He was the son of Samuel Tempelman (1711-1748), curate of Herrestad, and his wife Susanna Maria Ridderström (1718-1753). According to tradition, the name was derived from the Templars. The family had immigrated from Dorpat in Estonia, and had for generations lived in Östergötland. Susanna was the daughter of a captain and grew up in Östergötland. When Tempelman was three years old, his father died. He was cared for by his father's older brother, Peter Tempelman, who served as priest in the Östra Stenby congregation. His uncle was a man of scientific interest, who collected books and had contact with the Royal Swedish Academy of Sciences. Tempelman had a happy childhood and showed an early interest in design. His received his early education at home and continued studying, along with his cousin, at the high school in Linköping.
Carl Fredrik Adelcrantz succeeded Carl Johan Cronstedt as Superintendent of Antiquities in 1767, and two years later, he hired Tempelman. Adelcrantz hired Tempelman for his insight and skill, and took a personal interest in his development. While Tempelman wrote his master's thesis, he began work as an architect at the Superintendent's office. The thesis was elegantly illustrated and dedicated to Adelcrantz. He also continued to tutor and met the city architect Carl Henric König, one of the era's most skilled and high-profile architects as well as technically literate; he created drawings and descriptions for the inventor Christopher Polhem. This was the area that interested Tempelman.
In the spring of 1775, Adelcrantz sent Tempelman on a study trip to Copenhagen. In October 1776, Gustav III assigned Tempelman to be an information aide for fortifications; he trained under Fredrik Dederichs who taught prospective officers and architects since the 1750s, including Erik Palmstedt. Tempelman came to be involved in Gustav III's new opera house at Norrmalmstorg. It was a complex project and Adelcrantz appointed Tempelman to be responsible for project implementation. Tempelman designed Gustav III's Pavilion in with detailed instructions from the king. Many of Tempelman projects related to churches but there were also other public buildings. In addition, he undertook private commissions. Adelcrantz often made the first sketches, but the two men worked closely together.
Adelcrantz urged Tempelman to become a professor. In 1780, he was appointed professor at the Royal Swedish Academy of Arts. Tempelman traveled to Paris and Rome. He visited Naples with Carl August Ehrensvärd and they also made a trip to Pompeii and Vesuvius, returning home via Venice, Milan, Genoa, Antibes, Marseille, and Paris. The 1780s were a successful period of increasingly independent tasks, and, with international experience, he developed a more independent design. The 1790s were a politically unsettled time in Sweden. In July 1798, Tempelman complained that sight in one of his eyes was deteriorating. The office of the Superintendent of Antiquities, however, was still busy designing churches, schools, and hospitals, especially outside Stockholm, and this is where Tempelman gave significant effort. After suffering two serious illnesses within a year, his physical and emotional health deteriorated. He did not give up work entirely, continuing for several years at the office of the Superintendent of Antiquities, and also teaching at the academy.
Personal life
Through his connections with Adelcrantz, Tempelman met Britta Elisabet Gyllenstam, daughter of Colonel Jonas Zacharias Gyllenstam and Catharina Elisabeth von Numers. They married in 1782. In the following year, they had a daughter, Mary Catherine, who died as an infant; his wife died a year later. Tempelman secondly married Dorothea Catherina Pagenkopff, the daughter of the German shoemaker Michael C. Pagenkopff, in 1804. They had five children, two boys who died early, and three girls. Tempelman died on 27 July 1816, and was buried in Stockholm, leaving behind his wife and three daughters.
