Paul Gallimard was born in 1850 to businessman Gustave Gallimard and his wife Henriette (née Chabrier).[1] His parents both belonged to wealthy families. His grandfather Sébastien André Gallimard, a trained coppersmith, made his fortune in Paris during the July Monarchy by producing gaslamps for outdoor street lighting.[2] His mother's family owned several Parisian theatres.[1]
Gallimard traveled extensively in his youth, and later became the secretary to the Duc de Morny [fr].[3] Gallimard developed an appreciation for art collecting at an early age through his father's painting collection, which collected together works from the Barbizon school. After completing his education at the Lycée Condorcet, Gallimard studied painting at the École des Beaux-Arts.[2] He also took a dilettante interest in architecture, once drawing architectural design ideas for a museum in Buenos Aires while on a trip to South America.[1] Gallimard did not pursue art as a profession, however, but lived on his inherited fortune. He was the owner of the Théâtre des Variétés and the Théâtre de l'Ambigu-Comique, and several other properties in Paris. He lived in a hôtel particulier at 79 Rue Saint-Lazare in Paris and owned a villa in the seaside resort community of Benerville-sur-Mer on the English Channel.[2] It was called the "Villa Lucie", named after Gallimard's wife.[4] It is now used as a hotel under the name "Manoir de Benerville".[5]
On 12 April 1880, Gallimard married Lucie Duché, Gallimard's marriage to Lucie Duché, the granddaughter of editor-printer Amédée Guyot. Their union resulted in three sons: Jacques, Gaston and Raymond. In 1888, he commissioned a group portrait painting of the children made by Eugène Carrière. In the same year, Carrière also created a portrait of Paul Gallimard with the dedication "A mon bon ami Paul Gallimard" (English: "For my good friend Paul Gallimard").[6] Carrière also completed a portrait of Gallimard's wife Lucie,[7] who also sat as a model for Pierre-Auguste Renoir in 1892.
Gallimard's mistress was the actress and opera singer Amélie Diéterle, who was twenty-one years his junior. Gallimard was compromised with Diéterle in a scandal which involved fake Rodin sculptures. He was charged with counterfeiting and aiding and abetting by Judge Bonin in 1919.[8] Absent from court at the time of the trial for health reasons, an arrangement took place in 1923 with the donation of a painting by Eugène Carrière to the French State.[9]
Gallimard died on 9 March 1929 in his Rue Saint-Lazare residence. His wife Lucie died at the same location on 2 March 1942.
Honoré Daumier: Sortie du bateau à lessive, c. 1863, Metropolitan Museum of Art, New York
Édouard Manet: Suzette Lemaire en face, 1881, Private collection
Edgar Degas: Avant la course, 1882–1888, Private collection
Pierre-Auguste Renoir: Madame Paul Gallimard (Lucie Gallimard), 1892, Private collection
Henri de Toulouse-Lautrec: M. de Lauradour, 1897, Museum of Modern Art, New York
Library
In addition to the art collection, Gallimard devoted himself to building an extensive library. He brought together numerous first editions, mostly by French authors of the 19th century. His library also produced expensive limited-edition books, including a limited edition of Germinie Lacerteux (1865) by the Goncourt brothers, which appeared in an edition of only three copies. The book contains original illustrations by Jean-François Raffaëlli and its cover was designed by Eugène Carrière. Other book projects included an elaborately designed edition of Charles Baudelaire's Les Fleurs du mal, which he had adorned with pen drawings Auguste Rodin.[1] Gallimard's library was also sold after his death. He is described as a "bibliophile" by journalist Eléonore Sulser.[1] His passion for books was passed on to his son Gaston Gallimard, who, in 1911, founded the publishing house Éditions Gallimard, which still exists today.
^Schub, Louise Rypko (1973). Léon-Paul Fargue. Histoire des idées et critique littéraire (in French). Droz. p. 83. ISBN978-2-600-03526-2. Retrieved 29 September 2023.