A variety of infrastructure were constructed in the city of Medan during the colonial period of Dutch East Indies, which is now Indonesia. Following the establishment of the Deli Company in 1869, the city was transformed rapidly from a small kampong (village) of a few hundred people into the largest city in Sumatra. When the Sultan of Deli moved his residence there in 1891, Medan became the capital of North Sumatra. Subsequent rapid development ushered in a western-centric architectural style used in a number of colonial buildings built in Medan.[1][2] These buildings range from houses, offices, hotels, stores, houses of worship, hospitals, and schools.[3] Despite its relatively late modernization compared to older cities like Jakarta and Makassar, Medan has an abundant colonial architectural heritage. 42 buildings have been officially declared of significant historical value.[4]
Medan is divided into three settlements. The colonial settlement is the city centre and contains central government infrastructure, the shopping area of Kesawan, the military area between the Deli and the Babura Rivers, the affluent tropical garden city of Polonia, the central market, as well as various churches, hospitals, schools, factories, train stations, and the former airport. The Chinese settlement is a dense area on the eastern side of the Deli River, and intersects with Kesawan. The sprawling Muslim native settlement is located around three Muslim architectural works: the Istana Maimun (1888), Istana Lama (late 19th-century, now demolished) and the Great Mosque (1907) at the southern end of the city next to Kesawan and the Chinese settlements. Here, the Dutch redesigned the main buildings in an Orientalistic-Imperialist style, symbolising the dominance of the colony's cultural and political control.[5]
Medan's architecture, was closely linked to Penang Island's, as wealthy residents and the colonial government hired British and Dutch architects from the Straits Settlements. The central open plaza was called the Esplanade, similar to the one in George Town; it is now called Lapangan Merdeka. Shophouse construction and facades mimic those in the Straits. Kesawan's architecture fuses Dutch-British Tropical styles. Like other Indies cities, junctions were designed as nodes, where the corner buildings have a unique facade facing the junction. These included towers, a rounded or oblique construction, or a set-back, giving each building a unique look resulting in different urban nodes. Examples include the AVROS building (now the BKS-PPS building) and the warenhuis (department store; now the mostly-abandoned Angkatan Muda Pembaharuan Indonesia building).[5]
Despite this abundance, many colonial buildings are being demolished or in threat of being demolished. Non-governmental organizations claimed that almost 90% of the 42 protected buildings had either been demolished or modified, despite provincial ruling No. 6/1988 which bans the tampering of these buildings. 73 buildings had not yet been protected; an example is the Mega Eltra building, constructed in 1912. It has since been demolished. Other heritage buildings that have been demolished are the Kerapatan building on Jl. Brig. Jen. Katamso, a bank building on Jl. Pemuda and the Public Works office on Jl. Listrik.[4] These events are reasoned to the lack of city planning by the city's officials and the minimal awareness of history in Medan.[3]
List of buildings
Eclecticism (before 20th century)
Some of the first colonial buildings of Medan were concentrated around the "Esplanade" (now the Lapangan Merdeka), the station area, and around the Sultan's palace. Many of the first buildings were simple wooden structures, such as the hoofdkantoor van de Deli Maatschappij te Medan (The head office of the Deli Company in Medan), which during the time of its opening in 1870 was also used for a church, an administration building, a hospital and a feast hall,[6] and the large wooden Old Sultan's Palace.
Last official name
Former names
Year
Architect
Location
Latest image
Oldest image
Agentschap van de NHM (Netherlands Trading Society) Demolished in 1930, on its site the Nederlands-Indische Handelsbank (now Bank Mandiri) was constructed
New technological possibilities gradually transformed the architectural style used in Medan into a modern form. Two architectural movements appeared in the Netherlands and the Netherlands East Indies: Dutch Rationalism and Traditionalism.[20]
The works of Hendrik Petrus Berlage were the main inspiration for Dutch Rationalism; the subsequent style in the tropical climate of Indonesia is known as the New Indies Style.[21] The style is the result of an attempt to develop new solutions to integrate traditional precedents with new technological possibilities. The best example in Medan is the Medan Post Office, a fusion of Romanesque arch, traditional Dutch-styled gables, and new technology.
The Traditionalist movement appeared in the 1910s. It is basically the revival of the late 19th-century eclecticism, but was inspired mainly by classicism. The best examples in Medan are Bank Indonesia (the former Javasche Bank, 1909) and the old Medan City Hall (1909). Unlike earlier low-quality architecture, the new traditionalist movement made use of modern materials, for example reinforced concrete and steel frames behind its classical facade. The classical facades are mostly of natural stone. The monumental character of this style was popular for offices, warehouses and garages.[20]
This period saw the emergence of Modernism and its varieties, namely Art Deco, Nieuwe Bouwen, Amsterdam School and other variations. Art Deco evolved from earlier Dutch Rationalism. The form is symmetrical and exudes technological progress and glamour, with rich colors and bold geometric shapes.
In the following period between the late 1930s and 1940s, Art Deco evolved into a new style known as Nieuwe Bouwen (the Dutch term for Modernism) or Functionalism. Instead of creating decorative styles on the facade, the architect creates style in the clear arrangement of space. These Nieuwe Bouwen buildings were less symmetrical and more expressive in form, using simple universal form such as cylinders or tubes, apparent in buildings such as the de Rex cinema building, now the Ria Restaurant (which was clumsily restored as an Art Deco style building) and the new building of the Medan railway station. Architect J.M. Groenewegen has made his mark on many of Medan's Nieuwe Bouwen buildings.[36]
Medan also became the ground for the implementation of Amsterdam School-styled buildings not found in many parts of Indonesia. The St. Elizabeth's hospital (1929) by J.M. Groenewegen and the original plan of Centrale Pasar (destroyed in a fire) show the influence of the Amsterdam School.
^ ab"Zwembad Medan" [Medan Swimming Pool]. Colonial architecture & townplanning (in Dutch). TU Delft. 2016. Archived from the original on 3 April 2016. Retrieved 3 April 2016.
^ ab"Sejarah RSUD Dr. Pirngadi Medan" [History of Dr. Pirngadi Regional General Hospital]. Rumah Sakit Umum Daerah Dr. Pirngadi (in Indonesian). 2013. Archived from the original on 27 March 2016. Retrieved 27 March 2016.
Thamrin, Mahandis Y. (19 August 2013). "Kisah di Balik Kubah Megah AVROS Medan" [Story behind the majestic dome of AVROS, Medan]. National Geographic Indonesia (in Indonesian). Archived from the original on 3 March 2016. Retrieved 3 March 2016.