Dances at a Gathering is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre.[1] He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples.[2] According to NYCB, after George Balanchine saw 25 minutes of the ballet, he said: "[m]ake more, make it like popcorn", so Robbins enlarged the ballet to an hour long.[3] With costumes by Joe Eula and lighting by Thomas Skelton, the ballet had a gala preview on May 8, 1969, before premiering on May 22. Robbins dedicated the ballet to lighting designer Jean Rosenthal, who had died on May 1.[2]
Following the premiere, there were many speculations regarding the narratives of the ballet so Robbins wrote to Ballet Review in all caps to insist that the ballet has no stories, plot or roles, and the dancers are merely "themselves dancing with each other to music in that place."[4] In the ballet, the performers are credited by the colors of their costumes.[5] The ballet starts with a solo performed by Brown Boy, originally Villella, and in the middle of the ballet, a woman who had not appeared in the ballet before dances a solo.[4][6] In one section featuring three men and three women, the women are tossed from partner to partner. The most well-known part of the ballet is a pas de deux between Pink Girl (originally McBride) and Mauve Boy.[1] No more than six dancers are on stage at the same time until the finale.[4]
Other companies and revivals
The Royal Ballet in London premiered Dances at a Gathering in 1970, staged by Robbins himself.[2] When he taught the role originated by Villella to Rudolf Nureyev, who was regarded as one of the best ballet dancer in his generation, Robbins attempted to make Nureyev unrecognizable to the audience.[4] The Royal Ballet continued to perform the ballet until 1976, then did not revive it until 2008, staged by Susan Hendl and Ben Huys.[7] Robbins also staged the ballet for the Paris Opera Ballet, and the company debuted it in 1991.[2] The San Francisco Ballet first performed it in 2002, also staged by Hendl and Huys.[6]