"Nick Fury, Agent of S.H.I.E.L.D." is a feature that was in the comics anthologyStrange Tales which began in 1965 and lasted until 1968. It introduced the fictional spy agency S.H.I.E.L.D. into the Marvel Comics world and reintroduced the character of Nick Fury as an older character from his concurrently-running series Sgt. Fury and his Howling Commandos, which was a series set during World War II. The feature replaced the previously running Human Torch feature in the book and ran alongside the Doctor Strange feature. After the feature ended, a comic book series was published which has had several volumes as well as a comic strip. The feature was originally created by the duo of Stan Lee and Jack Kirby who also created the original Sgt. Fury series but it was later taken over by artist and writer Jim Steranko. The feature was often censored by the Comics Code Authority due to Jim Steranko's provocative art; this art helped change the landscape of comics which Steranko continued with in the 1968 ongoing series. Much of Nick Fury's supporting cast originated in the feature and many of the devices used by these characters were often used in other comics published by Marvel.
Background
Nick Fury debuted in May 1963, in Sgt. Fury and his Howling Commandos; a World War II themed comic which followed Sgt. Nick Fury and his fellow soldiers on various missions against agents of Nazi Germany. Sgt. Fury was an immediate hit for Marvel and the character was incorporated into the greater Marvel Universe in Fantastic Four #21, by the end of 1963. Seeing the commercial success of the character, Stan Lee decided to create a second Nick Fury series to run concurrently with the World War II-centric Sgt Fury. Fury, who was a plain-clothed secret agent with an eye patch over one of his eyes in his Fantastic Four guest appearance, would be turned into a secret agent in his new contemporary series: Nick Fury, Agent of S.H.I.E.L.D.
Publication history
Seen here in Strange Tales #168 (May 1968) Valentina Allegra de Fontaine's back side under the yellow belt has been completely blacked out, removing any lines to denote her cheeks that were in the original artwork by Steranko.
Under Lee and Kirby
Strange Tales #135 (Aug 1965) had the first 12-page story featuring S.H.I.E.L.D. and the terrorist organization HYDRA[1] with Nick Fury, now a superspy instead of a soldier as in most of his previous appearances. This was to take advantage of the contemporary The Man from U.N.C.L.E. and James Bond fad.[2] Written by Stan Lee and Jack Kirby, with Kirby also providing the artwork, it introduced many iconic features of the Marvel Comics universe.[3] Kirby and Lee created the Helicarrier and the Life Model Decoys, which became trademark gadgets and recurring plot devices for almost all future Nick Fury stories. The debut cover was drawn by Kirby and Frank Giacoia.
Under Steranko
"Nick Fury, Agent of S.H.I.E.L.D." was taken over by Jim Steranko in issue #155 (April 1967), who had previously done penciling and coloring for the feature beginning in Strange Tales #151 (Dec. 1966).[4] Steranko was an innovative new talent that emerged at Marvel during the late 1960s, as he helped revolutionize the look of the comic book page with his "pop" artwork.[5] Steranko pioneered art movements of the day such as and op artpsychedelia in the comic, built on the longtime work of Kirby with photomontage, and created comics' first four-page spread[6] – this also was inspired by Kirby, who in the Golden Age of comics had introduced the first full-page and double-page spreads. Steranko's plotlines involved adult intrigue, sexuality that was barely hidden away from the page, and hip sci-fi that was in vogue at the time of psychedelics in the 1960s. He also created his own version of the Bond girls, essentially, in skintight leather, pushing what was allowed under the Comics Code at the time. The Comics Code Authority demanded several panels in one landmark issue be to redrawn and censored.[7] Many times during his run on the feature, his art was censored, especially on the female characters. Nick Fury's love interest La Contessa Valentina Allegra de la Fontaine often had line and coloring removed from the art on her body to decrease buttocks or cleavage, many times with the cleavage lines erased altogether. In one story, her buttocks were completely blanked in the published issue.[8] "Nick Fury, Agent of S.H.I.E.L.D." was the first Strange Tales feature to receive its own cover logo below the main title with Strange Tales #150 (Nov. 1966).[9]
Vol. 1 collects Strange Tales #135–153, Tales of Suspense #78, and Fantastic Four #21, 288 pages, September 2007, ISBN978-0-7851-2686-7
