Exploding Star Orchestra Chicago Underground Sao Paulo Underground Pharaoh and the Underground Pulsar Quartet Rob Mazurek Quintet Rob Mazurek Octet Starlicker
In 1996, Mazurek formed the longstanding Chicago Underground Collective with guitarist Jeff Parker and drummer Chad Taylor, a unit that ranges in size from duo to orchestra. The Collective earned Mazurek the attention of Chicago's underground community at the beginning of the 21st century, resulting in high-profile collaborations with other genre-defying artists like Gastr Del Sol, Jim O'Rourke, Sam Prekop, Stereolab and Tortoise. Isotope 217 (started by Jeff Parker) was consequently born from these endeavors.[6]
While living in Brazil from 2000 to 2005, Mazurek constructed exotic soundscapes from the sounds of the Amazonian rain forest, including electric eels recorded at INPA research laboratory in Manaus and audio culled from storm systems on the outskirts of Brasília. It was in São Paulo that Mazurek met Mauricio Takara and Guilherme Granado, his partners in the São Paulo Underground, a group dedicated to exploring and expanding upon Brazilian musical traditions.[7]
Originally inspired by a joint commission from the Chicago Cultural Center and Jazz Institute of Chicago, Mazurek founded the Exploding Star Orchestra in 2005 to investigate Chicago's avant-garde musical traditions.[8] The Orchestra has premiered a number of extended suites since its inception, including "Sting Ray and the Beginning of Time," "Cosmic Tomes for Sleepwalking Lovers," "Constellations for Inner Light Projections for Bill Dixon," "Stars Have Shapes," "63 Moons of Jupiter", "Transgressions Suite" and "Galactic Parables."
Mazurek currently leads a number of ensembles, including Exploding Star Orchestra, Pharaoh and the Underground (featuring Pharoah Sanders), Chicago Underground, Pulsar Quartet, São Paulo Underground, Skull Sessions, Sound Is Quintet, Starlicker, Mandarin Movie, and Throne of the House of Good and Evil, each of which possesses its own distinct musical personality. He has collaborated with a wide variety of artists, such as Bill Dixon, Pharoah Sanders, Mike Ladd, Roscoe Mitchell, Yusef Lateef, Fred Anderson, Naná Vasconcelos, Mamelo Sound System, Alexandre Kassin, Marcelo Camelo, and others.
As a composer, Mazurek has written over 300 original compositions over the past 30 years, and has released at least 55 recordings on various labels including Aesthetics, Cuneiform, Delmark, Family Vineyard, Mego, Northern Spy, Submarine, Thrill Jockey, and his own label Infinity Dogs. Beyond his ensemble efforts, Mazurek's solo endeavors reflect his interest in musique concrete and electronic sound manipulation, with releases on Aesthetics, Bottrop-Boy, Delmark, Mego and Moikai that document his cornet playing augmented by computer programming, electronic effects and keyboards.
Additionally, Mazurek works as a visual artist (incorporating sound, painting and video) with numerous international performances, exhibitions and artist residencies. He has shown his multi-media works at locations throughout the United States and Europe, including the Rothko Chapel in Houston, Texas, where his paintings hang on the office walls. His pieces have also appeared at Marfa Book Company (Marfa, Texas), Galleria Coletivo (São Paulo, Brazil), Abbey Royal de Fontevraud (Fontevraud-l'Abbaye, Anjou, France), Gantner Multi-Media Center (Bourogne, France), Heaven Gallery (Chicago, Illinois, USA), Naked Duck Gallery (New York, New York, USA), Le Grande Fabrique (Dieppe, France) and URDLA Centre Estampe et Livre (Villeurbanne, France).[9]