The accompanying music video was directed by film director Marcus Nispel. Several music journalists have cited it as the first rap music video with a seven-figure budget;[6][7] with the video's production being reported to have cost approximately 1.3 million dollars at the time of its release, making it one of the most expensive music videos ever.[8]
Background
The song contains a sample of "Boadicea" by new-age singer Enya from her first solo album, Enya (1987). Enya considered suing the Fugees because they had sampled "Boadicea" without her permission.[9] Enya stated, "We were actually on the verge of suing them because of the copyright infringement, because they just didn't approach us. It was a case of, I wasn't featured at all on the credits and it [the sample] was very much a part of the song."[10] However, the singer reached an agreement with the Fugees to an out-of-court settlement after she realized that their music wasn't gangsta rap.[9] According to Wyclef, "Luckily when Enya heard everything, she was like, ‘This is different’ and she gave us a pass – which she don't even need to do."[11] The situation was a learning experience for the group, who at the time were unaware of copyright clearance and unfamiliar with publishing procedures.[11]
The song's chorus is based on "Ready or Not Here I Come (Can't Hide from Love)" by the Delfonics, which was an addition suggested by Wyclef Jean.[12] Reflecting on the recording process, Pras said: "At one point, the group had disbanded. Lauryn Hill had left the group at this point and we didn't know what we were going to do. She calls me and says, 'Listen, I'm going to come down to the studio and I'm going to lay down a reference for you guys, a hook. I give you permission to use my hook, my voice, but I don't want to be a part of this group anymore.' I said, 'Fair enough. No problem.' She said, 'Make sure certain people are not around when I'm there.' I said, 'No problem.' She's laying the reference for 'Ready or Not' and then she goes into the bridge and she's crying. I see her crying. She stops and says, 'I can't do this anymore,' and leaves. A couple months later she re-joins the group. She said, 'Let's do 'Ready or Not' again 'cause I was crying. It was emotional.' She goes in the studio to do 'Ready or Not' again. She was in there five hours doing the hook. Every hit is incredible. But we go back and say, 'There's something about that reference. I don't know if we can touch that.' We end up keeping the reference. That's what the world has come to hear. There's something about that record... That's magic."[13]
Critical reception
Larry Flick from Billboard felt the song was "far more representative of the act's vibe", and that "this cut nicely illustrates its lyrical strength as well as its talent for switching from smooth soul singing to sharp rapping within the space of a few seconds."[14] Gil L. Robertson IV from Cash Box named it a "standout track" of The Score album.[15] Damien Mendis from Music Week's RM Dance Update rated it five out of five, commenting, "New Jersey's pride and joy retum with a soulful blend of rap, R&B and reggae. The original radio version taken from their gold-selling album [...] already won fans due to its hypnotic use of the Delfonics' number 41 hit of 1971 'Ready or Not, Here I Come (Can't Hide from Love)'. The promos even adopt the original Bell label logo colour and style."[16] David Fricke from Rolling Stone remarked "the sweet heat of Lauryn Hill's alto".[17] A reviewer from Spin magazine described the song as "an eerily ambient flow of confused musings (Jean), confident harmonies (Hill), and immigrant pride (Michel), tapped insistently into your consciousness by a simple snare beat."[18]
Recognition
"Ready or Not" tied with the group's version of "Killing Me Softly" as the best song of year by Spin.[19] In the annual Village Voice's Pazz & Jop mass critics poll of the year's best in music in 1996, it was ranked at number thirteen.[20]
In 2012, NME ranked it number 77 on their '100 Greatest Songs of NME's Lifetime (so far)' list;[21] and placed it on their ranking of the 100 best songs of the 1990s.[22]Pitchfork listed it as one of the '250 Best Songs of the 1990s' (2022).[23] In 2023, Rolling Stone ranked it as one of the 100 best East Coast hip hop songs of all time.[5]
Music video
