A brick house with a stone-slate roof that was altered and expanded in the early 19th century. It has two storeys and three bays with extension on both sides. There is a gabled 19th-century left wing and a gabled 19th-century porch. The windows are mullioned or mullioned and transomed, and contains casements. On the left return are 19th century cantedbay windows.[2]
A brick house with a stone-slate roof, it has two storeys, two bays, and a rear lean-to extension. Above the door is a 19th-century gabledcanopy, and the windows are casements.[3]
A brick house with a stone-slate roof, two storeys and four bays, the left two bays recessed. The doorway has an elliptical-arched head, and the windows are casements.[4]
The public house, which was partly rebuilt in the 20th century, is in brick with a dentilledeavescornice and a slate roof. It has an L-shaped plan, with four two-storey bays to the left, a three-storey gabled wing at the right with two bays on the front and two on the side, and lean-to extensions at the rear. On the front is a gabled porch and a Tudor arched doorway, and the windows are sashes. On the side the windows have cambered heads with keystones and contain sash or casement windows.[5]
A farmhouse, later a private house that was later altered and extended, it is in brick with a slate roof. The house has an irregular plan, with two and three storeys, and six bays. There is a 20th-century porch, and the windows are 20th century replacement casements.[6]
A brick house with a sill band, a wooden eavescornice and a slate roof. It has two storeys, five bays, a single-storey recessed right wing and a wing at the rear. Steps lead up to a segmental-headed doorway with engaged Tuscan columns and a fanlight and the windows are sashes.[8]
The chancel was added in 1854 and the baptistry in 1882. The church is in stone with a slate roof, and is in Neo-Romanesque style. It consists of a nave, north and south porches, a chancel, and a west tower with a baptistry to the south. The tower has three stages, angled buttresses, a round-arched door, and clock faces. In the top stage are tall round-arched bell openings, and the tower is surmounted by a pyramidal roof. The baptistry is semicircular with a conical roof, the south porch is embattled, and the north porch has a copedgable. On the corners of the nave are piers with pyramidal roofs rising above the parapet.[9][10]
The church was designed by W. R. Corson in Gothic Revival style, and the steeple was added in 1861 by G. F. Bodley. The church is in stone with a slate roof, and consists of a wide nave, a small chancel, and a northwest steeple incorporating a porch. The steeple has a four-stage tower with buttresses, and is surmounted by a saddleback roof. In the roof of the nave are dormers and vents.[9][12]
The church, designed by Bodley and Garner in free Gothic style, is built in brick with stone dressings and a clay tile roof. It consists of a nave and chancel under one roof, north and south passage-aisles, a south porch, and a north vestry. The church is built on a raft of concrete to prevent subsidence, and has a projecting plinth, and buttresses that rise above the parapet and have gablets. At the east end is a seven-light window, angled buttresses with statue niches and crocketedpinnacles.[15][16]
The gatehouse to St Augustine's Church and former school was designed by G. F. Bodley in free Gothic style. It is in brick with dressings and bands in ashlar stone, and has a clay tile roof with copedgables. There are two storeys, two bays, and a small rear wing. In the left bay is an archway above which is a carved coat of arms, and in the right bay and upper floor are three casement windows.[19]
Originally St Augustine's School, it was designed by G. F. Bodley in free Gothic style, and later converted for use as offices. The building is in brick with dressings in stone, and has a clay tile roof with copedgables. There are eight bays, the outer bay projecting as gabled wings. The windows are mullioned and transomed with a continuous hood mould. In the roof are roof lights, and on the ridge is a cupolabellcote.[20]
A brick house at the end of a terrace, it is on a projecting plinth, and has a band, decorative brick in the eaves, stone dressings and a slate roof. There is a double-depth plan, two storeys and an attic, and two bays. In the left bay is a recessed porch, to the right is a two-storey cantedbay window, and in the roof is a gableddormer. All the windows have been altered. The house was the home of the painter L. S. Lowry.[21]
The disused mortuary chapel is in stone with dressings in red sandstone and a clay tile roof. It is in free Gothic style with Arts and Crafts features. The chapel consists of a nave, a north porch, a south porte-cochère, and a large west tower. The tower has four stages, a square stair turret, mullioned and transomed windows with hood moulds, clock faces, and a timber top stage set back behind a parapet with gables and pierced panels. The porte-cochère has an embattled parapet.[26][27]
The structures are in stone with clay tile roofs. The gateway has a vehicular entrance and two pedestrian entrances, all with pointed arches, blind arcading, and a carved lion and unicorn with a conical finial. To the right is a two-storey lodge with two gabledbays, the upper floor jettied with applied timber framing and pierced bargeboards. There is one mullioned and transomed window, the other windows being casements. To the left of the gateway is the single-storey four-bay office that has a bay window with a six-light mullioned and transomed window and an embattledparapet.[9][28]
The war memorial was designed by Gordon Forsyth. It is in ashlar stone, and consists of a tall tapering square plinth with a base and a capital. Lying on the plinth is a roaring lion, and on side of the plinth is an inscription.[17][29]
The war memorial stands in the grounds of Holy Rood Church. It is in granite, and consists of a Celtic cross on a tall square plinth on a low flagged platform. On the cross are Celtic knot pattern motifs and bosses. There are inscriptions on the plinth and the names of those lost in the two World Wars.[30]
The lych gate was built at the entrance to the churchyard of St Peter's Church as a war memorial. It is in ashlar stone with a slate roof, and is in Gothic Revival style. The lych gate has entrances with moulded pointed arches flanked by buttresses containing statues in niches, and on both sides are five-light windows. Above the entrances are gables containing carvings, and on the inside walls are the names of those lost in the war.[31][32]
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