The effect is named after its creator, comic artist Jack Kirby.[3] While the Kirby Krackle in its mature form first appeared in Kirby's work during 1965–1966 (in Fantastic Four and Thor),[2] comics historian Harry Mendryk of the Jack Kirby Museum & Research Center has traced the earliest version of the stylistic device as far back as 1940 to Jack Kirby and Joe Simon's Blue Bolt #5. As Joe Simon was the inker on that comic, he may have been partially responsible for the look of the proto-Kirby Krackle. Examples of a transitional form of the Kirby Krackle appear in two of Kirby's stories from the late 1950s: The Man Who Collected Planets from 1957 (pencils and inks by Kirby) and The Negative Man from 1959 (inks attributed to Marvin Stein).[3] The effects were used during the transformation sequences in the Ben 10 franchise.
For Kirby, the human body is a manifestation or crystallization of finally inexplicable energies—a superbody. [...] What Mesmer called animal magnetism, Reichenbach knew as the blue od, and Reich saw as a radiating blue cosmic orgone becomes in Jack Kirby a trademark energetics signaled by "burst lines" and a unique energy field of black, blobby dots that has come to be affectionately known as the "Kirby Krackle" [...]. The final result was a vision of the human being as a body of frozen energy that, like an atomic bomb, could be released with stunning effects, for good or for evil. These metaphysical energies, I want to suggest, constitute the secret Source of Kirby's art.[9]
References
^Crowder, Craig (2010). "Kirby, Jack". In Booker, M. Keith (ed.). Encyclopedia of Comic Books and Graphic Novels. Santa Barbara, CA: ABC-CLIO. p. 353.
^ abcMendryk, Harry (September 3, 2011). "Evolution of Kirby Krackle". Jack Kirby Museum: "Simon and Kirby". Archived from the original on June 4, 2012. Retrieved April 30, 2015.