Partial list of works
Old Town, Stockholm, castle environment, 1774
Royal Palace, rearranging the rooms & floors, 1774
Tranemo church, Västergötland, 1774, not done, 1600 Century church in the 1880s, replaced by new hexagonal church building was designed by architect Emil Victor Langlet
Ulriksdal, Uppland, north wing of the building's attic, 1774
Västerås gymnasium, Västmanland, restructuring proposals for Senate, 1774
Hycklinge Church, Ostrogothia, 1775, Per Wilhelm Palm Roth prepares new draft 1792
Göta Court of Appeal, Jonkoping, 1775
Valbo church, Gästrikland, tower and vestry, 1775, the tower was built in 1775
Nora Church, Västmanland, 1776, not performed, a new church built in the 1880s
Selångers church, Medelpad, 1776, erected in 1780-1781
Sollerö church, Dalarna, 1776
Sofia Magdalena Church, Askersund, school and almshouses, 1777
Björsäters church, Västergötland, 1777
Helsingborg, Corps-de-garde, 1777, building guards and jail completed in 1778, demolished 1882
Core Church, West Yorkshire, organ facade in 1777, destroyed by fire in 1893
Nässjö old church, Småland, 1777, erected in 1789-1791
Hornstull, city sports and customs houses, Stockholm, 1777, the archway demolished in 1905, customs houses demolished in 1933
Skeppsholmen, magazines, Stockholm, 1777 & 1779, rebuilt, now part of the Academy of Fine Arts
Tuna church, Medelpad, tower and nave, 1777, long house with a gable roof was built from 1776 to 1778, the tower was built until 1937
Uppsala Cathedral, Sture chancel, wrought iron grilles, 1777
Western Torups Church, Zealand, organ facade, 1777
Härnösand Hospital, Tennessee, 1785, ready 1788, a historic building in 1967
Jonsbergs Manor, West Yorkshire, Manor House, 1785, erected in 1791, a historic building in 1980
Vänersborgs church, Västergötland, 1785, only the facade preserved
Österåkers church, Södermanland, 1785
Dädesjö church, Småland, 1786, completed 1794
Haga, Upland, farm buildings, 1786, executed about 1786
Haga Castle, Uppland, 1786
Vähäkyrö church, Ostrobothnia, Finland, 1786, built in 1803
Church of Hämeenlinna, Häme, Finland, 1786, completed 1798
Uppsala University, auditoriums, 1786
Ölme church, Värmland, built in 1787-1788
Drottningholm Castle, Upland, bridges in the English Park, 1787
Haga, Upland, Corps-de-garde, building guard 1787
Haga, Upland, Gustav III 's Pavilion, 1787
Collegium medicum, Stockholm, 1787, probably carried
We Southern church, Småland, organ façade, 1787, the organ built by Per Schiörlin 1788
Uppsala University, Botanicum, 1787
S Church, Småland, 1788, was built 1830-1831 after a proposal by Per Axel Nyström 1828
Bodsjö church, Jamtland, 1788
Rinna's Church, West Yorkshire, in 1788, built in 1799-1802
Sollerö church, Dalarna, altar set-up, 1788
Western Karaby Church, Zealand, towers, 1788, not done, the tower was built in 1794 after another proposal, a new longhouse from drawings by architect Axel Almfelt 1822-1826
Sala Church, Västmanland, towers, 1807, none of the proposals made
Stockholm, Nytorget, Skånegatan 83, residential, 1807, demolished 1930
Västra Husby Church, West Yorkshire, 1807, erected after a simplified drawing of Axel Almfelt 1816, burned 1977, rebuilt
Oved's Church, Zealand, stands & organ facade, 1807
Crow Hults church, Småland, organ façade, 1808, processing of Pehr Schiörlins proposal in 1807, organ construction with simplified facade of Schiörlin 1810-1811
Norrsunda Church, Upland, organ facade, 1808, executed, new organ built in 1963
Eastern Husby Church, West Yorkshire, pulpit, 1808
Botkyrka church, Södermanland, bleachers & organ facade, 1810
Säters church, Dalarna, bleachers & organ facade, 1811
Vadstena school, West Yorkshire, 1811, medieval schoolhouse torn down in 1810, a new schoolhouse for other drawings, built first in 1831
Caroli cemetery, Borås, Västergötland, 1812
Hörups Church, Zealand, organ facade, undated, probably not done
Sjöö Castle, Uppland, the measurement of Tessin the Elder terrace & stairs, undated
References
Villner, L. B. (1997). Tempelman: Arkitekten Olof Tempelman 1745-1816. Stockh: Stockholmia förlag. ISBN91-7031-069-6, ISSN 0282-5899
"The architecture in the late Gustavian stage", in George Nordensvan's, Swedish Art and Swedish artists in the nineteenth century (1925), I. From Gustav III to Charles XV
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