List of 2018 box office number-one films in South Korea
The following is a list of 2018 box office number-one films in South Korea. When the number-one film in gross is not the same as the number-one film in admissions, both are listed.
- Highest-grossing film in South Korea's all-time weekend box office (second by admissions) - Dominated weekend box office with 95% revenue share - Became fastest film to reach 4 million admissions in South Korea's cinema history, and also the first film to reach 1.3 million admissions in a single day screening
- Fastest foreign film to reach 10 million admissions in South Korea. - Dominated box office with 57% revenue share - Became first 2018 release to have topped the weekend box office for 3 consecutive weeks
- Set new record as biggest opening day for a foreign film in South Korea with US$9.1 million gross and 1.18 million admissions - Dominated weekend box office with 72% revenue share
- Dominated weekend box office with 47% revenue share - Became first animated feature film to topped weekend box office in South Korea, since Your Name in January 2017 - Highest opening gross for a Pixar film in South Korea, beating previous record set by Toy Story 3
- Dominated weekend box office with 66% revenue share - Biggest opening day in July for a foreign film in South Korea with US$3.5 million gross - Highest opening weekend gross in the Mission: Impossible film series
Dominated weekend box office with 71% revenue share. Set various records during its opening weekend in South Korea:
- Set a new record for the biggest opening day by admissions with 1.25 million admissions, beating the record set by Jurassic World: Fallen Kingdom (1.18 million admissions)
- Set a new record for the biggest single day screening in both gross and admission (1.46 million admission with US$11.8 million gross on its fourth day of release (August 4, 2018). Beat the record set by Avengers: Infinity War (1.33 million admissions and US$11.4 million gross)
- Set a new record for becoming the fastest film to reach 3 (3 days), 5 and 6 (5 days) million admissions, beating previous record set by Train to Busan in 2016
- Set a new record for all-time biggest opening weekend both in gross and admission, with US$29.8 million gross.
Became first film in South Korea to reach 6 million admissions during its opening week (Wednesday to Sunday). Beating Train to Busan in 2016 (5.31 million admissions).
- Set a new record for becoming the fastest film to reach 7, 8, and 9 million admissions in South Korea - Suffer 58% drop on its second weekend, due to competitive debut weekend for The Spy Gone North
Dominated 30% of revenue share, while total 75% of revenue share dominated by domestic films. Local films take top four spots at weekend Box Office, for the first time since August last year in the same week (34th week)
- Dominated weekend box office with 50% revenue share - Increased 62% in gross compared to its debut weekend, biggest second weekend increase for a foreign film that topped box office in South Korea, beat previous record (+18.9%) set by Frozen in 2014 - First foreign thriller film to topped box office since Gone Girl in 2014
- First foreign thriller film to have topped box office for 2 consecutive weeks, since Gone Girl in 2014 - Managed to lead the box office despite the period blockbuster Monstrum and American sci-fi action The Predator debut on the same weekend
- Dominated 43% of revenue share, local films are taking the top four spots at weekend box office - Becoming fastest Chuseok Holiday film to surpassed 3 million admissions, beat previous record set by Masquerade in 2012
- Dominated 44% of revenue share, head-to-head with Dark Figure of Crime which released on the same day (grossed US$7.9 million with 38% revenue share) - Biggest opening day for Marvel Character solo film in South Korea all-time - Fourth biggest opening day for a foreign film in South Korea all-time
- Rose to first place during its second weekend, though having 44% drop in gross compared to its debut weekend - Along with Venom (grossed US$3.9 million), the two films together accounted 70% of revenue share.
- Dominated 29% of revenue share, head-to-head with Dark Figure of Crime which grossed US$2.5 million with 25% revenue share - Lowest attendance for film that topped box office this year (349,875 attendance from 3 days weekend)
- Dominated box office with 52% revenue share - Highest opening day and debut weekend for a domestic comedy film since Luck Key in 2016 - Fastest comedy film to surpassed 1 million admissions this year