The accompanying music video for "Ready or Not" was directed by Marcus Nispel.[24]Vibe reported that the video helped usher in the era of bank-breaking, movie-like hip-hop videos. The video featured helicopters, explosions, sharks, chase scenes, and a price tag of 1.3 million US dollars. In justifying the cost, Pras told Vibe "People want to see drama, man. You figure: A kid pays sixteen dollars for your CD. Let him see a good video."[25]
Legacy
Philosopher Alison Stone credits "Ready or Not" as one of the earliest examples of a rap song with combined rapped and melodic elements in its vocal parts or with a "straightforwardly melodic" chorus.[26] Lauryn Hill's verse in particular has been noted as precursor for modern melodic rap from singing-rappers like Drake and Young Thug.[27] Hill's verse saw her addressing misogyny in the male dominated hip-hop scene, along with taking aim at gangsta rappers at the height of gangsta rap, while carving out a lane for The Fugees in alternative hip-hop.[28][29] Journalist William E. Ketchum of Billboard, proclaimed that Hill "is largely considered as the greatest woman rapper of all time", and added that her verse on the song showcases "her bars on full display".[30]Complex named it one of the best rap songs of 1996, and wrote "Like much of the East Coast hip-hop from the '90s, "Ready or Not" was rough around the edges, informed by the harsh realities of life in the ghetto. But instead of relying on fictitious tough talk, the song harnessed that energy for positive, referencing the strength of Bob Marley, Muhammad Ali, and Haitian refugees passing through Guantanamo Bay."[31]
"Ready or Not" has often received praise for its strategic use of sampling.[32] The song's use of the sampling the Enya song "Boadicea" from the Stephen King movie Sleepwalkers (1992), marked one of the earliest rap songs to sample from a horror movie soundtrack.[33] "Ready or Not" also aided in further exposing music from Enya and The Delfonics to a generation of hip hop audiences through sampling, with the song "Boadicea" being sampled numerous times by other artists following the release of "Ready or Not".[34][35] Chris Tart of HotNewHipHop wrote "Most hip-hop songs derived from something from the parent generation, and this one is no exception. The creative juice that melted the Delfonics, Enya and some Brooklyn-based refugees is very much a cause for celebration. "Ready or Not "; is one of the greatest moments in rap history."[36]
In 2016, a video of the rapper Drake reciting the lyrics to the song at the age of 8, went viral on the internet;[59] the song would later be covered by Sunday Service Choir, during Drake's benefit concert alongside Kanye West to advocate for the prison release of Larry Hoover.[60] In 2018, the clothing brand Afield Out released a capsule collection that paid homage to "Ready or Not".[61] Actress Gina Rodriguez received backlash after reciting a lyric in the song that used the N-word in a video, she later issued a public apology.[62]
The NBA TV documentary of the same name (2021), was titled and themed after the song.[67] American mixed martial artist Sean Soriano, used it for his walkout song during UFC Fight Night 198.[68] A remixed version of the song featuring the main vocal is played at the Tottenham Hotspur Stadium during the audio-visual build up ahead of Tottenham Hotspur's home games.[69]
This song was also used as an entrance theme for the late professional wrestling hall of famer Scott Hall during a brief wrestling stint for ECW in the year 2000. It was also used as an entrance theme along with fellow wrestler Kevin Nash during their tenure in WCW as the Outsiders (professional wrestling) when the company held house shows.
Track listings
UK CD1
"Ready or Not" (radio version) – 3:47
"Ready or Not" (Salaam's Ready for the Show Remix) – 4:24
^Robertson IV, Gil L. (March 30, 1996). "Urban"(PDF). Cash Box. p. 11. Retrieved November 12, 2022.
^Mendis, Damien (August 31, 1996). "Hot Vinyl"(PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 9. Retrieved September 1, 2021.
^Fricke, David (December 26, 1996-January 9, 1997). "The year in recordings". Rolling Stone. Issue 750/751.
^Diep, Lauren Nostro, Khal, Russ Bengtson, Zach Frydenlund, Noah Callahan-Bever, Jack Erwin, Justin Charity, Angel Diaz, Jacob Moore, Chris Mench, Eric. "The Best Rap Songs of 1996". Complex. Retrieved July 30, 2023.{{cite web}}: CS1 maint: multiple names: authors list (link)