Manuel Rodriguez (March 2, 1940 – November 28, 2012), better known as Spain or Spain Rodriguez, was an American undergroundcartoonist who created the character Trashman.
Influences
His experiences on the road with the motorcycle club, the Road Vultures M.C.,[1] provided inspiration for his work, as did his left-wing politics. Strongly influenced by 1950s EC Comics illustrator Wally Wood,[4] Spain pushed Wood's sharp, crisp black shadows and hard-edged black outlines into a more simplified, stylized direction. His work also extended the eroticism of Wood's female characters.[citation needed]Robert Crumb and Rodriguez share influences.[5]
Early life
"I would go back to Buffalo periodically and I would take photos. It’s interesting. Hardly any of those buildings are there now. My old neighborhood is a freeway interchange. Whenever I run into people from that time period they all remember those days. I thought it was me. I thought it was some personal quirk remembering Buffalo in those days but in Buffalo itself there’s a whole cult around that."[6] - Manuel Spain Rodriguez
Manuel Rodriguez was born March 2, 1940,[7] in Buffalo, New York. He picked up the nickname Spain as a child, when he heard some kids in the neighborhood bragging about their Irish ancestry, and he defiantly claimed Spain was just as good as Ireland.[8] Rodriguez studied at the Silvermine Guild Art School in New Canaan, Connecticut alongside cartoonist M.K. Brown.[1][9]
"When Manuel Spain Rodriguez ditched art school in 1959, the decision came easily. The Silvermine Guild School of Art professors didn’t appreciate his representational drawings, an alcoholic landlord threatened his life, and he’d witnessed a good friend commit suicide. So he returned to his hometown of Buffalo, New York, where he painted, took a janitor job (at the Western Electric plant for five years[10]), became invested in left wing politics, and joined an outlaw motorcycle gang. Rodriguez’s experiences as a member of the Road Vultures Motorcycle Club[11][12] later manifested in black-and-white illustrations when he moved to Manhattan.[13]"
Career
Zodiac Mindwarp cover art by Rodriguez
In New York City, during the late 1960s, he became a contributor to the underground newspaper the East Village Other, which published his own comics tabloid, Zodiac Mindwarp (1968). Trashman's first appearance was as a full-page serial in the East Village Other.[14][15] He covered the 1968 Democratic National Convention in Chicago as a reporter for the East Village Other, adventures which were chronicled in My True Story (Fantagraphics Books, 1994). One of his earliest strips, "Manning," featured a hard-boiled, over-the-top cop and was later cited as an influence on the British comics character Judge Dredd.[16]
"When I met him, he struck me as an archetypal character. Somewhere between a crazy artist crossed with a left wing radical, crossed with a working class Latino hood" - Robert Crumb[17]
"In November 1970, Simon Deitch, Rory Hayes, and Spain Rodriguez organized a meeting at Rodriguez’s home to debate the foundation of a movement that could, if need be, attach itself to the IWW. From this first meeting came the name of the association, “United Cartoon Workers of America” (UCWA), but no other concrete decisions were made. The following month, over the course of a second meeting that assembled a greater number of participants with assistance from Rip Off Press, the creators placed their own status in underground publishing on the table. As independent creators, they circulated in a restricted network of small publishing houses, none of which realized any particularly elevated profits at the expense of the creators. In the eyes of some, like Roger Brand, this working situation did not justify the existence of a union. The third meeting was more didactic: Albert Morse, the lawyer for Zap Comix (and for Robert Crumb), wrote a report on the topic of royalties, Greg Irons explained how to buy art supplies in bulk, and Bill Griffith dissected the costs of printing and distribution. The creators present at this meeting agreed on a general page rate of twenty-five to thirty dollars a page, and on the royalties of about one thousand dollars for twenty thousand copies of a thirty-six-page comic book sold for fifty cents. Subsequent meetings took place but no union saw the light of day."[20]
"Spain Rodriguez’s work stands above that of all the other male artists in this creation of sexually explicit comics art, both because he was so prolific and popular, and because he strove to show his sympathy toward women’s passions and struggles. Admittedly, he did so in ways that were distinctively his own."[28]
"The tall, leggy, often half-naked “Big Bitch” is a raunchy, explicitly sexual Rodriguez character who appears in She Comics in stories that often incorporate macho, sadomasochistic themes."[29]
After moving from New York City to San Francisco in 1970, Spain's Subvert Comics series (1970–1976)[30] featured "three full length Trashman: Agent of the Sixth International stories."[31] Trashman later appeared in such publications as High Times, Heavy Metal, Weirdo, San Francisco magazine, Zap #11–13, and the Fantagraphics anthology Zero Zero #2.[31]
From 1976 to 1998, Spain contributed cover art to more than a dozen issues of the popular pornographic magazine Screw.[32]
From 1998 to 1999, Spain drew the continuing graphic story, The Dark Hotel, which ran on the website Salon
Spain's later work included an illustrated biography of Marxist revolutionary Ernesto "Che" Guevara, Che: A Graphic Biography (Verso Books, 2008). Published in several different languages, it was described by cartoonist Art Spiegelman as "brilliant and radical."[35] His history of the California farm worker movement, Farmworker Comix was published posthumously in 2014 by the California Federation of Teachers.
