| Year
|
Artist
|
Album
|
Notes
|
| 1984
|
The Wolfgang Press
|
Scarecrow EP
|
Production and guitar
|
| The Wolfgang Press
|
Water EP
|
Co-production
|
| The Wolfgang Press
|
Sweatbox EP
|
Production and engineering
|
| 1985
|
Dif Juz
|
Extractions
|
|
| Felt
|
Primitive Painters / Cathedral single
|
Production on track No. 1 "Primitive Painters"
|
| Felt
|
Ignite the Seven Cannons
|
|
| The Wolfgang Press
|
The Legendary Wolfgang Press and other Tall Stories
|
Production and engineering
|
| 1986
|
Harold Budd
|
Lovely Thunder
|
Mixing on track No. 5 "Flowered Knife Shadows (For Simon Raymonde)"
|
| Felt
|
The Ballad of the Band EP
|
Production on track No. 3 "Candles in a Church" and No. 4 "Ferdinand Magellan"
|
| 1987
|
The Gun Club
|
Mother Juno
|
|
| Edwyn Collins
|
Don't Shilly Shally EP
|
|
| Various artists
|
Lonely Is An Eyesore
|
Production on track No. 7 "No Motion" by Dif Juz
|
| A R Kane
|
Lollita EP
|
|
| Mory Kanté
|
Yé ké yé ké EP
|
Engineering on track No. 1 "Yé ké yé ké (The Afro Acid Remix)"
|
| Felt
|
Final Resting of the Ark EP
|
Production on track No. 2 "Autumn", No. 3 "Fire Circles" and No. 5 "Buried Wild Blind"
|
| 1988
|
Harold Budd
|
The White Arcades
|
Engineering on track No. 2 "Baltus Bemused By Color" and No. 4 "The Real Dream of Sails
|
| The Gun Club
|
Breaking Hands EP
|
|
| Heavenly Bodies
|
Rains on Me EP
|
Recording of track No. 1 "Rains on Me (Extended Mix)" and No. 2 "Rains on Me (Short Version)"
|
| 1990
|
Lush
|
Mad Love EP
|
Production and engineering
|
| Chapterhouse
|
Sunburst EP
|
Production on track No. 1 "Something More"
|
| Big Hard Excellent Fish
|
The Imperfect List single
|
Recording
|
| Various artists
|
Alvin Lives
|
Production on track No. 1 "Chirpy Chirpy Cheep Cheep" by Lush
|
| Lush
|
Gala
|
Production on track No. 4 "Deluxe", No. 5 "Leaves Me Gold", No. 6 "Downer", No. 7 "Thoughtforms", No. 14 "Hey Hey Helen" and No. 15 "Scarlet (New Version)"
|
| 1991
|
Chapterhouse
|
Whirlpool
|
Production on track No. 3 "Autosleeper" and No. 9 "Something More"
|
| Lush
|
Black Spring EP
|
|
| Lush
|
For Love EP
|
Production on track No. 1 "For Love"
|
| 1992
|
Lush
|
Spooky
|
|
| Ian McCulloch
|
Lover Lover Lover EP
|
Production on track No. 3 "Ribbons & Chains" and No. 4 "Birdy"
|
| Ian McCulloch
|
Mysterio
|
Production on track No. 9 "Vibor Blue" and No. 10 "Heaven's Gate"
|
| Various artists
|
Volume Five
|
Production and engineering on track No. 4 "Wildfire" by Fuel and track No. 6 "Help Me Lift You Up" by Macbeth, guitar and bass on track No. 6
|
| 1994
|
Fuel
|
Timeless EP
|
Production and guitar on track No. 1 "Butterfly Knife" and No. 5 "Wildfire"
|
| 1995
|
Various artists
|
The Event Horizon Psi
|
Production, mixing, guitar and atmospheres on track No. 5 "Half Light" by Aether
|
| 1997
|
The Bitter Springs
|
Absence Makes the Hair Grow Blonder EP
|
Mixing of track No. 1 "Absence Makes the Hair Grow Blonder" at September Sound
|
| Guy Chadwick
|
This Strength EP
|
Production and mixing
|
| 1998
|
Guy Chadwick
|
Lazy, Soft and Slow
|
Production and mixing
|
| Yu-Ra
|
Innocent Time
|
|
| Yu-Ra
|
Beyond The Pale
|
Production and guitar
|
| Guy Chadwick
|
You've Really Got a Hold on Me
|
Production and mixing
|
| Yu-Ra
|
Snow Doll
|
|
| 1999
|
Dif Juz
|
Soundpool
|
Production on track No. 9 "No Motion"
|
| Russell Mills & Undark
|
Pearl & Umbra
|
Co-mixing and additional guitar
|
| Yu-Ra
|
Remember EP
|
Production and mixing
|
| 2000
|
Various artists
|
Outlandos D'Americas – Tributo a Police
|
Additional instrumentation and mixing (at September Sound) on track No. 8 "Sol Invisible" by Lucybell
|
| The Wave Room
|
Love Medicine
|
Mixing and guitar
|
| 2001
|
Rothko (band)
|
In The Pulse of an Artery
|
Mastering
|
| Yu-Ra
|
Kumo EP
|
|
| Lift to Experience
|
The Texas-Jerusalem Crossroads
|
Co-mixing
|
| 2002
|
Al Brooker
|
Quixotic
|
Mastering
|
| 2003
|
Aeriel
|
So Warm EP
|
|
| Ulan Bator
|
Nouvel Air
|
Mixing and mastering
|
| 2005
|
Sophie Barker
|
Earthbound
|
Production on three tracks and co-written two of them
|
| Amber Smith
|
Hello Sun / Blue Eyes Digital single
|
Mixing on track No. 1 "Hello Sun"
|
| 2006
|
Amber Smith
|
RePrint
|
Mixing
|
| Mahogany
|
Connectivity
|
Mixing of track No. 3 "Supervitesse (Robin Guthrie Mix)", No. 8 "Renovo", No. 10 "My Bed is My Castle", No. 12 "Supervitesse (Extended Mix)", No. 13 "My Bed is My Castle (feat. Lucy Belle Guthrie)" and No. 14 "Domino Ladder Beta (feat. Robin Guthrie)"
|
| 2007
|
Broaddaylight
|
The Bell Jar EP
|
Mastering
|
| Annie Barker
|
Mountains and Tumult
|
Production, mixing and instrumentation
|
| Manual
|
Lost Days, Open Skies And Streaming Tides
|
Production, mixing and writing on track No. 9 "Marbella"
|
| Apollo Heights
|
White Music for Black People'
|
|
| 2008
|
Resplandor
|
Pleamar
|
Production, engineering and mixing, additional guitar and bass on track No. 3 "Raindrops"
|
| Apollo Heights
|
Everlasting Gobstopper EP
|
Production on track No. 3 "Angel Heart (Robin Guthrie Version)"
|
| 2009
|
Broaddaylight
|
Stars Out EP
|
Mastering
|
| 2010
|
Dark Orange
|
Clouds, Paperships And Fallen Angels
|
Mastering
|
| Heligoland
|
All Your Ships are White
|
Production and mixing
|
| 2011
|
Annie Barker
|
... For a Better Place
|
Production and guitar
|
| Sealight
|
Dead Letters EP
|
Mixing and mastering
|
| 2012
|
Heligoland
|
Bethmale EP
|
Mixing and mastering
|
| 2013
|
Broaddaylight
|
Anniversaries and Reunions
|
Mastering
|
