Afterwards, the Fugees made an uncredited guest appearance on Simply Red's version of "Angel";[8] and released the single "Rumble in the Jungle" (featuring Busta Rhymes, A Tribe Called Quest & John Forté), both of which peaked within the top five on the UK Singles Chart. Their 1997 performance in Haiti marked the largest staged concert ever held in the country.[9] They also collaborated with Bounty Killer on the single "Hip-Hopera", which spent several weeks on the Billboard Hot 100 chart. The Fugees later disbanded due to internal conflict, leading each of the members to pursue solo careers. Since then, they have briefly reunited for live performances and reunion tours; most recently in 2023.[10]
Lauryn Hill and Pras first met at Columbia High School, in Maplewood, New Jersey. Pras, Lauryn, and a mutual friend Marcy Harriell formed a musical trio called Tyme; Pras' cousin, Wyclef Jean, joined the line-up and Marcy left soon afterward, in 1990.[19] The moniker Tranzlator Crew refers to the name of their band at the time, which included Johnny Wise on drums, Ti Bass (Jerry Duplessis) on bass guitar, and original DJ Hard Hittin Harry (Harry D’Janite). DJ Leon (Leon Higgins) joined the group in 1994 after Harry left to pursue a career as a publicist.[20] In 1993, after some gigs and recorded demos, the trio signed to Ruffhouse, distributed through Columbia Records.[21] The members then changed the group's name to Fugees, which was purposely taken from a word often used derogatorily to refer to Haitian-Americans (refugee).[22] Refugee Camp, while a name sometimes credited to the trio, also refers to a number of artists affiliated with the members, and particularly Jean.
Blunted on Reality
The trio soon changed musical direction, and released its first hip-hop LP, Blunted on Reality, under the guidance of Kool and the Gang's producer Ronald Bell. The group wrote and recorded the album in 1992 at the House of Music Studios in West Orange, New Jersey. However, due to a dispute with its record label, the album was not released until February 1, 1994. The Fugees' members have subsequently said that they allowed the producers to have too much control over the album's content and form.[23] Although the album did not contain as many lyrics with overtly political messages as songs from their next and better-known album The Score, there were still political intentions.[20] Though Blunted on Reality spawned the three singles "Boof Baf", "Vocab", and "Nappy Heads", they struggled to gain mainstream attention despite earning plaudits for its artistic quality and innovative use of samples.[24] The album's most successful single was a remixed version of the song "Nappy Heads" produced by Salaam Remi. The remix peaked at number 49 on the Billboard Hot 100.
The Score
The musical qualities of the first Fugees record were revisited with their sophomore effort The Score, which was released in February 1996. The Score was the Fugees' final record before their disbandment the following year.
The album also included a re-interpretation of The Delfonics' "Ready or Not Here I Come (Can't Hide From Love)" in their hit single, "Ready or Not",[26] which featured a prominent sample of Enya's "Boadicea" without the singer's permission. This prompted a lawsuit resulting in a settlement where Enya was given credit and royalties for her sample.[27] The group members have continuously thanked and praised Enya for her deep understanding of the situation, for example in the liner notes of The Score.
The Fugees made their first televised appearance in almost ten years at BET's 2005 Music Awards on June 28, opening the show with a twelve-minute set.[33] With a new album announced to be in the works, their final track, "Take It Easy", was leaked online and eventually released as an Internet single on September 27, 2005.[34] It peaked at number 40 on the BillboardR&B Chart.[35]
In November 2005, the Fugees embarked on a European tour – the members' first together since 1997 – from 30 November to 20 December, playing in Finland, Austria, Norway, Germany, Italy, France, the United Kingdom, Belgium, Denmark, Sweden, Switzerland and Slovakia. The group had been scheduled to play at the Hammersmith Apollo on November 25, 2005; however, it was forced to move the gig to December due to production issues.[36] The tour received mixed reviews. On February 6, 2006, the group reunited for a free show in Hollywood, with tickets given away to about 8,000 fans by local radio stations. Later that month, a new track called "Foxy" was leaked, a song dubbed the "real return of the Fugees" by several online music blogs.
