Randall Thompson
Born	(1899-04-21)April 21, 1899 New York City
Died	July 9, 1984(1984-07-09) (aged 85) Boston, Massachusetts
Resting place	Mount Auburn Cemetery, Cambridge, Massachusetts 42°22′12″N 71°08′40″W / 42.3701°N 71.1445°W / 42.3701; -71.1445
Nationality	American
Education	His teachers included A.T. Davidson, Edward Burlingame Hill and Walter Spalding at Harvard; Ernest Bloch in New York; and Gian Francesco Malipiero in Asolo, Italy as a Prix de Rome winner.
Known for	choral composition
Spouse	Margaret Quayle Whitney
Children	4
Relatives	Daniel Varney Thompson, Jr., brother

Randall Thompson (April 21, 1899 – July 9, 1984) was an American composer, particularly noted for his choral works.

Thompson attended The Lawrenceville School, where his father was an English teacher. He then attended Harvard University, became assistant professor of music and choir director at Wellesley College, and received a doctorate in music from the University of Rochester's Eastman School of Music. He went on to teach at the Curtis Institute of Music (serving as its Director 1941/1942), at the University of Virginia, and at Harvard University. He is particularly noted for his choral works. He was an honorary member of the Rho Tau chapter of Phi Mu Alpha Sinfonia fraternity at Appalachian State University.

Thompson composed three symphonies and numerous vocal works including Americana, The Testament of Freedom, Frostiana, and The Peaceable Kingdom, inspired by Edward Hicks's painting. His most popular and recognizable choral work is his anthem, Alleluia, commissioned by Serge Koussevitzky for the opening of the Berkshire Music Center at Tanglewood. He also wrote the operas Solomon and Balkis and The Nativity According to St. Luke.

Americana, a song cycle, is written in a 20th-century musical art style known as "News Items"—compositions that parody newspaper layout and content, or whose lyrics are lifted from media of the day.^[1] The lyrics are lifted from the "Americana" section of H. L. Mencken's American Mercury magazine, which would reprint quotes and stories from U.S. publications.^[2] The song cycle's texts come from such publications as the Seattle, Washington, Post-Intelligencer, the Little Rock, Arkansas, Gazette, and a leaflet issued by the National Women's Christian Temperance Union.^[1]

Leonard Bernstein was one of Thompson's students both at Harvard and at Curtis, according to his own testimony in a speech he gave at Curtis Institute's 75th Anniversary Banquet. Thompson's other notable students include Samuel Adler, Leo Kraft, Juan Orrego-Salas, John Davison, Thomas Beveridge, Charles Edward Hamm, George Lynn, William P. Perry, Christopher King, Joel Cohen, Frederic Rzewski, Richard Edward Wilson, John Walter Hill, and David Borden.

In honor of Thompson's vast influence on male choral music, on May 2, 1964, he became the first recipient of the prestigious University of Pennsylvania Glee Club Award of Merit.^[3] Established in 1964, this award sought "to bring a declaration of appreciation to an individual each year that has made a significant contribution to the world of music and helped to create a climate in which our talents may find valid expression." He was also a recipient of Yale University's Sanford Medal.^[4]

• The Last Invocation (1922)
• Odes of Horace (1924)
• Pueri Hebraeorum (1928)
• Americana (1932)
• The Peaceable Kingdom (1936) – inspired by the painting by Edward Hicks and based on texts chosen from Isaiah
• Tarantella (1937) – on text by Hilaire Belloc
• Alleluia (1940)
• The Testament of Freedom (1943) – texts from Thomas Jefferson
• The Last Words of David (1949)
• Mass of the Holy Spirit (1955)
• Ode to the Virginian Voyage (1956)
• Requiem – A Dramatic Dialogue (1958)
• Glory to God in the Highest (1958)
• Frostiana: Seven Country Songs (1959) – a setting of poems by Robert Frost
• The Best of Rooms (1963) – based on text by Robert Herrick
• A Feast of Praise (1963) – based on biblical texts
• A Psalm of Thanksgiving (1967)
• Place of the Blest (1968) – based on texts by Robert Herrick and Richard Wilbur
• Bitter-Sweet (1970)
• A Concord Cantata (1975) – secular cantata based on texts by Edward Everett Hale, Allen French and Robert Frost
• The Twelve Canticles (1983) – Thompson's last composition – Dedicated to the Emory and Henry College Concert Choir – Based on eleven of Thompson's favorite passages from the Bible
• The Passion According to St. Luke, commissioned for the 150th anniversary of the Handel and Haydn Society^[5]
• The Nativity According to St. Luke
• Velvet Shoes

• Solomon and Balkis

• Symphony No. 1 (1931)
• Symphony No. 2 (1931)
• Symphony No. 3 (1947–49)

• Quartet No. 1 in D minor (1941)
• Quartet No. 2 in G major (1967)

"Thompson, (Ira) Randall" in The New Grove Dictionary of Music and Musicians, vol. 25. Pub. 2001.

• Benser, Caroline C.; David F. Urrows (1991). Randall Thompson: A Bio-Bibliography. US: Greenwood. ISBN 978-0313255212.
• Schmidt, Carl B. (2010). The Story of Randall Thompson's Alleluia Revisited. US: E.C. Schirmer Music. ISBN 978-0911318135.
• Schmidt, Carl B.; Elizabeth K. Schmidt (2015). The Music of Randall Thompson (1899-1984): A Documented Catalogue. US: E.C. Schirmer Music. ISBN 978-0911318029.
• Tawa, Nicholas (2009). The Great American Symphony: Music, the Depression, and War. US: Indiana University Press. ISBN 978-0253353054.
• Thompson, Randall; Elliott Forbes; James Haar (1983). Alfred Mann (ed.). Randall Thompson: A Choral Legacy. US: E.C. Schirmer Music. ISBN 978-0911318128.

• Literature by and about Randall Thompson in the German National Library catalogue
• Randall Thompson, Composer
• Harvard Magazine article
• USOpera entry
• ECS Publishing: Randall Thompson