Rodriguez married a daughter of Adele[39][40] and Robert Stern,[41] Susan Stern, a poet, an Oakland Tribune and KPIX investigative journalist[42] in Boston and the San Francisco Bay Area,[43][44] and the director of the films Barbie Nation: An Unauthorized Tour,[45][46][47][48]The Self-Made Man[40] and Bad Attitude: The Art of Spain Rodriguez.[49][50] They have a daughter, a New York-based artist.[51][52][53] Susan's documentary films are about her daughter's dolls, her father, and her husband.
Rodriguez died at his home in San Francisco on November 28, 2012, after battling cancer for six years.[37]
Legacy
In 2012, an anonymous seven-panel[54] graffiti tribute mural was spray-painted on a former warehouse and shipping platform of the Railway Express Agency owned by the City of Buffalo, near Buffalo Central Terminal and a package containing a CD of images and a note: "Included are photos of an illegal mural – a dedication to Spain Rodriguez, located in Buffalo’s East-Side, at the Central Terminal, please use these photos and your powers to get the mural some shine … or just throw the CD out.", photos of which circulated on Facebook.[55][56]
In 2013, Ian De Beer directed a team of street artists to spray-paint a graffiti tribute mural in the style of Spain Rodriguez on a parking lot wall of a convenience store at Allen and College streets, in the Allentown, Buffalo neighborhood, inspired by a Spain Rodriguez comic about a fight he got into at a bar, across the street from the mural.[57][58]
In 2021, Bad Attitude: The Art of Spain Rodriguez a documentary, was directed by his wife, filmmaker Susan Stern.[59][60]
1988 (June 27 – August 10) Galería Esquina de la Libertad (San Francisco) — "Spain : a View from the Bottom: Posters, Comic Strips, Caricatures and More"
^In the 1982 comic book Commies From Mars #4, Spain published an illustration copying Wood's style and sc-ifi subject matter with the words "In Memory of our beloved mentor Wallace Wood."
^Parkhurst, Joe; Van Elk, Don (June 1967). "Round Up". Cycle World. Retrieved 27 August 2024. Ever since the mid-1950s the Buffalo, N. Y. area has been plagued by a misfit gang who call themselves the "Road Vultures." What started out as a basically carefree and fun loving, yet relatively harmless, group, has gradually progressed through disturbing the peace, disorderly conduct, malicious mischief, petty larceny, grand larceny, burglary, robbery, rape, assault in 1st, 2nd, and 3rd degrees, use, possession, and sale of narcotics, to now when one of their members has finally been charged with being an accessory to murder in the 1st degree.
Crumb, Robert (1972). "XYZ Comics". Kitchen Sink Enterprises. The title is written with large yellow letters for the "XYZ" and the "comics" below is in black cursive letters. Above the main title, at the top center, it reads "The Last Word in Comics!" in black script. A yellow medallion on our upper left has the head of a man in a hat and has the text, "KITCHEN SINK ENTERPRISES" printed around the edge. On our upper right, there is a yellow hexagon printed with, "MEMBER UNITED CARTOON WORKERS OF AMERICA." On our right, next to the main title, "50¢" is printed while at the bottom of the main rectangle in a yellow circle "Krazy Kool" is written.
^Lean Years Contributors: Kim Deitch, Leslie, John Pound, Mike Royer, Trina, Chris Warner. Editors: Barry Siegel and Bruce Simon. Member: United Cartoon Workers of America. San Francisco: Cartoonists' Co-op Press, 1974
^Issues #1–2 were published in 1970 and 1972 by Rip Off Press; issue #3 was published by Saving Grace, a Division of Keith Green Industrial Realities in 1976.