Vol. 2 collects Strange Tales #154–168 and Nick Fury, Agent of S.H.I.E.L.D. #1–3, 272 pages, December 2009, ISBN978-0-7851-3503-6
Steranko is Revolutionary! collects Nick Fury stories from Strange Tales #135–168, 336 pages, September 2020, ISBN978-1302922894
Reception
Steranko won Alley Awards in 1968 in the categories of "Best Pencil Artist" and "Best Feature Story" for "Today Earth Died" in Strange Tales #168.[10]
Writer Steven Ringgenberg assessed that "Steranko's Marvel work became a benchmark of '60s pop culture, combining the traditional comic book art styles of Wally Wood and Jack Kirby with the surrealism of Richard Powers and Salvador Dalí. Steeped in cinematic techniques picked up from that medium's masters, Jim synthesized ... an approach different from anything being done in mainstream comics."[11]
Entertainment Weekly observed that Steranko "elevated 12-cent rags into modern art, with mature themes and storytelling innovations that attacked the page and stripped it of its strictly formatted structure."[12]
In 2017, The Slings & Arrows Graphic Novel Guide praised Steranko's art, stating "He was the first Marvel era artist to step definitively away from Kirby’s shorthand dynamics, introducing greater delicacy, and a view of the comic page as a single entity as well as a progression of panels." The same review continued that "The writing is never as imaginative, Fury all too often relying on some amazing device to extricate himself from his James Bond influenced predicaments."[13]
Sales
1965: Strange Tales was the 53rd best-selling comic book series in the United States with an average of 230,285 copies sold per issue.[14]
1966: Strange Tales was the 36th best-selling comic book series in the United States with an average of 261,069 copies sold per issue.[15]
1967: Strange Tales was the 45th best-selling comic book series in the United States with an average of 241,561 copies sold per issue.[16]
1968: Strange Tales was the 32nd best-selling comic book series in the United States with an average of 266,422 copies sold per issue. This includes sales of the series after the title changed to Doctor Strange as of issue #169 (June 1968).[17]
References
^DeFalco, Tom; Gilbert, Laura, ed. (2008). "1960s". Marvel Chronicle A Year by Year History. London, United Kingdom: Dorling Kindersley. p. 109. ISBN978-0756641238. This issue [#135] was also the first time readers met SHIELD's evil counterpart HYDRA, a subversive organization dedicated to world domination.{{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link)
^Markstein, Don (2004). "Nick Fury, Agent of S.H.I.E.L.D."Don Markstein's Toonopedia. Archived from the original on May 27, 2024. Retrieved September 30, 2018. Marvel Comics always ready to jump on any bandwagon that might sell comic books, responded to The Man from U.N.C.L.E., The Girl from A.U.N.T.I.E., etc., with an initialized spy agency of its own.
^DeFalco "1960s" in Gilbert (2008), p. 109: "With Jack Kirby providing the artwork and more than a few wild ideas, Fury was made the director of the Supreme Headquarters, International Espionage, Law-Enforcement Division (SHIELD)."
^DeFalco "1960s" in Gilbert (2008), p. 130: "Writer/artist Jim Steranko had begun to draw the 'Nick Fury, Agent of SHIELD' [feature] in Strange Tales #151 and started writing it four issues later."
^Daniels, Les (1991). Marvel: Five Fabulous Decades of the World's Greatest Comics. New York, New York: Harry N. Abrams. p. 144. ISBN9780810938212. Perhaps the most innovative new talent to emerge at Marvel during the late 1960s was Jim Steranko, whose bold innovations in graphics, layout, and design startled the readers... Steranko transformed the look of the comic book page.
^Hine, David (December 20, 2011). "Steranko! Part 2 - The World's First 4-Page Spread". Waiting For Trade. Archived from the original on September 30, 2018. Strange Tales #67 appeared and Steranko gave me another of those spine-tingling moments when I realized I was looking at the first 4-page spread in the history of comics.
^Ross, Jonathan (July 20, 2010). "Jonathan Ross meets Jim Steranko, his comic-book hero". The Guardian. London, United Kingdom. Archived from the original on July 7, 2013. Retrieved February 21, 2013. His work on his first hit book, Nick Fury: Agent of SHIELD, took the wildly popular Bond secret-agent schtick and gave it a jazzy makeover, with outlandish plots, eye-popping visuals and even 'adult themes' that had the Comics Code Authority demanding several panels in one landmark issue be redrawn.
^Marvel "Bullpen Bulletins": "Sensational Secrets and Incredible Inside Information Guilelessly Guaranteed to Avail You Naught!", in Tales of Suspense #83 (Nov. 1966) and other Marvel comics that month
