Pebbles (Tamil: Koozhangal) is a 2021 Indian Tamil-language drama film directed by debutant P. S. Vinothraj.[1] The film was produced by Vignesh Shivan and Nayanthara under the Rowdy Pictures banner.[2] Featuring music composed by Yuvan Shankar Raja, the film had cinematography handled by Jeya Parthipan and Vignesh Kumulai and was edited by Ganesh Siva.
The central theme of the movie is about retrieval. A father seeks to retrieve his wife. The son who accompanies him seeks to retain his childhood. The mother who remains unseen in the movie seeks to retrieve some water.
Plot
An angry man barges into a school to retrieve his son. He takes the boy out of school and they get on a bus to the neighboring village. It turns out the mother has left them and gone back to her mothers house and that is where the son and father are headed. When the pair reach the village it turns out the mother left early in the morning back to her husband's house. The husband fights with his wife's family and threatens to kill the wife upon going back to his house. The son tears up the paper money they have to prevent the father from going back by bus. So they walk back towards their village in the afternoon heat. During the walk the son loses a few things and finds a few things such as a pebble and a puppy. The father experiences comes across certain elements that he can't explain. It makes him question his own mortality and dents his bravado. By the time they have reached home the father is worn out. The father learns that the mother has gone to fetch water. He sits down to eat that his wife has prepared for him. The son lets his baby sister play with his new puppy and places the new pebble on top of his collections of pebbles.[8]
The story of the film is based on a real incident of director Vinothraj's family which inspired him to direct the film.[10] Vinoth stated that he spent a lot of time looking for an arid landscape, which was required for the story and was finally found in Arittapati, near Melur in Madurai. The whole film was shot at Arittapati in 30 days.[10] The mountains in the 13 villages where the film was shot are thousands of years old and the villages which Vinoth explored, as a part of the story, too developed on its own. The biggest challenge of shooting the film is mostly the humid weather, for which he stated that "As sunlight was crucial for the story, we would start shooting every day after 10am and wind up by 3pm. We would watch the rushes in the evening and that would give us the motivation for the next day."[10][11]
S. Srivatsan of The Hindu wrote in his review stating "There has never been a Tamil film that has captured the vastness of rural life in a more austere, art-house fashion. PS Vinothraj knows what are all the basics of filmmaking that is lacking, even in the works of celebrated filmmakers."[9]Baradwaj Rangan of Film Companion South wrote "Despite the many tragedies in the scenario (both natural and man-made), the film doesn't beg for our sympathies. Only at the very end do we feel a twinge."[13]
