In 1924, author Kit Marlowe returns to her hometown to speak and to visit her childhood friend Millie. Millie has married Preston Drake and is pregnant, and she has written a romance novel. Millie asks Kit to present her book to her publisher.
Eight years pass, and Millie has become a very successful writer, with a string of romance novels. This has made her arrogant and condescending, and the Drakes' marriage is slowly disintegrating. In an interview with a reporter, Preston is shown to feel secondary to his wife's success. In a private moment between Preston and Kit, he professes his love for her. Kit tells him she cannot reciprocate as she could not do that to Millie. They kiss goodbye and part.
Ten years pass, and World War Two is underway. Kit is on a radio show, and Preston, now a major in the Army, hears her. He calls the radio station to suggest they meet for a drink. They do, but Kit also has her much-younger beau, Rudd Kendall, and Preston's almost 18-year-old daughter, Deirdre, whom Preston has not seen in those ten years, join them. Preston tells Kit he is engaged, and Kit is happy for him. Preston and his daughter become reacquainted. The next morning, Rudd presses Kit to marry him, but she puts him off. Rudd, feeling rejected, then meets with Deirdre.
Millie treats Preston's return as a victory and sets the scene for reconciliation. Preston dashes her hopes by revealing his engagement and asks for joint custody of Deirdre. Preston incidentally discloses to Millie that he was once in love with Kit. Millie throws him out and does her best to poison Deirdre against Kit.
Kit, having decided to marry Rudd, finds out from him that he is now in love with Deirdre. Kit tracks down Deirdre and brings her to Rudd. Kit then returns home to find Millie, and they reconcile. Millie tells Kit about her new book, about the trials of two women friends, and Kit suggests that Millie title the book "Old Acquaintance".
Bette Davis wanted Norma Shearer to take the role of Millie, but Shearer, who was semi-retired, declined to take the secondary role and second billing. Miriam Hopkins, who had starred in The Old Maid with Davis and had endured a difficult working relationship with her (Davis allegedly had an affair with Hopkins' husband Anatole Litvak), accepted the role.[citation needed]
Music
The original music for the film was composed by Franz Waxman, who had just left MGM where he had been under contract since 1937.[3] In 1948, Waxman made a concert arrangement of score's main thematic material under the title Elegy for Strings and Harp(s) in memory of Leo B. Forbstein, head of the Warner Brothers music department, who died on March 16, 1948. Waxman conducted the world concert premiere of the piece at the Hollywood Bowl the same year.[4]
Reception
According to Warner Bros. records, the film earned $2,279,000 domestically and $1,360,000 in foreign markets.[1]
Bosley Crowther, a film reviewer for The New York Times, found the friendship between the two lead characters implausible. "As a consequence," he wrote, "we have the tedious spectacle in this overdressed, overstuffed film of a supposedly intelligent woman writer spending her life being loyal to a girlhood friend who mints a fortune with trashy fiction and is vain, selfish, jealous and false to her."[5]
When Bette Davis wore a man's pajama top as a nightie in the film it caused a fashion revolution, with I. Magnin selling out of men's sleepwear the morning after the movie opened, and all of it to young women.[6]
References
^ abcWarner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 24 DOI: 10.1080/01439689508604551
