Joseph Haydn's Symphony No. 29 in E major, Hoboken I/29, was written in 1765, just after his 28th, and to be performed in Eisenstadt, under the benign auspices of Prince Nikolaus Esterházy.[1]
In the slow movement, the melody is passed back and forth between the first and second violin parts.[2]
The trio of the Minuet has an "oompah accompaniment in the strings" and horns sustaining Es in octaves, but apparently no melody.[3] The harpsichordist would have to provide a melody, but "no keyboard player has dared to provide such a thing for a quarter of a century" between Loibner's recording and the writing of Hodgson's book.[4] H. C. Robbins Landon also notes the "weird atmosphere" and lack of melody, but says it has a "sombre and secretive beauty" and has a "strongly Balkan" character due to an E minor to B minor modulation.[5]
Discography
In the LP era, neither Antal Doráti with the Philharmonia Hungarica nor Leslie Jones with the Little Orchestra of London provide a tune for the trio of the Minuet. Loibner has the Vienna Academy Chamber Orchestra's harpsichordist Christa Fuhrmann give "the outline of a melody—a convincing example of improvisation which suits the music well."[6]
^Antony Hodgson, The Music of Joseph Haydn: The Symphonies. London: The Tantivy Press (1976): 202. The chart places "29" in boldface in the year 1765, indicating an autograph score survives.
^Brown, A. Peter, The Symphonic Repertoire (Volume 2). Indiana University Press (ISBN025333487X), pp. 96–99 (2002).
^HC Robbins Landon, Haydn: Chronicle and Works, 5 vols., (Bloomington and London: Indiana University Press, 1976–) v. 1, Haydn: the Early Years, 1732-1765