The following is a partial list of compositions by the composer Nikolai Rimsky-Korsakov (1844–1908).
Operas
The Maid of Pskov (Псковитянка = Pskovitjanka) (sometimes referred to as Ivan the Terrible), 1868–1872 (1st version), 1876–1877 (2nd version), 1891–1892 (3rd version)
Mlada (Млада), 1872 (portions of acts 2 and 3 from project composed collectively by Borodin, Cui, Minkus, Mussorgsky, and Rimsky-Korsakov)
May Night (Майская ночь = Majskaja noch’), 1878–1879
The Snow Maiden (Снегурочка = Sneguročka), 1880–1881 (1st version), ca. 1895 (2nd version)
Mlada (Млада), 1889–1890 (complete setting of unstaged collaborative project from 1872)
Christmas Eve (Ночь перед Рождеством = Noč' pered Roždestvom), 1894–1895
"Thee, O God, We Praise" ("Тебе Бога хвалим"), for double chorus, 1883
Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces
Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
Collection of Sacred Musical Compositions and Arrangements by N.A. Rimsky-Korsakov for Mixed Chorus, 1883–1884; contains 23 pieces, published posthumously in 1913
Antar, Op. 9, 1868 (1st version), 1875 (2nd version), 1897 (3rd version), 1903 (amended 2nd version published by Bessel). Originally designated "Symphony No. 2," he later reclassified it a "symphonic suite." (See Rimsky-Korsakov, My Musical Life, 92.)
First three movements later adapted for Sinfonietta, Op. 31
Remaining fourth movement has title "In a Monastery" ["В монастыре"] (version for piano four-hands is entitled "In a Church")
Four Variations on a Chorale in G minor, for string quartet, 1885
String Quartet "B-la-F", 1st movement, 1886; other movements by Lyadov, Glazunov, and Borodin
String Quartet Jour de fête [Именины], finale ("Round-Dance" ["Хоровод"]), 1887; other movements by Glazunov and Lyadov
Nocturne in F, for four horns, ca. 1888
Two Duets in F, for two horns, 1883?–1894?
Canzonetta and Tarantella, for two clarinets, 1883?–1894?
Serenade, for violoncello and piano, 1893; also orchestrated as Op. 37
String Quartet in G, 1897
Trio in C minor, for violin, violoncello, and piano, 1897; completed by his son-in-law Maximilian Steinberg in 1939
Theme and Variation No. 4 in G major, for string quartet, 1898; for collaborativeVariations on a Russian Theme ("Надоели ночи надоскучили"), with Artsybushev, Skriabin, Glazunov, Lyadov, Vitols, Blumenfeld, Ewald, Winkler, and Sokolov
Allegro in B-flat, for string quartet, 1899, for the collaborative set of string quartet pieces entitled Les vendredis, with Glazunov, Artsybushev, Sokolov, Lyadov, Vitols, Osten-Sacken, Blumenfeld, Borodin, and Kopylov
Piano music
Six Variations on the theme BACH, Op. 10, 1878 (Waltz, Intermezzo, Scherzo, Nocturne, Prelude and Fugue)
Four Pieces, Op. 11, 1876–1877 (Impromptus, Novelette, Scherzino, Etude)
Three Pieces, Op. 15, 1875–1876 (Waltz, Romance, Fugue)
Six Fugues, Op. 17, 1875
Two Pieces, Op. 38, 1894–1897 (Prelude-Impromptu, Mazurka)
Variations (Nos. 1, 2, 6, 11, 3, 16 and 19) and Pieces (Lullaby, Little Fugue on the theme BACH, Tarantella, Minuet, Bells [Трезвон – Trezvon], Comic Fugue) from a collaborative paraphrase to the constant theme, 1878 (without opus no)
Fugues and Fughettas, 1875–1876 (without opus no)
Allegretto in C major, 1895 (without opus no)
Prelude in G major, 1896 (without opus no)
Theme and 1st variation from collaborative variations to the Russian theme, 1899 (without opus no)
Fugue in C major for 4 hands (also: transcription in 2 hands), 1875 (without opus no)
Variations to the theme by Misha, c.1878–1879 (without opus no)
Song [Песенка = Pesenka] (Andantino) from the army collection Arzunkner, 1901 (without opus no)
Finale of the collective Joke-Quadrille for 4 hands, 1890 (without opus no)