1949 British film
Now Barabbas, also known as Now Barabbas Was a Robber, is a 1949 British drama film directed by Gordon Parry and starring Richard Greene, Cedric Hardwicke and Kathleen Harrison.[1] It was written by Anatole de Grunwald based on the 1947 play Now Barabbas by William Douglas Home. The film features one of the earliest screen performances by Richard Burton and was an early role for Kenneth More.
The title refers to Barabbas, a Biblical character who was chosen over Jesus by the crowd in Jerusalem to be pardoned and released.
Plot
A set of self-contained stories about a group of men in jail.
Cast
Production
The film was shot at Teddington Studios.
Critical reception
The Monthly Film Bulletin wrote: "The characters are finely drawn with true insight into character. The portrayal of the prison chaplain is worth seeing as an example of how necessary tact is and how delicate the problem of religion in times of stress. The warders' flashes of kindness under gruff exteriors make good propaganda for prison officials. All parts are well played and the direction is more than excellent. There is no "sob-stuff", but there is plenty of pathos tinged with real fun. Kathleen Harrison and Leslie Dwyer provide the comic relief and their awful small boy is a gem. The photography is good and the story well knit together. It is essentially an interesting film whether from a social or entertainment point of view."[2]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "very good", writing: "Characters clearly drawn, emotions skilfully played upon."[3]
The Radio Times Guide to Films gave the film 3/5 stars, writing: " 'Elsie's Dad is inside again' reads the chalk message on a prison wall, one of several humorous touches in an otherwise sombre story of prison life. The assorted inmates include a bigamist, an embezzler, an Irish terrorist (strikingly portrayed by Richard Burton in his second screen role) and a well-mannered murderer about to be executed (a likeable performance by Richard Greene). Ably directed by Gordon Parry, this film version of William Douglas Home's play argues against the death penalty, but had the development of a homosexual relationship cut by the censor."[4]
References
External links
