The film centers on the relationship between Lady Mary Loam (Swanson), a British aristocrat, and her butler, Crichton (Meighan). Crichton fancies a romance with Mary, but she disdains him because of his lower social class. When the two and some others are shipwrecked on a deserted island, they are left to fend for themselves in a state of nature.
The aristocrats' abilities to survive are far worse than those of Crichton, and a role reversal ensues, with the butler becoming a king among the stranded group. Crichton and Mary are about to wed on the island when the group is rescued. Upon returning to Britain, Crichton chooses not to marry Mary; instead, he asks a maid, Tweeny (who was attracted to Crichton throughout the film), to marry him, and the two move to the United States.
Production
The film contains two famous scenes, indicative of de Mille's predilections as a filmmaker.
An early scene depicts Gloria Swanson bathing in an elaborate setting, attended by two maids, lavishing her with rosewater and bath salts, silk dressing gown, and luxurious towels.
Toward the end of the film, a fantasy sequence about ancient Babylon shows Swanson posed as Gabriel von Max's famous painting The Lion's Bride, which involved her being photographed with an actual lion.
Kenneth Macgowan stated in his 1965 history of film Behind the Screen that the title was changed because Paramount was concerned that audiences would confuse the words "admirable" and "admiral" and "stay away because 'sea pictures weren't very popular'".[4]