After traveling to London and New York City he returned to L.A. and in 1979 met Jeffrey Lee Pierce.[5] Pierce taught him to play guitar using open tuning, and they formed The Creeping Ritual, which became The Gun Club.[1] Powers left that group before their recording debut, instead joining New York-based band The Cramps in December 1980.[1][6]
Powers rejoined the Gun Club briefly in 1983,[7] touring with Pierce's band in Australia the following year,[8] and then again between 1985 and 1988.[9]
1986–1996: Nick Cave and The Bad Seeds, The Gun Club reunion, Congo Norvell
Powers joined Nick Cave and the Bad Seeds in Berlin, Germany, September 1986 initially as a short-term replacement for Hugo Race. Powers ultimately recorded and toured with the Bad Seeds for four years.[1] Powers recorded the albums Tender Prey (1988) and The Good Son (1990) with Cave and his band. Powers recalled in early 2015 that he "loved" the "primaeval element of rock'n'roll" expressed by the band.[8]
During April 1990 Powers amicably left the Bad Seeds to rejoin The Gun Club, which he had reconvened with Jeffery Lee Pierce in 1989. Powers was active with the Gun Club until their 1996 dissolution, and Pierce died in 1996.
Parallel to his final stint in the Gun Club, Powers formed Congo Norvell with vocalist Sally Norvell. The band explored a fusion of cabaret and rock styles from 1993 to 1998, and released three full-length albums.
1997–2009: The Pink Monkey Birds and Dracula Boots
Kid Congo Powers performing in 2009
For his next project, The Pink Monkey Birds, Powers initially collaborated with New York City guitarist Jack Martin,[3] who he has also collaborated with for the Congo Norvell and Knoxville Girls projects.[10][11] Then, in 2009, Powers recruited Kiki Solis on bass, Ron Miller on drums, and Jesse Roberts on guitar and keyboards. The band moved to In The Red Records and released the much acclaimed debut studio album, Dracula Boots,[12] which was called a "return to form."[13]
Dracula Boots was coproduced by Jason Ward and recorded in a former high school gymnasium in Harveyville, Kansas, which is now an artists' retreat called "The Harveyville Project." Dracula Boots consists of numerous genres, including southern soul, 60s Chicano rock, and psychedelic imagery. British magazine N.M.E. wrote: "In short, on Dracula Boots Kid Congo Powers has once again found the juicy jugular of soul-fired, funked-up rock'n'roll. You'd be foolish not to take a bite."[14]
2010–present: Gorilla Rose
In 2011, Kid Congo and The Pink Monkey Birds released their second album, Gorilla Rose, which was also on the In The Red Records label. Eamon Carr of The Dublin Evening Herald said of Gorilla Rose, "Having a working band is paying off. Gorilla Rose elevates seedy go-go weirdness to the level of high art."[citation needed]
Powers returned to Australia for the first time in 25 years—when he toured with Cave's Bad Seeds project—at the end of January 2015. The band played at Melbourne's "Summersalt Festival" and the Sydney Festival.[8] In a promotional interview for the Australian shows, Powers spoke in regard to his new band:
I think the Pink Monkey Birds conjures up all the best aspects of primal rock'n'roll ... Lyrically, I'm speaking in images, and from a very skewed viewpoint, whatever the subject may be. I still have the passion and the incentive to make music that's different, but still within the confines of a punk rock language people will know and understand.[8]
The Pink Monkey Birds, whose name Kid credits to inspiration from David Bowie,[15][16] has been an evolving unit since their earliest albums, and as of 2016 the touring members are bassist Kiki Solis, drummer Ron Miller, and guitarist Mark Cisneros.
Kid Congo Powers was profiled by Vogue in late April 2016 while promoting his band's fourth album.[17] In the interview, he was noted for his iconic sense of punk style and he mentions the aesthetic importance of tying the look of the band to match the music.
For me, the whole art of being a band—and I do think it's an art—is to create a whole world, a whole language, that is every aspect. The Gun Club, we kind of made it up as we went along, but what I learned from The Cramps and Nick Cave & the Bad Seeds is that they created a whole uncompromising world, and it's all kind of sprung out of that. You want to communicate with people, and I think through all aesthetics—artwork, the look, and music—you get to keep your world, and you get to let people enter your world and live in your world with you.
Personal life
Kid Congo Powers is gay and is married.[4] During the 1980s, he was involved with the ACT UP advocacy group.[4]
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