaplin's score for Limelight received the Academy Award for Best Music. Although 20 years old by this time, Limelight had not been released in the Los Angeles area until 1972, and had not been eligible for Academy Award consideration before then.[7] Chaplin also received Academy Award nominations in 1940 for Best Actor and Best Original Screenplay for The Great Dictator. In 1942, Chaplin released a new version of The Gold Rush, taking the original silent 1925 film and composing and recording a musical score. The Gold Rush was nominated for Best Music (Scoring of a Dramatic or Comedy Picture). Notwithstanding the belated nomination for Limelight, his final contemporary nomination was in 1947 for his screenplay of Monsieur Verdoux.[7]
In 1964, Chaplin established his official filmography with the publication of his book, My Autobiography. The filmography consisted of 80 motion pictures released since 1914. Further detail was added to it in David Robinson's 1985 biography, Chaplin: His Life and Art, which included Chaplin's last film, A Countess from Hong Kong (1967), as the 81st entry. In 2010 the 82nd film was added with the discovery of A Thief Catcher, an early Keystone film hitherto thought lost, with Chaplin's involvement previously unconfirmed.[10]
All of Chaplin's films up to and including The Circus (1928) were silent, although many were re-issued with soundtracks. City Lights (1931) and Modern Times (1936) were essentially silent films, although they were made with soundtracks consisting of music and sound effects, with talking sequences in the latter film. Chaplin's last five films were all talking pictures. Aside from A Countess From Hong Kong, all of Chaplin's films were photographed in 35mm black-and-white.
Unlike many of his contemporaries, Chaplin's film canon substantially survives, with only a handful of his films considered lost (one, A Woman of the Sea, due to Chaplin's own actions).
Except where otherwise referenced, the release dates, character names, and annotations presented here are derived from Chaplin's autobiography, Robinson's book, and The Films of Charlie Chaplin (1965) by Gerald D. McDonald, Michael Conway, and Mark Ricci.
Released on a split-reel (i.e. two films on one reel) with an education film, Olives and Trees. First released appearance of the Tramp, but see below. Added to the National Film Registry in 2020.
Compilation assembled by Leo White with scenes from Police and an unfinished short, Life, along with new material shot by White. Chaplin includes this production in the filmography of his autobiography.
Chaplin wrote, produced, directed, and starred in 9 films for his own production company between 1918 and 1923. These films were distributed by First National.
Escaped Convict (Considered by some to be The Tramp)
Four reels. Score composed for compilation, The Chaplin Revue.
United Artists
Chaplin began releasing his films through United Artists in 1923. From this point on all of his films were of feature length. He produced, directed, and wrote these eight films and starred in all but the first. Beginning with City Lights Chaplin wrote the musical scores for his films as well.
Pulled from American screens shortly after its release when Chaplin became a political exile from the United States.[22]Academy Award for Best Music (Scoring). (Awarded in 1973 when the film became first eligible for Academy Award consideration via Los Angeles screenings.)[7]
British productions
In 1952, while travelling to England to attend the première of his film, Limelight, Chaplin learned that his American re-entry permit was rescinded. As a result, his last two films were made in England.
In addition to his official 82 films, Chaplin has several unfinished productions in his body of work. He made several cameo appearances as himself and was featured in several compilation films.
Completed but never released. Chaplin had the negative burned on 24 June 1933, making it lost.
1933
All at Sea
Himself
An 11-minute home film shot by Alistair Cooke onboard Chaplin's boat, Panacea, and featuring Cooke with Chaplin and Paulette Goddard.[24]
1966–1975
The Freak
Yes
A production planned for Chaplin's daughter, Victoria.
Compilations
Many Chaplin-unauthorized compilations of his Keystone, Essanay and Mutual films were released in the years following his departure from those companies. This is not an exhaustive list but does contain the most notable and widely released examples. Eventually Chaplin re-edited and scored his First National shorts for reissue in 1959 and 1975.
A 7-minute reel of this WWI propaganda short, was discovered in 2009,[25] with a second in 2011.[26] The first copy was bought on eBay and later put up for auction, but the only bid failed to reach the reserve price.[27]
May 1918
Chase Me Charlie
Yes
Yes
A seven-reel montage of Essanay films, edited by Langford Reed. Released in England.
Circa 1920
Charlie Butts In
Yes
Yes
Essentially a one-reel version of the second Essanay short, A Night Out, incorporating alternate takes and footage of Chaplin conducting a band at Mer Island.
A compilation documentary featuring new scenes of Chaplin at his home in Switzerland.
Cameos
In addition to his own productions of A Woman of Paris (1923) and A Countess from Hong Kong (1967), Chaplin made cameo appearances as himself in the following films:
^"History of the Academy Awards". The Academy of Motion Picture Arts and Sciences. 2009. Archived from the original on 1 October 2014. Retrieved 29 September 2009.
^"The Hollywood Walk of Fame". Hollywood Chamber of Commerce, Inc. 2009. Archived from the original on 13 February 2018. Retrieved 18 October 2010. Note: Type in "Charlie Chaplin"