Peter David GoldsworthyAM (born 1951) is an Australian writer and medical practitioner. He has won major awards for his short stories, poetry, novels, and opera libretti. He is known for his novels Honk If You Are Jesus, and Three Dog Night. His 1989 novel Maestro is being made into an upcoming film.
Goldsworthy began his writing life as a poet, as described in his 2013 comic memoir, His Stupid Boyhood, and regards poetic principles as the basis of all his writing.
Goldsworthy's novels have sold hundreds of thousands of copies in Australia, and, with his poetry and short stories, have been translated into many European and Asian languages.[2][3]
He has won major literary prizes across most genres: for poetry, the short story, the novel, plays and opera.
Novels
His first novel Maestro (1989), was loosely based on observations acquired by attending his daughter Anna's piano lessons with Russian emigre pianist Eleonora Sivan (born 1941),[4] who had moved to Adelaide in 1981 as a refugee.[5] The novel was reissued as part of the Angus & Robertson Australian Classics series, and was voted one of the Top 40 Australian books of all time by members of the Australian Society of Authors.[6]
His 1995 novel Wish was also recently reissued in the Text Publishing Text Classics series.[7]
His 1992 novel Honk If You Are Jesus was reissued by the Untapped: Australian Literary Heritage Project in 2022.[8]
His first novel in ten years, Minotaur, was published in 2019.[9]
His novels have been widely translated, and adapted for the stage.
Poetry
The Australian expatriate writer Clive James comments that Goldsworthy's poetry is often seen as a sideline, but argues that it is "at the centre of his achievement". James writes:
His precise wit operates on every level, from the sonic (a concealed dove really does say hidden here, hidden here) to the conceptual (the human body really is packed tight like an attempt on the record of filling a Mini). The general impression is of a fastidious insistence that the particular comes first, and any general comment that follows had better be particular too.[10]
Goldsworthy's poetry has been widely published in the English-speaking world, from journals such as Poetry magazine[11] and The London Review of Books[12] to anthologies ranging from The Twentieth Century in Poetry[13] to Roger McGough's recently edited Happy Poems. His New Selected Poems was published in Australia and the UK in 2001; and his Collected Stories appeared in Australia in 2004.
Goldsworthy has been described in A Reader's Guide to Contemporary Australian Poetry as "one of the most skilled and satisfying poets in Australia"[14] and by fellow Australian poet Les Murray as “a poet of crystalline intelligence, but one who can move as well as shine."[15]
The Poetry Archive describes his poetry as follows:
There's a pressing sense of mortality in his work and a desire to ask the big questions, even as he satirises them. Drawn to the discipline of science, Goldsworthy's poems are full of the language of the laboratory —matter, evidence, elements, chemicals— the stuff we are made of, but at the same time frustrated by these limitations into asking what else we might be. He's interested in 'The Dark Side of the Head', the things we can only know in flashes, like glimpsing a skink, but he also retains a rationalist's scepticism of the ecstatic – that "thoughtlessly exquisite" evening sky in 'Sunset' won't fool him into rapture.[14]
The Oxford Companion to Twentieth Century Poetry summarises his work thus: "in every line the poet strives to make language elegant enough to do justice to the world as comedy."[13]
Short stories
Goldsworthy has published five collections of short stories, including The List of All Answers: Collected Stories, in 2004. The 1992 collection, Little Deaths, was shortlisted for the Christina Stead Award, the Steele Rudd Award, and the SA Premier's prize for fiction. His most recent collection, Gravel, was short-listed for the ASAL Gold Medal. As with his poetry, his stories have been widely anthologised in Australia and overseas. In Australian Short Fiction: a History, Bruce Bennett wrote that "No Australian author has written more convincingly about the power of hormones or the fear of death".[16]
He wrote the chamber opera, The ringtone cycle : for soprano, violin, cello, piano, and iPhone with composer Graeme Koehne.[18]Ned Kelly, a new opera written with composer Luke Styles, was premiered by lost & found opera company at the Perth Festival in 2019.[19]
Goldsworthy has been chair of the Libraries Board of South Australia, and in 2001 was appointed chair of the Australia Council's Literature Board.[1]
Adaptations of his works
His novels Maestro,Wish, Honk If You Are Jesus, Jesus Wants Me for a Sunbeam and Three Dog Night have been adapted for the stage. Honk was premiered by the State Theatre Company of South Australia in its 2006 season. It won the 2006 Ruby Award for Best New Work, and the 2006 Advertiser Oscart Award for Best Play.
Humphrey Bower's award-winning adaptation of Wish for his company, Night Train, had subsequent seasons with the Perth Theatre Company,[24] and in Canada with Edmonton's Northern Lights.[25] Petra Kalive's adaptation of Three Dog Night was premiered at fortyfivedownstairs in Melbourne, and also performed in the Adelaide Festival Centre's Space Theatre.[26]
The short story The Kiss was adapted for stage at Belvoir St Theatre, along with short stories of the same name by Chekhov, Maupassant and Kate Chopin.[30]The Kiss was also made into a multi-award-winning short film by Ashlee Page.[31]
In 2009, Honk If You Are Jesus was adapted as a radio play by Mike Ladd for ABC Radio National and was broadcast by the BBC World Service. The novella "Jesus Wants Me for a Sunbeam" has also been adapted as a radio-play by Mike Ladd for the ABC.[32]
2010: Member of the Order of Australia, "For service to literature as an author and poet, through arts administration, and to the community"
Personal life
Goldsworthy's eldest daughter Anna Goldsworthy is a successful concert pianist as well as an accomplished writer. They worked together on a stage adaptation of Goldsworthy's novel Maestro.[34]