However, following the reunion tour, the album that was said to be in the works did not materialize and was postponed indefinitely, as relationships between band members apparently deteriorated. During the recording of the album, the group was plagued with creative differences.[37] They recorded a song titled "Lips Don't Lie", but Hill did not like the song and, after some disagreements over it, the group disbanded again. The song was ultimately given to singer Shakira with featured vocals by Jean and after the title was changed to "Hips Don't Lie", the song was released a single and became a global hit.[38] In August 2007, a year after the group's second disbandment, Pras stated, "Before I work with Lauryn Hill again, you will have a better chance of seeing Osama bin Laden and [George W.] Bush in Starbucks having a latte, discussing foreign policies, before there will be a Fugees reunion".[39] Meanwhile, in September 2007, an equally outspoken Wyclef told Blues & Soul: "I feel the first issue that needs to be addressed is that Lauryn needs help... In my personal opinion, those Fugees reunion shows shouldn't have been done, because we wasn't ready. I really felt we shoulda first all gone into a room with Lauryn and a psychiatrist... But, you know, I do believe Lauryn can get help. And, once she does work things out, hopefully a proper and enduring Fugees reunion will happen."[40] On July 15, 2017, an old song by the Fugees was leaked on Hot 97 radio; this led to reports that the group was reforming, which were later denied by group members on Twitter.
After the group split, Wyclef Jean co-founded and headed the Yele Haiti Foundation, a non-profit organization "focusing on emergency relief, employment, youth development and education, and tree planting and agriculture" in Haiti.[41]Pras Michel starred in a documentary about homelessness in Los Angeles and remained outspoken about Haitian politics.[42][43][44] Lauryn Hill continued recording and performing socially conscious music and went on to advocate for female empowerment especially within the music industry.[45][46] The Fugees also turned their recording studio, the Booga Basement, into a transitional house for young Haitian refugees immigrating to the United States.[22]
In September 2021, the Fugees announced a reunion tour to celebrate 25 years of their album, The Score.[47] On Friday, October 29, 2021, the Fugees announced that their reunion tour dates were postponed to early 2022.[48] However, on January 21, 2022, the Fugees released a statement saying they would not be going on tour due to the COVID-19 pandemic.[49] The tour was rescheduled and set to begin in August 2024 but was quietly canceled three days before the first show, with no reason given to customers receiving refunds.[50]
Legacy
The Fugees have often been referred to as one of the most influential and significant groups of the 1990s,[51][52] with Billboard stating "their influence on modern hip-hop and R&B music is undeniable".[53] They are often considered to be one of the definitive alternative hip hop acts, being one of the first alternative hip hop acts to break into the mainstream.[1][54][2] According to Forbes, their success helped establish Ruffhouse Records as a major record label.[55]Consequence noted the Fugees for putting Haiti on the hip hop map.[56]Alternative Press argued that the group paved the way for modern alternative music and stated "If you listen to modern hip-hop today, so many of the new faces went to the Fugees' School of Songwriting."[57]
While Matthew Ismael Ruiz of Pitchfork, noted the group for removing negative connotations of Haitian immigration and the word 'Refugee',[58] stating that "The Fugees managed to diversify the voice of the ghetto, one often depicted in a single dimension. They reclaimed pride for Haitians worldwide, a heritage maligned for its postcolonial poverty and strife but still remembered as the setting for the new world’s first successful revolt of enslaved people against their oppressors. Their sound was multifaceted because they were, too, their music diverse, just like the Black experience."[59]The Ringer noted that the Fugees delivered political messages and brought hip hop to the mainstream in their music by blending elements of pop, soul, dancehall and Caribbean music, making it more palpable for a wider audience without making the message dense, stating "the Fugees disguised resistance as art, the same way that enslaved Africans once hid martial arts from their colonial masters by pretending that they were a dance."[60]
"As hip-hop's East and West Coasts continued their tussle, their lighter-hearted approach to socially conscious rap curtailed any overarching assumptions that hip-hop was going down a "bad road". Plus, they had Lauryn Hill, who doubled as a songbird and lyrical spitfire. Together, by juxtaposing live instrumentation, soulful melodies and abstract bars, The Fugees gave hip-hop a renewed spirit and propelled it to a different kind of mainstream".[61]
^Unterberger, Nefertiti; Austin, Kyle; Denis, Raquelle; Harris, Carl; Lamarre, Jason; Lipshutz, Joe; Lynch, Heran; Mamo, Gail; Mitchell, Neena; Rouhani, Dan; Rys, Andrew (June 28, 2023). "50 Greatest Rap Groups of All Time". Billboard. Archived from the original on July 24, 2023. Retrieved July 24, 2023.
^"Who We Are." YeleHaiti. Web. October 11, 2011. <"About Us". Archived from the original on October 17, 2011. Retrieved October 12, 2011.>
^Pras (cast), Ross Clarke, Niva Dorell, and Marshall Tyler (directors) (2007). Skid Row (DVD). Archived from the original on February 19, 2017. Retrieved June 30, 2018.
^"The Fugees, NYC, 1994". National Museum of African American History and Culture. Archived from the original on September 23, 2021. Retrieved May 30, 2021.
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