Though her parents were pleased at her developing balletic talent, they insisted Rojo also complete an academic education through evening classes she could attend after studio rehearsals. Having graduated from the Conservatory at 16, she completed her secondary studies over the next two years. She went on to complete further degrees including a bachelor of dance, master of scenic arts and a PhD in performing arts, becoming DA magna cum laude in 2016 from King Juan Carlos University.[2][3][4]
Career
Rojo began her professional career in 1991 with the Ballet de la Comunidad de Madrid, under the direction of Víctor Ullate. In 1994, she was awarded a gold medal at the Paris International Dance competition, together with a Special Jury Award from a panel including Natalia Makarova, Galina Samsova and Vladimir Vasiliev, three outstanding figures in the ballet world at that time.[5]
Early career in Britain
In 1996 Galina Samsova, artistic director of Scottish Ballet, invited Rojo to join the company. There she performed principal roles in Swan Lake, The Nutcracker, La Sylphide and Cranko's Romeo and Juliet. Derek Deane, then English National Ballet artistic director, asked her to join ENB the following year. For her he created the roles of Juliet in "Romeo and Juliet" and Clara in "The Nutcracker" for which The Times named Rojo "Dance Revelation of the Year" in 1997. She also danced principal roles in Swan Lake, Paquita, Coppelia and Glen Tetley's The Sphinx.[6]
Royal Ballet
Rojo approached Royal Ballet director Anthony Dowell in 2000 with a view to joining the company, and was invited to become a principal dancer when a contract became available later in the year.[citation needed] Over the next 12 years, she performed major roles in most of the company's repertoire including ballets choreographed by Kenneth MacMillan and Frederick Ashton, Dowell's Swan Lake, Makarova's La Bayadere, Rudolph Nureyev's Don Quixote, and Peter Wright 's The Nutcracker. She danced in the world premiere of Snow White, created for her by choreographer Ricardo Cué. The title role in Isadora was recreated for her by MacMillan's widow, the artist and set designer Deborah MacMillan, custodian of the late choreographer's ballets.[citation needed]
Major injuries
In 2000, Rojo was asked at short notice to replace the injured Royal Ballet principal Darcey Bussell in the title role in Giselle. Ignoring her own sprained ankle, Rojo learned the role in a fortnight and went on to receive rave reviews.[7] In 2002, while dancing Clara in Nutcracker, Rojo began to tremble on stage. Sent to a private hospital after the performance, she learned her appendix had burst and was told to take six weeks off. However, she resumed dancing after only two, relapsed and returned to hospital. Rojo admitted some years later it was "completely wrong [to continue dancing while injured or ill] and I do not feel that anyone should do this. It really is not worth it."[8]
In 2003, while preparing for the Royal Ballet's Australian tour, Rojo suffered an infected bunion so serious that her foot swelled to the size of a tennis ball. Doctors recommended surgery on her foot, a potentially career-ending operation. Months later, after countless hours of rehabilitation, she resumed dancing and said the injury changed her perspective on life, her body and dance. She felt that she valued each and every day more and learned that nothing in life should be taken for granted.[9]
After this experience, she and her father developed a device to stretch pointe shoes in order to reduce pressure on bunions, and formed a company in 2017 to market it.[10]
English National Ballet
Rojo as Giselle in ENB's full length ballet Giselle choreographed by Akram Khan
In 2012, Rojo became the artistic director of English National Ballet, replacing Wayne Eagling.[11]
Under her direction, the English National Ballet, for the first time in history, was invited to dance at the Paris Opera Palais Garnier. Appearing from 21 to 25 June 2016, ENB performed one of the most famous ballets in its repertoire: the Petipa and Sergeyev version of Le Corsaire in a revival by Anna-Marie Holmes.[12]
In 2014, she presented a documentary entitled Good Swan, Bad Swan: Dancing Swan Lake for the BBC.[13] She followed up with Giselle: Belle of the Ballet in 2017, which included the history of both the original production and the new ballet created for the ENB by Akram Khan.[14] She had commissioned Khan to re-imagine the story: Khan won the Critics' Circle National Dance Awards 2017 for Best Classical Choreography, Alina Cojocaru won Outstanding Female Performance (Classical) as Giselle,[15] and the company as a whole won an Olivier Award for Outstanding Achievement in Dance.[16]
In January 2022, it was announced that Rojo will become the artistic director of San Francisco Ballet at the end of the year, succeeding Helgi Tómasson.[18] Upon taking the position, she became the first woman to serve as artistic director of the company.[19]
Repertoire
The following is a list of repertoire of Rojo's performance in various ballet companies.
Honoured by the South Bank Sky Arts Outstanding Achievement Award 2022, for her ten transformational years as artistic director of the English National Ballet.
Gold Medal of the Academy of Performing Arts of Spain 2021.
2013 Spanish-British Relationships of II Fundación Banco Santander Prize.
2012 The Gold Medal for Fine Arts 2012 of the John F. Kennedy Center for Performing Arts.
2011 Encomienda de número de Isabel la Católica.
2010 Laurence Olivier "Best New Dance Production" award for her collaboration with choreographer Kim Brandstrup in "Goldberg: The Brandstrup-Rojo Project."[21]
